Tynemouth, England. Scene from Keats’s poem--“Isabella, or the Pot
of Basil.” Isabella, full-length, standing, bending over the vase in
which she has buried the head of her lover, slain by her brothers.
Her tearless black eyes have the light of madness in them, and her
luxuriant dark-brown hair is flung lovingly over the relic, which
is placed on her prie-dieu, on a silken altar-cloth. Exhibited in
1868; sold to Mr. Gambart; original sketch sold at Christie’s, 1871,
for 525 guineas. Replica, J. W. Garrett, Baltimore. Engraved by A.
Blanchard.--Art Journal (1868), 97; Athenæum, Sept., 1873, 374.
ISABEY, EUGÈNE (LOUIS GABRIEL), born in Paris, July 22, 1804, died
in Paris, April 26, 1886. Landscape and marine painter, son and
pupil of Jean Baptiste Isabey. In 1830 he accompanied the expedition
to Algiers as royal marine painter. Medals: 1st class, 1824, 1827,
1855; L. of Honour, 1832; Officer, 1852. Works: Hurricane at Dieppe,
Harbour of Honfleur (1827); Port of Dunkirk (1837); The Old Barks
(1836); Battle of the Texel (1839), Versailles Museum; View of Dieppe
(1842), Nancy Museum; View of Boulogne Harbour (1843), Toulouse
Museum; The Alchemist (1845); Louis Philippe receiving Queen Victoria
at Tréport (1846); Departure of Queen of England (1846); Ceremony in
the Church of Delft (1847); Marriage of Henry IV. (1848); Embarkation
of De Ruyter and De Witt (1850), Luxembourg Museum; Departure of the
Huntsmen under Louis XIII. (1855); Church Interior with Worshippers
(1856), Ravené Gallery, Berlin; Burning of the Steamer Austria
(1859), Bordeaux Museum; Wreck of the Ship Emily in 1823 (1865),
Nantes Museum; The Alchemist (1865); Temptation of St. Anthony
(1869); Bois de Varangeville, Ango Manor at Varangeville, Roadstead
of Saint-Malo, Luxembourg Museum; Smugglers shipping Goods, Douai
Museum; Beach of Villerville, Laval Museum; Village on the Cliffs,
Marseilles Museum; View of a Creek, Perpignan Museum; Marine (1825),
Storm, Montpellier Museum; Marine, Neuchatel Museum; Ships at Anchor
(1830), Königsberg Museum; Entrance to Cathedral, Stettin Museum;
Laden Boat boarding Coaster, Coast of Entretat--Normandy (1851),
Kunsthalle, Hamburg; French Hospitality, W. H. Vanderbilt, New York;
Marines (2, 1836, 1862), After the Storm (1842), W. T. Walters,
Baltimore.--Bellier, i. 805; L’Art (1875), i. 39, 59; Larousse;
Meyer, Gesch., 271.
[Illustration: Bust]
[Illustration: Signature]
ISABEY, JEAN BAPTISTE, born at Nancy, April 11, 1767, died in Paris,
April 18, 1855. Miniature painter, pupil at Nancy of Girardet and
Claudot, then in Paris of Dumont and David; painter to the Empress
Josephine, 1805; L. of Honour, 1817; Officer; Commander, 1853. Also
painter to Charles X. Apart from their intrinsic merit, his works
are of great value from their historical interest. His portraits of
Napoleon I. are among the best in existence. Works: General Bonaparte
in Gardens at Malmaison, Napoleon visiting Factory at Rouen (1804),
do. at Jouy (1806), Versailles Museum; Review before First Consul
in Courtyard of Tuileries (1801), Staircase of the Musée du Louvre
(1817), Louvre, Paris; Congress of Vienna (1815), Windsor Castle;
Portrait of Napoleon (in oil), do. of King of Rome, Nancy Museum; do.
of Grand-duke of Baden, Baden-Baden Gallery; King Jerome, Dresden
Museum.--Bellier, i. 804; Biog. univ., xx. 382; Ch. Blanc, École
française, iii.; Meyer, Gesch., 104; Larousse, ix. 801; Lenormant,
B.A. et Voy., i. 218; Jal, 698.
ISAIAH, _Michelangelo_, Sistine Chapel, Rome; fresco on ceiling.
