CHAPTER V

1

Then all these years they might have been going sometimes to those

lectures. Pater talking about them--telling about old Rayleigh and old

Kelvin as if they were his intimates--flinging out remarks as if he

wanted to talk and his audience were incapable of appreciation ...

light, heat, electricity, sound-waves; and _never_ saying that members

could take friends or that there were special lectures for children ...

Sir Robert Ball ... "a fascinating Irish fellow with the gift of the gab

who made a volcano an amusing reality" Krakatoa ... that year of

wonderful sunsets and afterglows ... the air half round the world, full

of fine dust ... it seemed cruel ... deprivation ... all those years;

all that wonderful knowledge just at hand. And now it was coming, the

Royal Institution ... this evening. She must find out whether one had to

dress and exactly how one got in. Albemarle Street.... It all went on in

_Albemarle_ Street.

2

"We might meet" said Mr. Hancock, busily washing his hands and lifting

them in the air to shake back his coat sleeves. Miriam listened from her

corner behind the instrument cabinet, stupid with incredulity; he

_could_ not be speaking of the lecture ... he must be ... he had meant

all the time that he was going to be with her at the lecture.

"... in the library at half past eight."

"Oh yes" she replied casually.

3

To sit hearing the very best in the intellectual life of London, the

very best science there was; the inner circle suddenly open ... the

curious quiet happy laughter that went through the world with the idea

of the breaking up of air and water and rays of light; the strange

_love_ that came suddenly to them all in the object lesson classes at

Banbury Park. That was to begin again ... but now not only books, not

the strange heavenly difficult success of showing the children the

things that had been found out; but the latest newest things from the

men themselves--there would be an audience and a happy man with a lit

face talking about things he had just found out. Even if one did not

understand there would be that. Fancy Mr. Hancock being a member and

always going and not talking about it ... at lunch. He must know an

enormous number of things besides the wonders of dentistry and pottery

and Japanese art.

It was education ... a liberal education. It made up for only being able

to say one was secretary to a dentist at a pound a week ... it sounded

strange at the end of twelve years of education and five months in

Germany and two teaching posts--to people who could not see how

wonderful it was from the inside; and the strange meaning and rightness

there was; there had been a meaning in Mr. Hancock from the beginning, a

sort of meaning in her privilege of associating with fine rare people,

so different to herself and yet coming one after another, like questions

into her life, and staying until she understood ... somebody struggled

all night with the angel ... I will not let thee go until thou bless me

... and there was some meaning--of course, meanings everywhere ...

perhaps a person inside a life could always feel meanings ... or perhaps

only those who had moved from one experience to another could get that

curious feeling of a real self that stayed the same through thing after

thing.

4

"This is the library" said Mr. Hancock leading Miriam along from the

landing at the top of the wide red-carpeted staircase. It seemed a vast

room--rooms leading one out of the other, lit with soft red lights and

giving a general effect of redness, dull crimson velvet in a dull red

glow and people, standing in groups and walking about--a quite new kind

of people. Miriam glanced at her companion. He looked in place; he was

in his right place; these were his people; people with gentle

enlightened faces and keen enlightened faces. They were all alike in

some way. If the room caught fire there would be no panic. They were

gentle, shyly gentle or pompously gentle, but all the same and in

agreement because they all knew everything, the real important difficult

things. Some of them were discussing and disagreeing; many of the

women's faces had questions and disagreements on them and they were

nearly all worn with thought; but they would disagree in a way that was

not quarrelsome, because everyone in the room was sure of the importance

of the things they were discussing ... they were all a part of

science.... "Science is always right and the same, religion cannot touch

it or be reconciled with it, theories may modify or cancel each other

but the methods of science are one and unvarying. To question that

fundamental truth is irreligious" ... these people were that in the type

of their minds--one and unvarying; always looking out at something with

gentle intelligence or keen intelligence ... this was Alma's world ...

it would be something to talk to Alma about. There was something they

were not. They were not ... jolly. They could not be. They would never

stop "looking." Culture and refinement; with something about it that

made them quite different to the worldly people, a touch of rawness, raw

school harshness about them that was unconscious of itself and could not

come to life. Their shoulders and the backs of their heads could never

come to life. It gave them a kind of deadness that was quite unlike the

deadness of the worldly people, not nearly so dreadful--rather funny and

likable. One could imagine them all washing, very carefully, in an

abstracted way still looking and thinking and always with the

advancement of science on their minds; never really aware of anything

behind or around them because of the wonders of science. Seeing these

people changed science a little. They were almost something tremendous;

but not quite.

5

"That's old Huggins" murmured Mr. Hancock, giving Miriam's arm a gentle

nudge as a white-haired old man passed close by them with an old woman

at his side, with short white hair exactly like him. "The man who

invented spectrum analysis--and that's his wife; they're both great

fishermen." Miriam gazed. _There_, was the splendid thing.... In her

mind blazed the coloured bars of the spectrum. In the room was the light

of the beauty, the startling _life_ these two old people shed from every

part of their persons. The room blazed in the light they shed. She stood

staring, moving to watch their gentle living movements. They moved as

though the air through which they moved was a living medium,--as though

everything were alive all round them--in a sort of hushed vitality. They

were young. She felt she had never seen anyone so young. She longed to

confront them just once, to stand for a moment the tide in which they

lived.

