painter, pupil of Munich Academy under Cornelius, whom he assisted
in the fresco paintings in the Ludwigskirche; lived then for several
years in Paris and Hamburg; visited Southern Russia in 1855, became
honorary member of St. Petersburg Academy, and in 1867 settled in
Düsseldorf. Works: Père David (1856), Children teasing Magpie (1857),
A Cardinal (1858), Russian Officers in Circassian Captivity (1859),
Kunsthalle, Hamburg; Wedding Banquet; Wandering Musicians; Morning
Greeting; Vaccination in the Country (1868); Return of Landwehrman;
Grandmother’s Birthday; Forgive my Sin (1875); Thou my Love, A Monk,
Rural Dance (1880).--Müller, 266.
HORNUNG, JOSEF, born in Geneva in 1792, died there, Feb. 3, 1870.
History painter, instructed by a painter of the classical French
school; tried first landscape painting, but, by advice of Toepffer
the elder, turned to genre, and soon made a name, especially
in France, with his scenes from Savoyard life; finally took up
historical subjects, which he treated with a profound knowledge
of the spirit and conditions of the 16th century. Works: Feasting
Savoyards; Merry Shoemaker; Little Chimney Sweep; Last Moments
of Calvin (1835), Catherine de’ Medici receiving Coligny’s Head,
Prisoner, Study for Head of Coligny, Musée Rath, Geneva; Savoyard
(1843), Kunsthalle, Hamburg; Last Visit of Farel to Calvin; Calvin
working on Fortifications of Geneva; Servetus led to Execution;
Fromment’s Sermon on the Molard; Beza reading Bible before Joanna
d’Albret; Morning after St. Bartholomew’s Night; Luther at
Worms.--Illust. Zeitg., March 18, 1865.
HORNY, FRANZ, born in Weimar in 1797, died in Olevano in 1819. Pupil
of Johann Heinrich Meyer in Weimar, and Joseph Anton Koch at Rome in
1816. Commissioned to paint fruit and flower decorations in fresco
about the Dante frescos of Cornelius at the Villa Massimi. He was
an artist of great promise, whose career was cut short by an early
death.--Riegel, 337; Seubert, ii. 254.
HOROSCOPE, _Giorgione_ (?), Dresden Gallery; wood, H. 4 ft. 5 in. ×
3 ft. An old man in Oriental costume, with a disc and compass in his
hand, sits at a marble table in front of a ruined building; to the
left, a woman lying on the ground, playing with a naked child, while
a man in armour stands by; background, a landscape, with warriors
reposing under a tree. Looks as if it might have been painted by
Girolamo Pennacchi. Formerly in Palazzo Manfrini, Venice.--C. & C.,
N. Italy, ii. 153.
HOROWITZ, LEOPOLD, born at Rozgony, Hungary, in 1839. Portrait and
genre painter, pupil of Vienna Academy under Meyer, Wurzinger,
and Geiger; won first prize and went in 1860 to Paris, where he
remained eight years, acquiring considerable reputation; moved in
1868 to Warsaw to study Polish and Jewish life, which he has since
treated in a number of successful pictures. Works: Mourning of the
Jews over Jerusalem; Polish Tutor; Harmless War; The First-Born
(1885).--Allgem. K. C., ix. 664; Müller, 266.
[Illustration: Bust]
HORSCHELT, THEODOR, born in Munich, March 16, 1829, died there,
April 3, 1871. Battle painter, pupil of Munich Academy under
Anschütz, and of Albrecht Adam; painted first hunting scenes and
horses, visited Spain and Algiers in 1853, and in 1858 went to the
Caucasus and took part in the Russian expedition. In 1863 returned
to Munich via Moscow and St. Petersburg, and painted many military
scenes in oils and water-colours. In 1870 he made sketches during
the siege of Strasburg. Member of St. Petersburg Academy in 1860, of
the Vienna Academy in 1868, honorary member of the Munich Academy
in 1865; first prize in Paris in 1867, gold medal in Munich in
1869; military decorations in 1858–59, for his campaigns in the
Caucasus. Works: Poacher (1850); Halt before Algiers (1854); Caravan
in the Desert; Seizure of Shamyl; Taking of Earthwork on Mount
Gunib; Cossacks returning from a Razzia; Russian Artillery in the
Tschetschina; Flight of Lesghian Horsemen; Street in Tiflis; Attack
of Circassians.--Allgem. d. Biogr., xiii. 160; Allgem. Zeitg., April
18, 1871; Beilage, 108; Kunst-Chronik, vi. 115; Münchner Propyläen
(1869), 798; Regnet, M. K., i. 195; Theod. Horschelt, Life and Works
(Munich, 1876).
