VII

The next morning Raymon, on waking, received a second letter from Noun.

He did not toss this one disdainfully aside; on the contrary, he opened

it eagerly: it might have something to say of Madame Delmare. So, in

fact, it did; but in what an embarrassing position this complication of

intrigues placed Raymon! It had become impossible to conceal the girl's

secret. Already suffering and terror had thinned her cheeks. Madame

Delmare observed her ailing condition, but was unable to discover its

cause. Noun dreaded the colonel's severity, but she dreaded her

mistress's gentleness even more. She was very sure that she would obtain

forgiveness, but she would die of shame and grief in being forced to

make the confession. What would become of her if Raymon were not careful

to protect her from the humiliations that were certain to overwhelm her!

He must give some thought to her, or she would throw herself at Madame

Delmare's feet and tell her the whole story.

The fear of this result had a powerful effect upon Monsieur de Ramière.

His first thought was to separate Noun from her mistress.

"Be very careful not to speak without my consent," he wrote in reply.

"Try and be in Lagny this evening. I will be there."

On his way thither he reflected as to the course he had better pursue.

Noun had common sense enough not to expect a reparation--that was out of

the question. She had never dared to utter the word marriage, and

because she was discreet and generous, Raymon deemed himself less

guilty. He said to himself that he had not deceived her, and that Noun

must have foreseen what her fate must be. The cause of Raymon's

embarrassment was not any hesitation about offering the poor girl half

of his fortune; he was ready to enrich her, to take all the care of her

that the most sensitive delicacy could suggest. What made his position

so painful was the necessity of telling her that he no longer loved her;

for he did not know how to dissemble. Although his conduct at this

crisis seems two-faced and treacherous, his heart was sincere, and had

always been. He had loved Noun with his senses; he loved Madame Delmare

with all his heart. Thus far he had lied to neither. His aim now was to

avoid beginning to lie, and Raymon felt equally incapable of deceiving

Noun and of dealing her the fatal blow. He must make a choice between a

cowardly and a barbarous act. Raymon was very unhappy. He had come to no

decision when he reached the gate of Lagny park.

Noun, for her part, had not expected so prompt a reply, and had

recovered a little hope.

"He still loves me," she said to herself, "he doesn't mean to abandon

me. He had forgotten me a little, that's not to be wondered at; in

Paris, in the midst of merrymaking, with all the women in love with him,

as they are sure to be, he has allowed himself to be led away from the

poor creole for a few moments. Alas! who am I that he should sacrifice

to me all those great ladies who are much lovelier and richer than I am?

Who knows," she said to herself artlessly, "perhaps the Queen of France

is in love with him!"

By dint of meditating upon the seductions which luxurious surroundings

probably exerted on her lover, Noun thought of a scheme for making

herself more agreeable to him. She arrayed herself in her mistress's

clothes, lighted a great fire in the room that Madame Delmare occupied

at Lagny, decorated the mantel with the loveliest flowers she could find

in the greenhouse, prepared a collation of fruit and choice wines, in a

word resorted to all the dainty devices of the boudoir, of which she had

never thought before; and when she looked at herself in a great mirror,

she did herself no more than justice in deciding that she was fairer

than the flowers with which she had sought to embellish her charms.

"He has often told me," she said to herself, "that I needed no ornaments

to make me lovely, and that no woman at court, in all the splendor of

her diamonds, was worth one of my smiles. And yet those same women that

he used to despise fill his thoughts now. Come, I must be cheerful, I

must seem lively and happy; perhaps I shall reconquer to-night all the

love I once aroused in him."

Raymon, having left his horse at a charcoal-burner's cabin in the

forest, entered the park, to which he had a key. This time he did not

run the risk of being taken for a thief; for almost all the servants had

gone with their masters, he had taken the gardener into his confidence,

and he knew all the approaches to Lagny as well as those to his own

estate.