"_Ah_ Meesturra Hancock--you _are_ a faceful votary."

That's a German, thought Miriam, as the flattering deep caressing

gutturals rebounded dreadfully from her startled consciousness. What a

determined intrusion. How did he come to know such a person? Glancing

she met a pair of swiftly calculating eyes fixed full on her face. There

was fuzzy black hair lifted back from an anxious, yellowish, preoccupied

little face. Under the face came the high collar-band of a

tightly-fitting dark claret-coloured ribbed silk bodice, fastened from

the neck to the end of the pointed peak by a row of small round German

buttons, closely decorated with a gilded pattern. Mr. Hancock was

smiling an indulgent, deprecating smile. He made an introduction and

Miriam felt her hand tightly clasped and held by a small compelling

hand, while she sought for an answer to a challenge as to her interest

in science. "I don't really know anything about it" she said vaguely,

strongly urged to display her knowledge of German. The eyes were removed

from her face and the little lady boldly planted and gazing about her

made announcements to Mr. Hancock--about the fascinating subject of the

lecture and her hopes of a large and appreciative audience.

What did she want? She could not possibly fail to see that Mr. Hancock

was telling her that he could see through her social insincerities. It

was dreadful to find that even here there were social insincerities. She

was like a busy ambassador for things that belonged somewhere else and

that he was laughing at in an indulgent, deprecating way that must make

her blaze with an anger that she did not show. Looking at her as her

eyes and mouth made and fired their busy sentences, Miriam suddenly felt

that it would be easy to deal with her, take her into a corner and talk

about German things, food and love affairs and poetry and music. But she

would always be breaking away to make a determined intrusion on somebody

she knew. She could not really know any English person. What was she

doing, bearing herself so easily in the inner circle of English science?

Treating people as if she knew all about them and they were all alike.

How surprised she must often be, and puzzled.

6

"That was Miss Teresa Szigmondy" said Mr. Hancock, reproducing his

amused smile as they took their seats in the dark theatre.

"Is she German?"

"Well ... I think, as a matter of fact, she's part Austro-Hungarian and

part--well, _Hebrew_." A Jewess ... Miriam left her surroundings,

pondering over a sudden little thread of memory. An eager, very

bright-eyed, curiously dimpling school-girl face peering into hers, and

a whispering voice--"D'you know why we don't go down to prayers? 'Cos

we're _Jews_"--they had always been late; fresh faced and shiny haired

and untidy and late and clever in a strange brisk way and talkative and

easy and popular with the teachers.... Their guttural voices ringing out

about the stairs and passages, deep and loud and stronger than any of

the voices of the other girls. The Hyamson girls--they had been

foreigners, like the Siggs and the de Bevers, but different ... what was

the difference in a Jew? Mr. Hancock seemed to think it was a sort of

disgraceful joke ... what was it? Max Sonnenheim had been a Jew, of

course, the same voice. Banbury Park "full of Jews" ... the Brooms said

that in patient contemptuous voices. But what _was_ it? What did

everybody mean about them?

"Is she scientific?"

"She seems to be interested in science" smiled Mr. Hancock.

"How funny of her to ask me to go to tea with her just because you told

her I knew German."

"Well, you go; if you're interested in seeing notabilities you'll meet

all kinds of wonderful people at her house. She knows everybody. She's

the niece of a great Hungarian poet. I believe he's to be seen there

sometimes. They're all coming in now." Mr. Hancock named the great names

of science one by one as the shyly gentle and the pompously gentle

little old men ambled and marched into the well of the theatre and took

their seats in a circle round the central green table.

7

"_There's_ a pretty lady" said Mr. Hancock, conversationally, just as

the light was lowered. Miriam glanced across the half circle of faintly

shining faces and saw an effect, a smoothly coiffured head and smooth

neck and shoulders draped by a low deep circular flounce of lace rising

from the gloom of a dark dress, sweep in through a side door bending and

swaying--"or a pretty dress at any rate"--and sat through the first

minutes of the lecture, recalling the bearing and manner of the figure,

with sad fierce bitterness. Mr. Hancock admired "feminine" women ... or

at any rate he was bored by her own heavy silence and driven into random

speech by the sudden dip and sweep of the lace appearing in the light of

the doorway. He was surprised himself by his sudden speech and half

corrected it ... "or a pretty dress." ... But anyhow he, even he, was

one of those men who do not know that an effect like that was just an

effect, a deliberate "charming" feminine effect. But if he did not know

that, did not know that it was a trick and the whole advertising manner,

the delicate, plunging fall of the feet down the steps--"I am late; look

how nicely and quietly I am doing it; look at me being late and

apologetic and interested"--out of place in the circumstances; then what

was he doing here at all? Did he _want_ science or would he really

rather be in a drawing room with "pretty ladies" advertising effects and

being "arch" in a polite, dignified, lady-like manner? How dingy and

dull and unromantic and unfeminine he must find her. She sat in a lively

misery, following the whirling circle of thoughts round and round,

stabbed by their dull thorns, and trying to drag her pain-darkened mind

to meet the claim of the platform, where, in a square of clear light, a

little figure stood talking eagerly and quietly in careful slow English.