HORSE FAIR (Marché aux Chevaux), A. T. Stewart Collection, New York;
canvas, H. 8 ft. × 15 ft. 7½ in. A drove of horses, of various
colours and sizes, some with riders, and some led by men, trotting to
right; in background, left, the dome of the Invalides in distance;
at right, an avenue of trees with spectators. A masterpiece; cost
eighteen months’ labor. Salon, 1853; sold to Gambart & Co., London,
for 40,000 francs, and exhibited in London and in Manchester in 1856;
purchased in 1857 for about $6,000 by Wm. P. Wright, Weehawken, New
Jersey, and exhibited in New York in October of that year; thence
passed to Mr. Stewart. Engraved, when in Gambart’s possession, by
Thomas Landseer, for whose use the artist painted a reduced copy (H.
3 ft. 11 in. × 8 ft. 2½ in.), with some changes in details. This
copy passed to Jacob Bell, who bequeathed it in 1859 to the National
Gallery, London. Mlle. Bonheur, preferring to be represented by a
better work, painted a third Horse Fair, which she offered to the
National Gallery in place of the hastily executed sketch bequeathed
by Mr. Bell, but the trustees deciding that they had no power to make
the exchange, she contented herself with retouching the Bell picture.
The third picture was sold lately in London. A fourth replica in
small (water-colour), with changes, is owned by C. F. H. Bolckow,
Middleborough, England.--Harper’s Weekly (1857), 645; London Times,
April 27, 1865, 12.
[Illustration: Bust]
HORSLEY, JOHN CALLCOTT, born at Brompton, Jan. 29, 1817. Genre
painter, pupil of Royal Academy; first exhibited work, Rent Day
at Haddon Hall (1837). He received prizes in the Westminster Hall
Competition in 1843, and painted the Spirit of Prayer, in the House
of Lords, and Satan touched by Ithuriel’s Spear, in the Poets’ Hall
of the Palace of Westminster. Elected an A.R.A. in 1855, and R.A.
in 1866. Works: Pride of the Village (1839), in National Gallery;
Malvolio i’ the Sun (1849); Hospitality (1850); Madrigal (1852); Lady
Jane Grey and Roger Ascham (1853); Morning of St. Valentine (1863);
Waiting for an Answer, A Pleasant Corner (1866); Gaoler’s Daughter
(1869); Old Folk and Young Folk (1870); Stolen Glances (1873);
Page in Waiting, Waiting Maid (1875); Under Lock and Key (1876);
Fashions Change (1877); Salute, Cupboard Love (1878); A Trespasser
(1879); Leading Strings, Le Jour des Morts (1880); Château Gardens
at Fontainebleau (1881); A Merry Chase (1882); Wedding Rings (1883);
Hide and Seek (1884).--Art Journal (1857), 181; Sandby, ii. 335.
HORST, G., flourished about 1640–50. Dutch school; history painter,
follower, perhaps pupil, of Rembrandt in his zenith. Works: Isaac
blessing Jacob, Continence of Scipio, Berlin Museum.--Meyer, Gemälde
der köngl. Mus., 214.
HORST, NICOLAAS VAN DER, born at Antwerp about 1598, died at Brussels
in 1646. Flemish school; history and portrait painter, pupil of
Rubens, travelled extensively in Germany, France, and Italy, and
settled at Brussels, where he became engraver to Archduke Albrecht,
and the Infanta Clara Eugenia. The only known painting by him is
Jephtha’s Daughter in the Berlin Museum, but it is not exhibited at
present.--Rooses (Reber), 325; Van den Branden, 800.
[Illustration: Bust]
HOSEMANN, THEODOR, born at Brandenburg, Sept. 24, 1807, died in
Berlin, Oct. 15, 1875. Genre painter and illustrator, pupil of the
Düsseldorf Academy; employed at an early age in the lithographic
institute of Amz & Winckelmann, with whom he went to Berlin, where
he acquired great fame as an illustrator of books. His little genre
pieces in oil and water-colour are equally excellent, though few
in number. In 1857 became professor in the Berlin Academy. Works:
Shoemaker’s Apprentices; School-Girls; Sub-Officers; Milkmaid;
Sand-Carters; Labourer Politicians; Boy playing Violin, Peasant Girls
and Lads, Ravené Gallery, Berlin; Horse-Dealers, Hour of Rest, Rural
Scene, Host and Guests, Stettin Museum.--Allgem. d. Biogr., xiii.
180; Dioskuren (1860), 397; Kunst-Chronik, xi. 90; Illustr. Zeitg.
(1875), ii. 483; Rosenberg, Berl. Malersch., 171.