ISENMANN, CASPAR, died in 1466. German school. Became citizen of
Colmar in 1436. His pictures, influenced by the Flemish school, are
realistic in feeling, with expressive heads and powerful though
sober colouring. In 1462 he contracted to paint an altarpiece for
the church of St. Martin at Colmar. Works: Seven Scenes from Life of
Christ (1465), Colmar Museum.--Woltmann, Deutsche Kunst im Elsass,
213.
ISIDORO, ST., _Murillo_, Seville Cathedral; canvas, H. 6 ft. 2 in.
× 5 ft. 6 in. Seated, robed in white, with a mitre, with a crook in
right hand and an open folio in left; on right, other books and a
column; behind, a curtain. Painted in 1655 for D. Juan Federigui,
Archdeacon of Carmona, who presented it, with its companion, St.
_Leandro_, to the Cathedral.--Curtis, 243.
ISMENIAS, painter, of Chalcis, 5th century B.C. Plutarch, in his life
of the Athenian orator Lycurgus (Vit. x., Orat. 37), says Ismenias
painted, for the Erechthæum, a picture in which were represented the
priests of Poseidon of the family of Lycurgus.
[Illustration: Bust]
[Illustration: Signature]
ISRAELS, JOZEF, born at Gröningen in 1824. Genre painter, pupil
in Amsterdam of Cornelis Kruseman, then in Paris of Picot. His
genre scenes from Dutch maritime life are superior to his earlier
historical pieces. At present resides at The Hague. Medals: Paris,
3d class, 1867; 1st class, 1878; L. of Honour, 1867; Officer, 1878;
Order of Leopold. Works: William of Orange defying Decrees of King
of Spain (1855); Village Scene; Preparation for the Future (1855),
Walk along Cemetery (1856), Amsterdam Museum; Children of the Sea;
Peaceful House; Fishing Boats shipwrecked off Scheveningen (1862);
Sick Mother, Mother in Health, Orphan Asylum at Katwyk, Last Breath,
True Support, Madonna in the Hut, Age and Infancy (1872); First
Sail, Poor of the Village (1873); Expectation, Anxious Family
(1874); Waiting for the Herring Boats (1875); Returning from the
Field (1878); Alone in the World (1878), Amsterdam Museum; Breakfast
Time, Dinner of Cobblers, Anniversary (1878); Frugal Meal, W. H.
Vanderbilt, New York; Nothing more! Sewing School at Katwyk (1881);
Silent Interview (1882); Fair Weather, Child Asleep (1883); Return
(1884).
ISUMBRAS, SIR, AT THE FORD, Sir John E. _Millais_, Bart., John
Graham, Esq., London; canvas, H. 4 ft. 1 in. × 5 ft. 7 in. An ancient
knight, clad in golden armour, who has attained all the glories
of this life, has laid aside his pride to help two wood-cutters’
children over a river ford upon the saddle of his grand war-horse.
The landscape, a sunset in the forest along the river’s bank, was
painted on the Tay. The verses in the Academy Catalogue, ascribed to
the “Metrical Romance of Syr Ysumbras,” were written by Tom Taylor.
Royal Academy, 1857. Satirized in a caricature of the time entitled
“A Nightmare” (by Frederick Sandys?), representing the artist on an
ass, carrying Dante G. Rossetti and Holman Hunt, with Michelangelo,
Raphael, and Titian on the distant bank, in attitudes expressive of
horror of this last Pre-Raphaelite attempt. The picture was purchased
originally by Charles Reade, the novelist.
ITTENBACH, FRANZ, born at Königswinter, near Cologne, April 18, 1813,
died in Düsseldorf, Dec. 1, 1879. History and portrait painter, pupil
of the Düsseldorf Academy under Theodor Hildebrandt and Schadow; with
the latter and Karl Müller he visited Italy in 1839–41, and resided
for a time in Munich before returning to Düsseldorf. For several
years he was occupied with fresco paintings in St. Apollinaris
Church at Remagen, and in 1864 in St. Quirinus Church at Neuss.
Professor; Member of Vienna Academy. Medals in Cologne (1861),
Berlin (1868), and Besançon. Prussian Order of the Crown, Belgian
Order of Leopold. Works: Christ Crucified--with Mary and St. John
(1845), Roman Catholic Church, Königsberg; Baptism of Christ (1849),
Garrison Church, Düsseldorf; Christ Crucified (1850), Prague Gallery;
Altarpiece in five Panels (1851), Liechtenstein Gallery, Vienna;
Mary Mediatrix (1852); Virgin Enthroned, Assumption (1858–61), St.
