Rimsky tried to remember why he had said any such thing. The matter must

be as Ilya said—no one would give a beggar’s kopeck to know where

Kirsakoff lived. For that matter, Rimsky cared about nothing. The world

was a very pleasant place for all people said about bad times. He could

feel himself slipping away into a delicious unconsciousness, and he

talked aloud the thoughts which crossed his mind.

“There is something wrong about this,” he confided to himself, unaware

that Ilya could hear what was said. Then he went on, head on chest, and

almost under the table, muttering into his whiskers.

“The American officer—no, a Russian—well, the American officer—he wants

to know where Michael lives. And he—will pay well. Didn’t he come to my

place asking about the old Governor? And where did he go? Yes, the

Dauria, I remember, even if I am drunk—to the Dauria, where the

Bolsheviki smashed all the windows. I know. I remember the time my

father’s cow fell in the river. Was Ilya there? No. How could Ilya be

there—I am dreaming now. Let us all—be merry, for this is Carnival. Am I

not a young man? That is right—dance—dance——”

Rimsky began to snore softly. The gypsy girl came and grinned at Ilya,

who reached out unsteadily and plucked the flame from the candle.

“Let him sleep,” said Ilya to the girl. “He is a good fellow,” and

putting the cork back into the vodka-bottle which was half full by the

best of good luck, he slipped it into his pocket, pulled his ragged old

coat about his shoulders and tightened the rope belt. Then he slipped

out of the restaurant, chuckling at his cleverness at putting Rimsky

under the table and learning something which might put money into his

own purse. Besides, he had the half-bottle of vodka.

He made up his mind to go at once to the house of Michael Alexandrovitch

Kirsakoff and sell the news he had heard—an American officer was at the

Hotel Dauria and wanted to find the old Governor. Perhaps Michael would

give five rubles for that news—if not five, then four, anyhow, a piece

of boiled partridge. But Ilya decided that he would do his best to get

five rubles. Michael Kirsakoff had plenty of money, and who was he

anyway?—once a Governor, true, but no better now than Ilya Andreitch.

------------------------------------------------------------------------

VIII

PETER LAYS HIS PLANS

PETER went back to the Hotel Dauria after his talk with Rimsky. The

sleepy-eyed youth who had promised a room, carried Peter’s baggage to

the upper floor, where Peter signed the register in a cage-like little

office.

Then they went on down a hall past a dining room which was deserted.

Peter looked in. It was filled with battered tables, tubbed rubber

plants in the window sills, and crazy chairs which had been used in

defense and had legs in splints.

The walls had been stripped of paper. The mirrors of the buffet-counter

at one end of the room had been smashed out and triangles of broken

glass still stuck in the frames. The curtains had been pulled from the

poles over the windows and the doors. Painted decorations on the

wainscoting had been smeared with the contents of catsup and vinegar

bottles, which had burst against the walls like star shells and the

acids had discolored the pictures of the crude drawings so that the wall

was spotted and leprous-looking.

Peter was taken to a large room at the end of the hall. It had three

double windows overlooking the end of a side street that ran into the

Sofistkaya, with a view of the latter. He could see the old post-house

and the roof of Rimsky’s hut sticking up between two higher buildings.

There was an iron bed without bedding. There was a standing screen in

front of it. The chairs had been broken but were repaired. There were

slashes in the woodwork about the door where bayonets had evidently been

thrust at former guests. And some of the guests had fared badly, judging

by the dark stains on the old oilcloth which covered the floor.

The plaster of the walls was pitted with bullet-holes, especially

opposite the windows, and the panes of glass were newly puttied and

still marked with the thumb-prints of the workmen.

“Can I have my meals served in the room?” asked Peter. The youth yawned.

“Yes. If you pay extra. Ring this bell three times for the samovar

girl,” and he pointed to a button in the wall near the door, and the

youth departed, as if afraid that he would be asked to do something.

There was an electric drop lamp on a writing table, and running water in

a little sink against the wall behind the screen. There was a tall

wardrobe set against a second door which evidently led to another room.

It was hard for Peter to realize that Chita could be so modern. And the

room, poor as it was, seemed like a palace to Peter. His mind had been

readjusted to the things he had known as a boy by his visit to Rimsky.

Peter Petrovitch Gorekin would have thought himself a king to have a

room like this one in which Peter Gordon was to live.