It was a cold night; the trees in the park were enveloped in a dense

mist, and Raymon could hardly distinguish their black trunks through the

white mist which swathed them in diaphanous robes. He wandered some time

through the winding paths before he found the door of the summer-house

where Noun awaited him. She was wrapped in a pelisse with the hood

thrown over her head.

"We cannot stay here," she said, "it is too cold. Follow me and do not

speak."

Raymon felt an extreme reluctance to enter Madame Delmare's house as the

lover of her maid. However, he could not but comply; Noun was walking

lightly away in front of him, and this interview was to be the last.

She led him across the courtyard, quieted the dogs, opened the doors

noiselessly, and, taking his hand, guided him in silence through the

dark corridors; at last she ushered him into a circular room, furnished

simply but with refinement, where flowering orange-bushes exhaled their

sweet perfume; transparent wax candles were burning in the candelabra.

Noun had strewn the floor with the petals of Bengal roses, the divan was

covered with violets, a subtle warmth entered at every pore, and the

glasses gleamed on the table amid the fruit, whose ruddy cheeks were

daintily blended with green moss.

Dazzled by the sudden transition from darkness to brilliant light,

Raymon stood for a moment bewildered; but it was not long ere he

realized where he was. The exquisite taste and chaste simplicity which

characterized the furniture; the love stories and books of travel

scattered over the mahogany shelves; the embroidery frame covered with a

bright, pretty piece of work, the diversion of hours of patient

melancholy; the harp whose strings seemed still to quiver with strains

of love and longing; the engravings representing the pastoral attachment

of Paul and Virginie, the peaks of Ile Bourbon and the blue shores of

Saint-Paul; and, above all, the little bed half-hidden behind its muslin

curtains, as white and modest as a maiden's bed, and over the headboard,

by way of consecrated boxwood, a bit of palm, taken perhaps from some

tree in her native island, on the day of her departure;--all these

revealed the presence of Madame Delmare, and Raymon was seized with a

strange thrill as he thought that that cloak-enveloped woman who had led

him thither might be Indiana herself. This extravagant supposition

seemed to be confirmed when he saw, in the mirror opposite, a white

figure, the phantom of a woman entering a ball-room and laying aside her

cloak, to appear, radiant and half-nude, in the dazzling light. But it

was only a momentary error--Indiana would have concealed her charms more

carefully; her modest bosom would have been visible only through the

triple gauze veil of her corsage; she would perhaps have dressed her

hair with natural camellias, but they would not have frisked about on

her head in such seductive disorder; she might have encased her feet in

satin shoes, but her chaste gown would not have betrayed thus

shamelessly the mysteries of her shapely legs.

Taller and more powerfully built than her mistress, Noun was dressed,

not clothed in her finery. She was graceful but lacked nobility of

bearing; she was lovely with the loveliness of women, not of fairies;

she invited pleasure and gave no promise of sublime bliss.

Raymon, after scrutinizing her in the mirror without turning his head,

turned his eyes upon everything that was calculated to give forth a

purer reflection of Indiana--the musical instruments, the paintings, the

narrow, maidenly bed. He was intoxicated by the vague perfume her

presence had left behind in that sanctuary; he shuddered with desire as

he thought of the day when Indiana herself should throw open its

delights to him; and Noun, standing behind him with her arms folded,

gazed ecstatically at him, fancying that he was overwhelmed with delight

at the sight of all the pains she had taken to please him.

But he broke the silence at last.

"I thank you," he said, "for all the preparations you have made for me;

I thank you especially for bringing me here, but I have enjoyed this

pleasant surprise long enough. Let us leave this room; we are not in our

proper place here, and I must have some respect for Madame Delmare, even

in her absence."

"That is very cruel," said Noun, who did not understand him, but

remarked his cold and displeased manner; "it is very hard to have had

such hopes of pleasing you and to see that you spurn me."

"No, dear Noun, I shall never spurn you; I came here to have a serious

talk with you and to show you the deep affection that I owe you. I am

grateful for your desire to please me; but I loved you better adorned by

your youth and your natural charms than in this borrowed finery."