HOSKINS, JOHN, died in London in February, 1664. Painted first
in oil, but afterwards devoted himself to miniature, in which he
excelled. Painted Charles I., his queen, and many of the nobility.
His nephews, Alexander and Samuel Cooper, were his pupils. His Prince
Rupert, painted on card (3 in. × 2¼ in.) is in the National Portrait
Gallery, London.--Redgrave.
HOSTEIN, ÉDOUARD JEAN MARIE, born in Pléhédel (Côtes-du-Nord),
Sept. 30, 1804. Landscape painter. A once admired but now forgotten
painter of views from the northwestern coast of France, the Rhine,
Switzerland, and Italy. Medals: 3d class, 1835; 2d class, 1837;
1st class, 1841; L. of Honour, 1845. Works: Fishing Vessels at
Grandville, Valley of Ile-Adam (1835); The Meuse, Abbey of Val-Dieu
(1837); Forest of Saverne (1838), Lyons Museum; View on Lake of
Geneva (1840), Amiens Museum; Fir-Trees of the Black Forest, Ruins at
Baden-Baden, Lake Nemi, Cottage at Touque (1840); Valley of the Saône
(1844), Avignon Museum; Forest of Compiègne, Valley of Pierrefonds,
Camp of St. Maur, Plain of Ariccia, Girls bathing in a River (1834
to 1853); The Seine (1855); Toulon, Pine Woods (1857); Versailles
(1859); Entry of Charles VII. into Acquapendente, 1494, Versailles
Museum.--Bellier, i. 776.
[Illustration: Signature]
HOUASSE, MICHEL ANGE, called Hovas, born in Paris in 1680, died at
Arpajon (Seine-et-Oise), Sept. 30, 1730. French school; history and
landscape painter, son and pupil of Réné Antoine H. Called to Spain
by Philip V., he painted many historical pictures, landscapes, and
portraits. Member of Paris Academy, 1707. Works: Two Bacchanals,
Holy Family, View of Monastery of San Lorenzo, two portraits, Madrid
Museum.--Bellier, i. 777.
HOUASSE, RÉNÉ ANTOINE, born in Paris in 1645, died there, May 27,
1710. French school; genre and history painter, pupil and imitator of
Lebrun. Member of Academy, 1673; professor, 1680; director of French
school of art in Rome from 1698 to 1704; then rector and treasurer
of the Academy in Paris. Called to Spain by Charles II., he executed
important works there, and returned in 1692. Works: The Virgin’s
Journey; ceilings in Versailles Museum; Artist’s Portrait (1687),
Grenoble Museum; Female Portrait, Madrid Museum.--Bellier, i. 777;
Jal, 687; Gaz. des B. Arts (1860), vii. 174; (1864), xvi. 465.
[Illustration: Bust]
[Illustration: Inititals]
HOUBRAKEN, ARNOLD, born in Dordrecht in 1660, died in Amsterdam in
1719. Dutch school; pupil of Samuel von Hoogstraten, and perhaps of
Jacques le Vecq; fellow-scholar of the first under Rembrandt, about
whom he published many absurd stories. Works: Female Model Posing,
Amsterdam Museum; Ecce Homo, Copenhagen Gallery; Virginia’s Body
brought to Rome, Schleissheim Gallery; Male Portrait, Städel Gallery,
Frankfort.--Allgem. d. Biogr., xiii. 209; Burger, Musées, i. 53;
Immerzeel, ii. 56; Kramm, iii. 753.
HOUEL, JEAN, born at Rouen in 1735, died in Paris, Nov. 13, 1813.
Landscape painter and engraver, pupil of Descamps, Lemire, and
Casanova. Is best known as an engraver of Italian subjects. Works:
Coast of St. Catherine from Pré-aux-Loups; View of a Cave at
Dieppedalle; Gargantua’s Seat near Duclair; Hill of St. Catherine,
View of the Old Porte Cauchoise in Paris, since demolished, Rouen
Museum; Landscape with Figures, Angers Museum.--Bellier, i. 779;
Larousse.
HOUZÉ, FLORENTIN, born at Tournay in 1812. History and genre painter,
pupil at Liège of Hennequin, and of Antwerp Academy under Nicaise
de Keyser, then studied in Paris, and returned to Tournay in 1844;
received a medal in 1842; lives in Brussels. He paints also good
portraits. Works: Last Moments of Lord Percy (1839); Entering the
Convent (1846); St. Vincent de Paula and the Inundated; St. Charles
Borromeo with People infected by the Plague, St. Augustine healing a
Sick Man; Cardinal’s Visit to Hospital, Tournay Museum; Crucifixion;
Return from Masked Ball; Italian Beggars.--Journal des B. Arts
(1860), 143; Müller, 267.