But there was no Peter Gordon now. Peter Gorekin was back in Chita. The

scene which opened to him from the windows had been for twenty years in

the back of his brain. The little hut, the post-house, the Sofistkaya!

He found it hard to believe that he had ever been away from Chita at

all.

He sat down by the window. The mild heat from the radiator had thawed

away most of the frost in the panes and he looked out over the city.

Things that had been but memories were now real, truly existing before

his eyes in spite of his years of trying to blur their images out of his

mind.

The old superstitions of peasants and exiles which he had learned in his

father’s hut as a boy returned to his mind—tales of werewolves who took

the shapes of men for diabolical purposes. Was there not something in it

all? Was not he himself something like a werewolf? Was he not a Russian

in an American coat? Michael Kirsakoff would never suspect an American

officer of being the son of a dead exile. Nor would Kirsakoff suspect an

American officer of being the same poor boy who had been thrown into

prison for a whim—now come for vengeance.

The mysticism inherent in his race, the queer inarticulate yearnings and

the dissatisfactions of the Slavic soul, came to the surface in Peter’s

consciousness. But now he had knowledge of things, and power, and the

means of carrying out his own ends. He would play the game carefully to

an end in Chita, and then go on to Irkutsk without any one’s suspecting

that the American officer had killed Kirsakoff.

He began to think of his return to Chita as a holy mission. Affairs had

turned out well for him from the first. He had managed to get to Siberia

instead of going to France. He had managed to get himself ordered to

Irkutsk, and had slipped away from his Russian orderly with no one the

wiser that Peter Gordon was really a Russian. And there was every

evidence that Kirsakoff was still alive and that he was still in Chita.

The reticence of Rimsky in discussing Kirsakoff was proof enough to

Peter that the former Governor might be found somewhere in the Valley of

Despair.

He took off his tunic and rang for a samovar. A slattern of a girl,

dirty and unkempt, came trembling to the door to ask what was wanted.

She was not more than fifteen—round-cheeked, with scared blue eyes, and

brown hair down her back. She was wearing men’s cast-off old shoes.

Peter looked at her with pity.

“Will you bring me some spice-cakes and a samovar?” he asked gently.

“Yes, master,” she said, and turned to escape.

“Don’t be frightened,” said Peter. “I am an American.”

“Yes, master,” she repeated. But she had no comprehension of what he had

said.

“Here are five rubles for you,” said Peter, holding out the note to her.

But she fled through the door as he moved toward her.

“The same old system working,” thought Peter, as he watched the poor

girl running down the hall. “The poor people frightened out of their

wits by the ruling class! Damn such a country!”

He closed the door. He realized now that oppression was not dead in the

country. His years in America had dimmed his memories of such scenes. He

had begun to think that the revolution had bettered conditions for the

people, that in the twenty years since he was a boy in Siberia there had

been improvement.

The old rage began to grow in him again. He lusted to kill. He wanted to

help the people, aside from his own blood vengeance. He wondered if his

dead father had not been able to help in having the son return to Chita.

His return might be in the nature of a destiny which it would be sinful

to avoid, even divine in its workings. It was all as if some controlling

star had put power into his hands, and had swung him back to the land of

his boyhood. It would be impossible to go against fate. He felt that no

man could stand out against what had every sign of being a directed

destiny.

Peter was filled with a strange exaltation, a very frenzy of joy over

the thought that it would now be possible to pay off his old debt of

revenge against Michael Kirsakoff. The words of an old folk song began

to run through his mind and he hummed it gently, pausing to catch some

of the almost forgotten words.

He got out his razor and shaved himself before the big wall mirror

between the windows. The peace and quiet of his room were luxuries after

the days and nights of living and sleeping on the pounding train among

the Czech soldiers. He had time now for careful planning, and he desired

to make the acquaintance of Kirsakoff at leisure, arrange the details of

how the Governor should be killed and then carry through the project

with all possible skill so that his tracks might be covered. There would

be many pitfalls to avoid, many nicely balanced circumstances.

It would not be enough for Peter merely to kill Kirsakoff. The Governor

must know who brought death to him, must understand before he was sent

into eternity that it was Peter Petrovitch Gorekin, son of the

bootmaker, who took vengeance.

The girl came with the samovar and the cakes and left them on the table.

She fled again without taking the five-ruble note which Peter had left

upon the table for her.