Noun half understood and wept.

"I am a miserable creature," she said; "I hate myself, for I no longer

please you. I should have foreseen that you would not love me long,

being, as I am, a poor, uneducated girl. I do not reproach you for

anything. I knew well enough that you would not marry me; but if you

would have kept on loving me, I would have sacrificed everything without

a regret, endured everything without complaining. Alas! I am ruined! I

am dishonored! perhaps I shall be turned out-of-doors. I am going to

give life to a creature who will be even more unfortunate than I am, and

no one will pity me. Everyone will feel that he has a right to trample

on me. But I would joyfully submit to all that, if you still loved me."

Noun talked thus a long while. Perhaps she did not repeat the same

words, but she said the same things, and said them a hundred times more

eloquently than I can say them. Where are we to look for the secret of

the eloquence which suddenly reveals itself to an ignorant,

inexperienced mind in the crisis of a genuine passion and a profound

sorrow? At such times words have a greater value than in all the other

scenes of life; at such times trivial words become sublime by reason of

the sentiment that dictates them and the accent with which they are

spoken. At such times the woman of the lowest rank, abandoning herself

to the frenzy of her emotions, becomes more pathetic and more convincing

than her to whom education has taught moderation and reserve.

Raymon was flattered to find that he had inspired so generous an

attachment, and gratitude, compassion, perhaps a little vanity,

rekindled love for a moment.

Noun was suffocated by her tears; she had torn the flowers from her hair

which fell in disorder over her broad and dazzling shoulders. If Madame

Delmare had not had her slavery and her sufferings to heighten her

charms, Noun would have surpassed her immeasurably in beauty at that

moment; she was resplendent with grief and love. Raymon was vanquished;

he drew her into his arms, made her sit beside him on the sofa, moved

the little decanter-laden table nearer to them, and poured a few drops

of orange-flower water in a silver cup for her. Comforted by this mark

of interest far more than by the calming potion, Noun wiped away her

tears and threw herself at Raymon's feet.

"Do love me," she said, passionately embracing his knees; "tell me that

you still love me and I shall be cured, I shall be saved. Kiss me as you

used to, and I will not regret having ruined myself to give you a few

days of pleasure."

She threw her cool, brown arms about him, she covered him with her long

hair; her great black eyes emitted a burning languor and betrayed that

ardor of the blood, that purely oriental lust which is capable of

triumphing over all the efforts of the will, all the chaste delicacy of

the thought. Raymon forgot everything--his resolutions, his new love and

his surroundings. He returned Noun's delirious caresses. He moistened

his lips at the same cup, and the heady wines which were close at hand

completed the dethronement of their reason.

Little by little a vague and shadowy memory of Indiana was blended with

Raymon's drunkenness. The two glass panels which repeated Noun's image

_ad infinitum_ seemed to be peopled by a thousand phantoms. He gazed

into the depths of that multiple reflection, looking for a slenderer

figure there, and it seemed to him that he could distinguish, in the

last hazy and confused shadow of Noun's image the graceful and willowy

form of Madame Delmare.

Noun, herself bewildered by the strong liquors which she knew not how to

use, no longer noticed her lover's strange remarks. If she had not been

as drunk as he, she would have understood that in his wildest flights

Raymon was thinking of another woman. She would have seen him kiss the

scarf and the ribbons Indiana had worn, inhale the perfume which

reminded him of her, crumple in his burning hands the tissue that had

covered her breast; but Noun appropriated all these transports to

herself, when Raymon saw naught of her but Indiana's dress. If he kissed

her black hair, he fancied that he was kissing Indiana's black hair. It

was Indiana whom he saw in the fumes of the punch which Noun's hand had

lighted; it was she who smiled upon him and beckoned him from behind

those white muslin curtains; and it was she of whom he dreamed upon that

chaste and spotless bed, when, yielding to the influence of love and

wine, he led thither his dishevelled creole.