Remigius Church, Bonn; Holy Family (1861), Prince Liechtenstein’s
chapel, Vienna; Holy Family (1862), Duke of Hamilton’s chapel,
Baden-Baden; Madonna (1862); Madonna (1864); 4 Altarpieces (1865–68),
St. Michael’s Church, Breslau; Holy Family in Egypt (1868), National
Gallery, Berlin; Portraits of Archbishop Clemens August of Cologne,
and of Queen Stephanie of Portugal (1860).--Allgem. d. Biogr., xiv.
644; Kunst-Chronik, xv. 178; Art Journal (1865), 133; W. Müller,
Düsseldorf K., 48; Wiegmann, 172.
IVANOFF, ALEXANDER ANDREÉVICH, born in St. Petersburg in 1806,
died there, July 18, 1858. History painter, son and pupil of
Andrei Ivanoff (1775–1846) and of St. Petersburg Academy. During
a twenty-seven years’ residence in Rome he occupied himself
almost exclusively in painting a colossal Christ appearing to
the People. Work: Christ and Magdalen (1832), Hermitage, St.
Petersburg.--Zeitschr. f. b. K., xvii. 160.
JABIN, CH. G. GEORG, born at Brunswick, Aug. 18, 1828, died at
Harzburg, Jan. 14, 1864. Landscape painter, pupil of Düsseldorf
Academy under Schirmer in 1850–55; visited Switzerland in 1857, and
Norway in 1863; painted mostly Swiss scenes in style of Ruysdael.
Works: Waterfall in Lin Valley, Brunswick Gallery; Murchsee Fall;
Forest Mill in Westphalia; The Brocken by Moonlight; Eckerfall,
Regenstein; Falkenstein; Oker Valley; Ilse Valley.--Allgem. d.
Biogr., xiii. 522; Dioskuren (1864), 51.
JACCOBER, JACOB BER called, born at Blieskastel, Bavaria, March 6,
1786, died in Paris, July 17, 1863. Fruit and flower painter, pupil
of Gerard van Spaendonck; became naturalized in France. Employed at
Sèvres from 1823 till 1825, and of high repute in his branch of art.
Medals: 2d class, 1831 and 1834; 1st class, 1839; L. of Honour, 1843.
Works: Fruits and Flowers (1839), Luxembourg Museum; do. in Salons of
1822–55.--Bellier, i. 809; Nouvelle biogr. générale, Paris, 1855.
JACK IN OFFICE, Sir Edwin _Landseer_, South Kensington Museum;
canvas, H. 1 ft. 8 in. × 2 ft. 2 in. An itinerant dealer in dog-meat
has left his barrow in an alley in charge of a satiated mongrel, who,
seated upon the top, receives unmoved the courtier-like attentions of
his hungry and less fortunate fellow-creatures. Somewhat similar in
treatment to Alexander and Diogenes. Royal Academy, 1833.--Blackburn,
Pictures at Kensington; Stephens, 69.
JACKSON, JOHN, born at Lastingham, Yorkshire, May 31, 1778, died in
London, June 1, 1831. Son of a tailor, but enabled by friends to
study in schools of Royal Academy; elected A.R.A. in 1815, and R.A.
in 1817. Became famous as a portrait painter, both in water-colours
and in oils, and had many distinguished sitters. In 1819 he visited
Rome, where he painted Canova, and was elected a member of the
Academy of St. Luke. One of his best works is a portrait of Flaxman,
painted for and in possession of Lord Dover. Portraits of Miss
Stephens, Sir John Soane, and Rev. William Holwell Carr, National
Gallery; portrait of himself, National Portrait Gallery; do., at
Dover House, Whitehall, and at Castle Howard.--Redgrave; Cat. Nat.
Gal.; Ch. Blanc, École anglaise; Sandby, i. 359.