HOVE, BARTHOLOMEUS JOHANNES VAN, born at The Hague, Oct. 28, 1790,
died in 1880. Painter of city views and church interiors, pupil
of Breckenheimer; medal, 1842. Member of Amsterdam Academy and
several others; won great reputation and several medals from art
associations, and received costly presents from several potentates.
Subsequently was theatre painter at The Hague. Professor at Hague
Academy. Order of Oaken Crown, 1847. Works: View of Musée Royal at
The Hague, City Views (2), Amsterdam Museum; Dutch City by Moonlight,
Ghent Museum; do., Rotterdam Museum; City on a River, Kunsthalle,
Hamburg.--Immerzeel, ii. 59; Kramm, iii. 760; vii. 86.
HOVE, HUBERTUS VAN, born at The Hague in 1814, died at Antwerp in
1865. Architecture and landscape painter, son and pupil of preceding,
and pupil of Hendrik van de Sande Backhuyzen; settled at Antwerp.
Gold medal, 1852; Order of Leopold, 1857. Painted afterwards also
good kitchen-pieces. Works: View on Sea-Shore, Rotterdam Museum;
Fishing Expedition, Museum Fodor, Amsterdam; Interior, Kunsthalle,
Hamburg; Chamber in City Hall at Amsterdam (1837), Leipsic Museum;
Vestibule, New Pinakothek, Munich; Kitchen Interior, Historical
Society, New York.--Immerzeel, ii. 60; Kramm, iii. 760.
HOVE, VICTOR VAN, born at Renaix, East Flanders, in 1825. Genre
painter, was at first a sculptor. His affecting scenes from popular
life are painted in a pleasing manner. Order of Leopold, medals
in Paris (1863) and Vienna (1873). Works: Orphans going to Church
(1863); Protestant Girl’s Sunday (1864); On Way to School (1865);
Fisherman’s Return on Coast of Flanders; The Present; Sunday Morning
in Holland (1869).--Jour. des B. Arts (1860), 158; Müller, 268.
HÖVEMEYER, AUGUST, born at Bückeburg, Oldenburg, Sept. 23, 1824,
died in Munich, Jan. 13, 1878. History painter, pupil of the Munich
Academy under Kaulbach and Schwind, but formed himself chiefly after
the works of Genelli, and was one of the last representatives of
the school of Cornelius. In 1856–58 he was employed upon extensive
fresco paintings in Würzburg, Berne, and Leipsic. In 1864–65 visited
Italy, where he copied Raphael’s School of Athens, and Titian’s
Venus; worked in 1867–69 in Stuttgart and Munich, and executed in
1872–74 ten large compositions in oil and fresco for the Railroad
Directors’ building in Ludwigshafen. Works: Allegorical Figures
(1851), Royal Villa, Berchtesgaden; Expulsion from Paradise (1854);
Christmas Night, Start for the Alp (1855). Frescos: Allegories in
the Railway Station at Würzburg (1856); in the Federal Palace,
Berne (1856–57); Eight compositions from Cupid and Psyche (1858),
Leipsic Museum; The Flood, 1860 (cartoon); Three historical pictures
(1863), National Museum, Munich; Prometheus (1866), in America; six
ceiling paintings in oil, and four Allegories in fresco (1872–74),
Ludwigshafen.--Allgem. d. Biogr., xiii. 215; Jour. des B. Arts, Jan.
15, 1863; Kunst-Chronik, xiii. 302; Meyer, Conv. Lex., xvii. 454.
HOVENDEN, THOMAS, born at Dunmanway, Ireland, in 1840. Genre painter,
pupil of the School of Design, Cork, and of the National Academy,
New York, in 1863. Visited Paris in 1874, and studied six years under
Cabanel, and at the École des Beaux Arts. Elected N.A. in 1882.
Studio in Plymouth Meeting, Pa. Works: Two Lilies (1874); Brittany
Woman Spinning, Pleasant News, Image-Seller (1876); Thinking of
Somebody, News from the Conscript (1877); Loyalist Peasant Soldier of
La Vendée--1793 (1878); Breton Interior--1793 (1878), G. A. Drummond,
Baltimore; Challenge (1879); Dat ’Possum smell pow’ful Good (1881),
Chloe and Sam (1882), T. B. Clarke, New York; Elaine (1882); In from
the Meadows, Village Blacksmith (1883); Who shall eat the Fruit
thereof? John Brown (1884); Taking his Ease (1885).--Sheldon, 189.