When Raymon woke, a sort of half light was shining through the cracks of

the shutters, and he lay a long while without moving, absorbed by a

vague feeling of surprise and gazing at the room in which he was and the

bed in which he had slept, as if they were a vision of his slumber.

Everything in Madame Delmare's chamber had been put in order. Noun, who

had fallen asleep the sovereign mistress of that place, had waked in the

morning a lady's-maid once more. She had taken away the flowers and put

the remains of the collation out of sight; the furniture was all in

place, nothing suggested the amorous debauch of the night, and Indiana's

chamber had resumed its innocent and virtuous aspect.

Overwhelmed with shame, he rose and attempted to leave the room, but he

was locked in; the window was thirty feet from the ground, and he must

needs remain in that remorse-laden atmosphere, like Ixion on his wheel.

Thereupon he fell on his knees with his face toward that disarranged,

tumbled bed which made him blush.

"O Indiana!" he cried, wringing his hands, "how I have outraged you! Can

you ever forgive me for such infamous conduct? Even if you should

forgive me, I can never forgive myself. Resist me now, my gentle,

trustful Indiana; for you do not know the baseness and brutality of the

man to whom you would surrender the treasures of your innocence! Repulse

me, trample on me, for I have not respected the sanctuary of your sacred

modesty; I have befuddled myself with your wine like a footman, sitting

beside your maid; I have sullied your spotless robe with my accursed

breath, and your chaste girdle with my infamous kisses on another's

breast; I have not shrunk from poisoning the repose of your lonely

nights, and from shedding, even upon this bed, which your husband

himself respected, the influences of seduction and adultery! What safety

will you find henceforth behind these curtains whose mysteries I have

not shrunk from profaning? What impure dreams, what bitter and consuming

thoughts will cling fast to your brain and wither it! What phantoms of

vice and shamelessness will crawl upon the virginal linen of your couch!

And your sleep, pure as a child's--what chaste divinity will care to

protect it now? Have I not put to flight the angel who guarded your

pillow? Have I not thrown your alcove open to the demon of lust? Have I

not sold him your soul? And will not the insane passion which consumes

the vitals of this lascivious creole cling to yours, like Dejanira's

robe and gnaw at them! Oh! miserable wretch! miserable, guilty wretch

that I am! if only I could wash away with my blood the stain I have left

on this couch!"

And Raymon sprinkled it with his tears.

At that moment Noun returned, in her neckerchief and apron; she fancied,

when she saw Raymon kneeling, that he was praying. She did not know that

society people do not pray. She stood waiting in silence, until he

should deign to notice her presence.

Raymon, when he saw her, had a feeling of embarrassment and irritation,

but without the courage to scold her, without the strength to say a

friendly word to her.

"Why did you lock me in this room?" he said at last. "Do you forget that

it is broad daylight and that I cannot go out without compromising you

openly?"

"So you're not to go out," said Noun caressingly. "The house is deserted

and no one can see you; the gardener never comes to this part of the

building to which I alone have the keys. You must stay with me all day;

you are my prisoner."

This arrangement drove Raymon to despair; he had no other feeling for

his mistress than a sort of aversion. However, he could do nothing but

submit, and it may be that, notwithstanding what he suffered in that

room, an invincible attraction detained him there.

When Noun left him to go and find something for breakfast, he set about

examining by daylight all those dumb witnesses of Indiana's solitude. He

opened her books, turned the leaves of her albums, then closed them

precipitately; for he still shrank from committing a profanation and

violating some feminine mystery. At last he began to pace the room and

noticed, on the wooden panel opposite Madame Delmare's bed, a large

picture, richly framed and covered with a double thickness of gauze.

Perhaps it was Indiana's portrait. Raymon, in his eagerness to see it,

forgot his scruples, stepped on a chair, removed the pins, and was

amazed to see a full-length portrait of a handsome young man.

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