JACOB, JULIUS, born at Berlin, April 25, 1811, died there, Oct. 20,
1882. History and portrait painter, pupil in Berlin of Wach, of
Düsseldorf Academy, and in Paris of Delaroche. Travelled in Europe,
North Africa, and Asia Minor; spent eleven years in England, and in
1865 went to Vienna, where, after painting twenty-six portraits of
distinguished persons within a year, he returned to Berlin. Medals
in Paris, Lyons, Rouen; member of many artistic societies. Works:
Scenes from History of St. Louis; Artist Life; Portraits of Princes
Metternich, Schwarzenberg, Liechtenstein, Kinsky, Windischgraetz,
Lobkowitz, Field-Marshal Hess, Count Apponyi; Male Head (1845),
National Gallery, Berlin.--Müller, 277; Jordan (1885), ii. 106;
Kunst-Chronik, xviii. 41; Leixner, Mod. K., i. 56; ii. 100, 119;
Rosenberg, Berl. Malersch., 54.
JACOB VAN AMSTERDAM. See _Cornelisz_, Jacob.
JACOB AND THE ANGEL (Gen. xxxii.), Eugene _Delacroix_, St. Sulpice,
Paris; mural painting in chapel of Saintes-Anges. The struggle of
Jacob with the angel. One of Delacroix’s best works.--Larousse, ix.
862.
[Illustration: Blessing of Jacob, Rembrandt, Cassel Gallery.]
JACOB, BLESSING OF (Gen. xlix.), _Rembrandt_, Cassel Gallery;
canvas, H. 5 ft. 6 in. × 6 ft. 8 in.; signed, dated 1656. Jacob, on
his death-bed, supported by his son Joseph, extends his hands to
bless his two grandsons, who kneel on the further side of the bed;
beside them stands the mother, with her hands united. One of the
artist’s best pictures. Carried to Paris in 1806–7, and returned in
1814. Engraved by Claessens and Oortman in Musée français; Unger;
Massaloff.--Filhol, vi. Pl. 374; Musée français; Smith, vii. 6.
JACOB, DREAM OF (Gen. xxviii.), _Murillo_, Hermitage, St. Petersburg;
canvas, H. 8 ft. × 11 ft. 9 in. Jacob asleep, with his head on a
stone, his staff near him on a cruse; at left, an angel pointing
to the ladder, on which two angels are ascending and three
descending. Same history as _Isaac_ blessing Jacob, of Hermitage, its
companion.--Curtis, 118; Hermitage Cat., 127.
By _Raphael_, Stanza d’Eliodoro, Vatican; fresco on ceiling. Jacob
asleep on some flat stones; in the clouds a ladder with five angels,
and above, God the Father in glory with outstretched arms. Shows hand
of Giulio Romano. Painted in 1513–14. Engraved by J. Bos (1560); Joh.
Alessandri (1718); Fr. Aquila.--Vasari, ed. Mil., iv. 346; Müntz,
370; Passavant, ii. 129.
[Illustration: Dream of Jacob, Spagnoletto, Madrid Museum.]
By _Spagnoletto_, Madrid Museum; canvas, H. 5 ft. 10 in. × 7 ft. 4
in. Jacob, in a long dark robe, somewhat like a Capuchin’s, lies
asleep on the ground, at the foot of an overturned tree; in the
background, at right, the mysterious ladder with angels ascending
and descending. From collection of Philip IV. Lithographed by C.
Rodriguez.--Réveil, xiv. 980.
By _Tintoretto_, Scuola di S. Rocco, Venice; oval, on ceiling of
upper room. “The painter has tried to overcome the awkwardness of
winged angels ascending and descending steps by throwing them into
extravagant attitudes, but he has evidently not treated the subject
with delight.”--Ruskin, Stones of Venice, iii. 347.
JACOB, HISTORY OF. _Raphael_. See _Raphael’s_ Bible.
JACOB WITH FLOCKS OF LABAN (Gen. xxx.), _Murillo_, Sir John Hardy,
Bart., Dunstall Hall, Staffordshire, England; canvas, H. 8 ft. ×
11 ft. 9 in. Jacob, on right, enters pool and lays peeled rods
before the sheep on the left; behind him, his dog asleep; on left,
a sheepfold; on right, a servant leading a mule is driving flocks
away; rock in centre divides the landscape. Probably belonged to
Marqués de Santiago, Madrid; bought at Lord Northwick sale (1859),
£1,480.--Curtis, 119.