Peter sat by the window and ate and drank. The sun dropped behind the

rim of the hill and twilight came swiftly. In the street below a line of

rude carts passed, drawn by frosty ponies with their drivers plodding

along behind the carts. They walked like men in their sleep, oblivious

of everything about them and steeped in the torturing cold.

Farther up the street four men were drifting about aimlessly, tipsy with

vodka. They drew together at times to engage in maudlin argument, and

staggered about like clumsy bears, lurching at one another in wild

plunges and falling in the street.

The four roisterers disappeared. A squad of Japanese soldiers came

stumbling down the street, evidently going on guard at the station for

the night. They appeared to be half frozen, but they doggedly maintained

some semblance of military formation. Their heads were so wrapped in

cloths that they could hardly see their way, and the fur straps across

their faces were white with frost from the moisture of their nostrils.

Their big shoes were stuffed with straw, which hung out over the tops.

The agonizing cold, despite the heavy clothing of the men, had

penetrated to their bodies and had chilled them to a condition akin to

lethargy. They walked as if through semiliquid air which impeded their

movements.

Peter remained by the window smoking, while the frost gradually grew up

the windows. He was wondering how he could find Kirsakoff. It would not

do to make direct inquiries. It might be possible to draw more from

Rimsky, but it would be wise to wait before pressing the

cigarette-seller to talk about Kirsakoff. The graybeard would be

suspicious—he was already suspicious that Peter had some other motive in

going to the hut than buying cigarettes. Yes, it would be safer to keep

away from Rimsky for a few days, and perhaps wise not to move about the

city too much and start gossip. He might be watched at first, but after

a few days his presence in the city would be taken as a matter of

course. Then he could begin his quest for Kirsakoff.

With this decision for the future, Peter prepared for bed.

------------------------------------------------------------------------

IX

ILYA USES HIS WITS

ILYA ANDREITCH, having left Rimsky in a state of gorgeous befuddlement

at the gypsy’s restaurant, hurried up the street to the house of Michael

Kirsakoff and his daughter. It would be great news, the coming of an

American who wished to find Kirsakoff. It might be a government matter,

for as everybody with an ounce of brains in his head knew, the Americans

were going to take full control of Russia—some wise folk even said that

the Americans would annex Russia as a province of America. Others said

the Czar had gone to America and had conquered it, including Venice.

Those were matters which Ilya considered in spare moments; just now he

felt that this news of the American needed full attention.

Ilya could see the glowing coals of a sentinels’ bonfire up near the

church. Also, there were sounds of music and singing in the direction of

a barrack, and the rattle of a droshky coming across the little bridge

over the Ingoda. So he did not feel too lonely. There was no moon up

yet, but the stars were out and hanging low. The thin, sweet air

drenched his lungs, and cleared his brain somewhat.

Now he heard a man walking near by. Ilya stopped to listen, cocking his

head to one side. But when Ilya stopped, the man stopped also—and then

Ilya realized that it was his own footsteps which he had heard,

crunching the hard snow musically. He laughed discreetly, taking care

that the sentries should not hear him, and started on again toward the

outer rim of the city.

But he was a little afraid that he might not get past some of the sentry

groups without being stopped and questioned, or perhaps arrested. He got

off the hard walk and into the center of the sandy street, so that his

boots would not make a noise. He got out his bottle—the bottle which he

had taken from the restaurant table—and had a swig from it to give

himself courage. It would be no simple matter to go talking to

Kirsakoff, who, though an Excellence, was a cruel old bones of a man.

But Ilya reflected that times had changed. He was as good as anybody

now, and knew as much as anybody. The revolution had done that for him,

and a revolution was good fun. Was not even Rimsky, who had once held

himself to be better than a _moujik_, now buying vodka for _moujiks_?

Hurrah for the revolution! And as for that, hadn’t he fooled Rimsky and

drawn from him the news that the American had come to see Kirsakoff?

That was proof enough as to who had the better wit. Ilya gave himself

credit for the manner in which he had handled the whole matter.

Kirsakoff should give at least five rubles for the news, not a kopeck

less. Ilya settled that to his own satisfaction, took another swig, and

went on. A wolf howled in the hills above the city, and Ilya crossed

himself against the wiles of the devil.