Presently the voice on the platform won her--clear and with its curious,

even, unaccented rat-tat-tat flowing and modulated with pure passion,

the thrill of truth and revelation running alive and life-giving through

every word. That, at least, she was sharing with her companion ...

"development-in-thee-method-of-intaircepting-thee-light." "Daguerre" ...

a little Frenchman stopping the sunlight, breaking it up, making it

paint faces in filmy black and white on a glass.... There would only be

a few women like the one with the frill in an audience like this ...

"women will talk shamelessly at a concert or an opera, and chatter on a

mountain top in the presence of a magnificent panorama; their paganism

is incurable." Then men mustn't stare at them and treat them as works of

art. It was entirely the fault of men ... perfectly reasonable that the

women who got that sort of admiration from men should assert themselves

in the presence of other works of art. The thing men called the noblest

work of God must be bigger than the work by a man. Men plumed themselves

and talked in a clever expert way about women and never thought of their

own share in the way those women went on ... unfair, unfair; men were

stupid complacent idiots. But they were wonderful with their brains. The

life and air and fresh breath coming up from the platform amongst the

miseries and uncertainties lurking in the audience was a man ... waves

of light which would rush through the film at an enormous speed and get

away into space without leaving any impression were stopped by some

special kind of film and went surging up and down in confinement--making

strata ... supairposeetion of strata ... no Englishman could move his

hands with that smoothness, making you see. "Violet subchloride of

silver." That would interest Mr. Hancock's chemistry. She glanced at the

figure sitting very still, with bent head, at her side. He was asleep.

Her thoughts recoiled from the platform and bent inwards, circling on

their miseries. That was the end, for him, of coming to a lecture, with

her. If she had been the frilled lady, sitting forward with her

forward-falling frill, patronising the lecture and "exhibiting" her

interest he would not have gone to sleep.

8

When the colour photographs came, Miriam was too happy for thought.

Pictures of stained glass, hard crude clear brilliant opaque flat

colour, stood in miraculous squares on the screen and pieces of gardens,

grass and flowers and trees shining with a shadeless blinding

brilliance.

She made vague sounds. "It's a wonderful achievement" said Mr. Hancock,

smiling with grave delighted approval towards the screen. Miriam felt

that he understood, as her ignorance could not do, exactly what it all

meant scientifically; but there was something else in the things as they

stood, blinding, there that he did not see. It was something that she

had seen somewhere, often.

"They'll never touch pictures."

"Oh no--there's no atmosphere; but there's something else; they're

exactly like something else...."

Mr. Hancock laughed, a little final crushing laugh that turned away

sceptical of further enlightenment.

Miriam sat silent, busily searching for something to express the effect

she felt. But she could not tell him what she felt. There was something

in this intense hard rich colour like something one sometimes _saw_ when

it wasn't there, a sudden brightening and brightening of all colours

till you felt something must break if they grew any brighter--or in the

dark, or in one's mind, suddenly, at any time, unearthly brilliance. He

would laugh and think one a little insane; but it was the real certain

thing; the one real certain happy thing. And he would not have patience

to hear her try to explain; and by that he robbed her of the power of

trying to explain. He was not interested in what she thought. Not

interested. His own thoughts were statements, things that had been

agreed upon and disputed and that people bandied about, competing with

each other to put them cleverly. They were not _things_. It was only by

pretending to be interested in these statements and taking sides about

them that she could have conversation with him. He liked women who

thought in these statements. They always succeeded with men. They had a

reputation for wit. Did they really think and take an interest in the

things they said, or was it a trick, like "clothes" and "manners"--or

was it that women brought up with brothers or living with husbands got

into that way of thinking and speaking. Perhaps there was something in

it. Something worth cultivating; a fine talent. But it would mean hiding

so much, letting so much go; all the real things. The things men never

seemed to know about at all. Yet he loved beautiful things; and worried

about religion and had found comfort in "Literature and Dogma" and

wanted her to find comfort in it, assuming her difficulties were the

same as his own; and knowing the dreadfulness of them. The brilliant

unearthly pictures remained in her mind, supporting her through the

trial of her consciousness of the stuffiness of her one long-worn dress.

Dresses should be fragrant in the evening. The Newlands evening dress

was too old fashioned. Things had changed so utterly since last year.

There was no money to have it altered. But this was awful. Never again

could she go out in the evening, unless alone or with the girls. That

would be best, and happiest, really.

The tunnel · 第 5 / 33 章