JACOB AND LABAN, MEETING OF (Gen. xxxi.), _Murillo_, Grosvenor
House, London; canvas, H. 8 ft. × 10 ft. 1 in. In centre, Jacob
and Laban conversing; on left, the family of the former in two
tents; on right, horses and men; background, landscape of trees and
mountains. Probably belonged to Marqués de Santiago, Madrid; said
to have been bought in Madrid in 1808 for Lord Overstone, and sold
to Marquis of Westminster for two Claudes, a Poussin, and £1,200 in
money.--Buchanan, Memoirs, ii. 221; Curtis, 120.
[Illustration: Jacob and Rachel, Giordano, Dresden Gallery.]
JACOB AND RACHEL (Gen. xxix.), _Giordano_, Dresden Gallery; canvas,
H. 6 ft. 8 in. × 7 ft. 6 in. Jacob, gone into Mesopotamia to take a
wife from the daughters of Laban, meets Rachel with her flocks near a
well, and hastens to remove the stone from the well’s mouth. Engraved
by Joseph Wagner.--Réveil, vii. 435.
JACOBELLO DEL FIORE. See _Fiore_.
JACOBI, BERNARDINO. See _Buttinone_.
JACOBS, JACOBUS (ALBERTUS MICHAEL), born in Antwerp, May 19, 1812,
died there, Dec. 13, 1879. Marine painter, pupil of Antwerp Academy
under Van Bree and Wappers; studied especially Claude Lorrain, Joseph
Vernet, and Willem van de Velde; visited the Mediterranean Coast,
Greece, Egypt, Cyprus, Asia Minor, Russia, and Scandinavia, and in
1843 became professor at the Antwerp Academy. Order of Leopold,
1849; Officer, 1864. Several medals. Works: Outlook from Cape
Colonna--Greece (1846), Weimar Museum; Grecian Archipelago (1848),
National Gallery, Berlin; Shipwreck of Floridian (1849), Sunrise in
the Archipelago (1852), Harbour of Constantinople, New Pinakothek,
Munich; Arabs resting in the Desert (1849); Golden Horn (1852);
Waterfall of the Glommen in Norway (1853), Brussels Museum; Ruins
of Karnak (1857); Sogne Fjord (1857), Caravan in Flight, Ruins of
Philæ, Breeze on Finland Coast, Bay of Lepanto (1864); Cataracts
of the Nile, Canal Grande in Venice, Entrance to Bergen Harbour
(1867).--Immerzeel, ii. 75; Kunst-Chronik, xv. 211.
JACOBS, PAUL EMIL, born in Gotha, Aug. 18, 1802, died there, Jan. 6,
1866. History painter, pupil from 1818 of the Munich Academy under
Langer, father and son; visited Upper Italy in 1824, and in 1825–28
studied in Rome. Settled in Frankfort, painted chiefly portraits,
and in 1830 went to St. Petersburg, where he became member of the
Academy. Returned to Gotha in 1834; he painted in Hanover for the
king in 1835–38, visited Greece and Rome, and settled in Gotha in
1840; was in Rome again in 1844–45, and in 1853–57. Member of the
Berlin Academy, and court-painter and aulic counsellor to Duke of
Coburg-Gotha. Works: Mercury and Argus (before 1825); Raising of
Lazarus (1825); Venus Asleep (1826), Heads of Roman Women (2), Gotha
Museum; Prometheus (1829); Portrait of General Diebitsch-Sabalkanski,
Ascension, Last Supper (1830–34). Frescos: Venus rising from Sea,
Triumph of Bacchus, Argonauts (1835–38), Royal Palace, Hanover;
Crucifixion (1840), St. Augustin’s, Gotha; Scheherazade, Wilhelma,
Stuttgart; replicas in Manchester, Königsberg Museum (1840), and
Gotha; Presenting of the Silk Cord (1844), Villa Rosenstein, near
Stuttgart; Samson and Delilah (1845); Judith and Holofernes (1850);
Oriental Slave Market, Rape of Proserpine, Munich Gallery; Luther
at Worms, City Hall, Stralsund; Christ, Madonna, Catholic Church,
Gotha; Ecce Homo (1853), Museum, ib.; Descent from the Cross, Susanna
(1856); Germania Mourning, Germania Victorious, Day and Night, War
and Peace.--Allgem. d. Biogr., xiii. 615; Kunst-Chronik, i. 3.
JACOBSEN, SOPHUS, born at Frederikshald, Norway, Sept. 7, 1833.
Landscape painter, pupil of Düsseldorf Academy under Gude; has
travelled in Norway, Germany, and Italy. His landscapes with rain,
snow, or moonlight effects are painted with great truth to nature.