He passed the black dome of the church. The air was like crystal and

nothing cast a shadow, not even the iron fence about the old cemetery of

the church. And when the stars are so bright and hang so low that

nothing throws a shadow, there are witches about.

Ilya hurried on, getting more nervous with every step, till he was in

the outer limits of the city. Then he crossed some old gardens to get in

among the log houses which stood at the end of the street. In that way

he avoided a group of sentries who were singing about their fire.

He located Kirsakoff’s house. It stood on a corner of two streets, with

a log wall enclosing the _dvor_, or courtyard—the garden, the well, the

wagon-sheds. The windows let out no light, but stood out like tablets of

ivory set into the dark house, their frosty panes glistening under the

stars.

Ilya went round to the great gate. Some old water casks were lying about

it in disorder. One of them was close to the wall of the court. Ilya

moved it a little, and mounting it, reached up to some old cords and

dead vines running along the top of the logs. He took off his mittens

and felt for a cord that had tied in it a certain number of knots. He

pulled it thrice, and then climbed down from the cask, and stood in

close to the wall, so that any person looking up the street would not

see him, for his figure would be merged with the dark background of the

wall.

A sentry-fire burned redly out in the end of the street. A few dark

figures were visible about it. Somewhere Ilya heard a Cossack challenge,

and the rattle of a riflebolt in the crisp air. A pig began to squeal

away in the direction of the Chinese quarter. Ilya missed the friendly

barking of dogs, for the dogs of the city had somehow disappeared since

the troubles came and many people were starving. The unnatural stillness

of the night held a covert menace, as if all creatures, humans and wild

beasts, were walking about on their toes in dread, or crouched to spring

upon some lurking enemy. It was likely that hill tigers were about. The

occasional howl of a wolf seemed to be tinged with a note of triumph, as

if they were waiting for their old wilderness to be restored to them by

men. The wolves were once more hunting close to the city and getting

arrogant and fat. Men were too busy hunting each other to waste time or

ammunition on the great packs of timber wolves.

A small door in the wall, close to where Ilya stood, opened inward a few

inches, slowly and cautiously, for the frost cracked the ancient hinges

with sharp complaints.

“It is Ilya—Ilya Andreitch,” he whispered into the aperture of the gate.

“You are a fool to come here in the starlight,” growled Wassili. “Are

you blind, that you cannot see the brightness of the stars, or have you

a mole for an uncle?”

“What does it matter?” whispered Ilya easily. He did not mind being

insulted by Wassili, knowing in time that he would have the laugh on

Kirsakoff’s _moujik_.

The gate opened a few more inches, and Ilya needed no greater hint, but

slipped through, and the gate closed after him.

“You smell like a _kabak_,” grumbled Wassili.

“That is why you opened the gate,” said Ilya with a chuckle. “You have a

nose for vodka, even if you are not civil to your friends.”

“But you will be seen by enemies, to come here so boldly,” went on

Wassili, not so easily altered in his temper.

“I? No one saw me. I am as secret as an owl. Those fools of soldiers are

all drunk and talking in their sleep. They shoot their guns at the moon

every night, to scare honest folk away.”

“What brings you?” demanded Wassili. “Am I to stand here freezing

because you want to gossip?”

“I came to talk with Michael Alexandrovitch,” said Ilya with pomposity.

He swayed unsteadily on his feet, for the vodka he had drunk was again

asserting its potency because he had been standing still so long outside

the gate. He blew gently down into his whiskers to melt away the ice

which had formed in the bristles from his breath.

“Hmf!” growled Wassili. “Perhaps you think Michael Alexandrovitch has

baked a pig for your coming? Have you forgotten that Michael

Alexandrovitch is an Excellence?”

“I am as good as he, Excellence or no Excellence,” retorted Ilya. “What

I remember is the revolution, and that Ilya Andreitch is as good as the

Czar. But I have brought news for the Excellence. Are we to stand here

warming the night with our breaths, when Michael Alexandrovitch would be

glad to know what I know?”

“He could salt his porridge with what you know,” scorned Wassili. “What

news do you bring?” He was still doubtful of the legitimacy of Ilya’s

visit, and suspected his coming to be a desire for drunken argument.

“When a man brings news in these times, he might have a glass of hot

tea,” hinted Ilya. “It is about government, and I have come with big

news about what is being done outside this place.”