Works: View in the Eifel (1861); Moonlight on Norwegian Coast
(1867); Moonlight in Venice (1872); Winter Landscape (1873); Autumn
Landscape, Christiania Museum; Laplanders on Reindeer Hunt (with
Tidemand); Rhenish Landscape, Düsseldorf Gallery.--Müller, 277.
JACOBSZ (Jacobsen), JURIAEN, born in Hamburg about 1610(?), died
at Amsterdam in 1664(?). Flemish school; history and animal
painter, pupil at Antwerp of Frans Snyders; said to have travelled
extensively, especially in Switzerland; afterwards lived at Amsterdam
and at Leeuwarden, Friesland. Works: Boar attacked by Dogs (1660),
Dresden Museum; do. (1677?), Copenhagen Gallery.--Immerzeel, ii. 76;
Kramm, iii. 790; Schaefer, iii. 1141.
JACOBSZ, LUCAS. See _Leyden_.
JACOBY, VALERIAN, born in 1834. History painter, pupil of St.
Petersburg Academy. Settled in Rome. Works: Death of Robespierre;
Seizure of Biron; Cardinal de Guise receiving Coligny’s Head (1869);
Beggar’s Easter Day; Orange Seller.--Kunst-Chronik, iv. 68; Müller,
278.
JACOMIN, ALFRED LOUIS, born in Paris, Jan. 3, 1843. Genre painter;
medal at Philadelphia Exhibition, 1876. Works: _Faust_ and
Mephistopheles (1869), James H. Stebbins, New York; Bilboquet and his
Companion, Armourer of 17th Century (1876); A Baptism (1877); Magic
Mirror (1878); Indisposed (1879); Old Clothes Dealer (1880); Father
Robin’s Forge (1881); Blacksmith’s Shop, Bit of Jarnac (1882); Job
(1883); The King’s Ordinance (1885).
JACOMIN, MARIE FERDINAND, born in Paris; contemporary. Landscape
painter. Medal, 3d class, Paris, 1883. Works: Bois noirs in Forest
of Marly (1878); Moonrise in Forest of Fontainebleau (1879); End
of Winter Day (1880); Route of Chêne au Chat, Hut in Saint Germain
Forest (1881); Gruye Valley in Forest of Marly (1882); Oak of
Vierge-Noire, Chestnut Grove (1883); View at Montcheureuil, Père
Gillot’s Cabin (1884); Views in Forest of Saint Germain (2, 1885).
JACOMO, BARBERINO. See _Barbari_, Jacopo de’.
JACOPO AVANZI. See _Avanzi_.
JACOPO DA CASENTINO, 14th century, born in Prato Vecchio, died there,
aged eighty. Florentine school. Met Taddeo Gaddi while the latter was
decorating a chapel in the church of Sasso della Vernia in Casentino,
and followed him to Florence. He painted many frescos in that city,
both as a subordinate and as a master, and was one of the founders,
in 1349, of the Company of St. Luke. About 1354 he went to Arezzo,
where he reconstructed the waterworks of the Fonte Guinizelli, and
executed a great number of frescos. His work is weakly Giottesque and
feeble in execution. Among the few extant examples of his style are
a St. John Evangelist with predella in the National Gallery, London;
a predella in the Uffizi, Florence; and a Dead Christ (fresco) in S.
Bartolommeo, Arezzo.--C. & C., Italy, ii. 2; Vasari, ed. Mil., 669;
W. & W., i. 454.
JACOPO DI SAN SEVERINO. See _Lorenzo_ di San Severino.
JACOPO DA VALENTIA or VALENTINA, Venetian school, end of 15th and
beginning of 16th century. Pupil of Bartolommeo and Luigi Vivarini,
whose faces and figures he frequently reproduced. He was a second-
or third-rate journeyman, devoid of feeling as a colourist, who
rivalled Palmezzano and Filippo of Verona in dulness. Earliest work,
a half-length Madonna, dated 1485, at Belluno. He probably became
a master, beginning of the 16th century, in Serravalle, where he
received frequent commissions. Two Madonnas by him (one 1508) are
in the Cathedral of Ceneda, and another (1509) is in the Venice
Academy.--C. & C., N. Italy, i. 73.
JACOPO DI VENETIA. See _Bellini_, Jacopo.