“You have brought a monkey with you, that is what,” muttered Wassili,

meaning that Ilya was foolishly drunk. But he fastened the bolt of the

gate. He was now shivering with the cold and sulky about it, though he

did not dare risk sending Ilya away if there was any chance of valuable

information’s coming to the attention of his master, Kirsakoff.

“Whoosh! Is not a monkey smarter than a fox? You old pothead, you sit

here all day looking at your feet, while I learn government news and

risk my neck to bring it here and——”

“Be still!” commanded Wassili. “You can be heard to the hills a night

like this! You smell of fresh-killed pig and vodka, for all your

government talk. Is that the way to come to the house of Excellence?

Follow along with that noisy tongue of yours, but keep your fingers on

it, for it wags too freely and you will lose it along with your head, if

you are not careful.”

“Yes, and I’ll bring a drink of vodka along for you, if you have a fire

in your samovar, you old spider.”

“It is good you bring something besides talk,” grumbled Wassili, as he

led the way under the overhanging roof of the shed and along through the

gloom to the door of the kitchen. Ilya stumbled along after him,

blundering among the kettles and other gear and making such a racket

that Wassili cursed him for having too many legs. But Ilya, in a gay

mood, chuckled into his beard and was only concerned lest he lose his

footing and have a tumble that would break the precious bottle in his

pocket.

They entered the kitchen, which had its windows hung with old blankets

to keep the light hidden. There was a wall-stove and a cooking stove

with ovens built of stone. A candle burned on the table. There were

partridge feathers in a sink and the remnants of cabbages that had been

cut up on a board. A big earthen jar of gooseberry jam stood open on the

table and beside it a fat yellow bowl full of white honey, which gave

off a sweet odor and made Ilya think of bees in the fields in summer.

Wassili sat down and rested his elbows on the table. His pockmarked face

had a glum look, and his pale yellow whiskers bristled with belligerency

for Ilya, as if the _moujik_ were in for trouble unless his story should

be of sufficient import for the visit. Wassili’s blue caftan, pale and

washed out like the garment of a Chinese coolie, was strapped about him

with a bit of scarlet cloth which had once been embroidered. His feet

were wrapped in skins, ready to be slipped into the big boots standing

limply by the bench upon which he sat. He had not put them on when he

went out to admit Ilya.

“Let us be merry while we can,” began Ilya, anxious to improve the

atmosphere of the kitchen as represented by the scowling Wassili. So

Ilya threw himself down sprawlingly on a bench opposite Wassili, and

loosened the old rope about his coat. Then he pulled his bottle from his

pocket with a flourish of good-fellowship and slammed it down upon the

table with a thump. “We will all be dead in time that will come soon

enough, so I will have a glass of tea and a spice-cake before I talk

with the Excellence.”

“The wind is full of news,” said Wassili sadly, but the sight of the

bottle put him in slightly better humor. He leaned down and squinted

across it, to gauge its contents.

“How is the health of Excellence?” asked Ilya, his courage bolstered by

a sudden remembrance of his own importance and a desire to return to the

subject of statecraft in connection with Michael Kirsakoff.

Without answering, Wassili poured himself a generous draft from the

bottle into a thick glass, and nodding to Ilya in place of speaking a

health, tossed the liquor off with a clicking sound in his throat and a

harsh appreciative grunt.

“Bring the spice-cakes and the glasses for tea,” he called out to the

other room. An old serving woman peered into the kitchen, appraised Ilya

with critical eyes, and then shambled away for the cakes and glasses.

Ilya’s yellowed teeth grinned across the table at Wassili.

“Now when am I to talk with Michael Alexandrovitch, eh?” he demanded,

crossing his legs importantly and rubbing one knee with his paw of a

hand. “Don’t forget why I have come, Wassili, and that my business is

with the master.”

“You will see Excellence when you see him,” said Wassili.

“True!” said Ilya. “But I shall not leave that to you, if I have to

hammer him up myself. This is a matter of government.”

“There is no one in the house but the old woman and myself,” said

Wassili, with a flourish of his arm. “Excellence is gone, and your

whiskers will be longer before you see him.”

“May the devil tear out your tongue, for it does not speak the truth,”

said Ilya without anger. “This is not a time for lying, when your master

is waiting for news from me.”

Wassili flourished his arm as an expression of his annoyance, and

blurted out surlily, “Then go above for yourself and see, if you know

better than I.”

The Samovar Girl · 第 7 / 20 段