HOWARD, GEORGE, born in England; contemporary. Landscape and portrait
painter. Exhibits chiefly at Grosvenor Gallery. Works: Pine Wood near
Pisa, San Gimignano, Near the Torre dei Riccardi (1877); Rest in the
Perjola, Path among Olives, Olive-Gathering on the Riviera (1878);
Crab-Fishers, Venetian Archway (1879); Banks of Irthing--Cumberland,
Walled Garden--Naworth (1880); Curlew’s Pool, Autumn Twilight,
By the Beck, Start Point--South Devon (1881); Path under the
Olives--Bordighera (1882); Vale of Mentone, Autumn in the Old Garden
(1883); Walls of Rome from Villa Medici, Rookery in Spring (1884);
The Gatehouse--Naworth (1885).
[Illustration: Bust]
HOWARD, HENRY, born in London, Jan. 31, 1769, died at Oxford, Oct. 5,
1847. History and portrait painter, pupil of Philip Reinagle and of
the Royal Academy (1788), where in 1790 he won the two first medals
of the year. Studied in 1791–94 in Italy, and afterwards contributed
many subject pictures and portraits to the Academy; became an A.R.A.
in 1801, R.A. in 1808, secretary in 1811, and professor of painting
in 1833. Though distinguished by Academy honours, the promise of his
youth was not fulfilled; his works are graceful and pretty, but his
style is feeble. His Flower Girl, a portrait of his own daughter, is
in the National Gallery, London.--Redgrave; F. de Conches, 435; Frank
Howard, Memoir (1848); Sandby, i. 329.
HOWLAND, ALFRED C., born in Walpole, N. H., Feb. 12, 1838. Genre
and landscape painter, pupil of Schultz and of Eppindale in Boston;
in 1860 visited Europe, and studied five years, in Düsseldorf under
Professor Flann, and in Paris under Lambinet. Elected an A.N.A.
in 1874, and N.A. in 1882. Studio in New York. Works: Sunlit Path
(1871); Old Mill on the Bushkill (1874); Ford’s Glen (1878); Monday
Morning (1879); The Gossips (1880); Driving a Bargain (1882);
Horse-Trade (1883); Rendezvous of the Veterans, A Pot-Boiler (1884);
The Coming Circus (1885).
HOYE (Hoey), NICOLAAS VAN, born at Antwerp in 1626, died in Vienna in
1710. Flemish school; history, battle, and portrait painter, pupil
of Matheus Matheusz; went to Vienna, where he became court-painter.
Works: Battle-pieces (2), Vienna Museum; Physician making
Examination, Fürstenberg Gallery, Donaueschingen.--Kramm, iii. 707.
HUBBARD, RICHARD WILLIAM, born at Middletown, Ct., in 1817. Landscape
painter, pupil of Professor Morse and Daniel Huntington. Studied and
painted in France in 1840. Elected N.A. in 1858. Studio in New York.
Works: Meadows near Utica (1869); High Peak--North Conway (1871);
Vermont Hills (1874); Along the Sound (1877); Autumn--Lake George, C.
P. Huntington, New York; Coming Storm, Early Autumn, Judge Benedict;
Glimpse of the Adirondacks (1876), R. M. Olyphant; Hilltop (1878);
Connecticut Pastoral (1880); Distant View of Hartford (1882); Lake
in the Adirondacks (1883); Cat Mountain--Lake George, Afternoon in
Summer (1884); Watering Place, Down in the Meadows (1885).
HUBER, JOHANN KASPAR, born at Glattfelden, Canton Zürich, in 1752,
died at Zürich, April 17, 1825. Landscape and marine painter, pupil
of Johann Heinrich Wüst; studied four years in Frankfort, then in the
Düsseldorf Gallery, where he devoted himself to marine painting, and
after two years in Amsterdam, returned to Düsseldorf in 1784, and
to Switzerland in 1789. Member of Düsseldorf Academy. Works: Surge,
Landscape with Castle, Storm at Sea, Zürich Gallery.--Nagler, vi. 336.
[Illustration: Bust]
[Illustration: Signature]
HUBER, JOHANN RUDOLF, born in Basle in 1668, died there, Feb., 1748.
Portrait painter, pupil in Basle of Kaspar Meyer, then in Berne of
Jos. Werner; went to Italy when nineteen, and for six years studied
Giulio Romano at Mantua, and Titian at Venice, where he painted
figures in the landscapes of Pieter de Molyn (Tempesta); in Rome
he profited much by the advice of Maratti, then visited France,
and returned to Basle in 1693. In 1696 he became court-painter to
the Duke of Würtemberg, but resigned after four years. With his
growing reputation he could scarcely satisfy the demands made upon
him by princes and persons of the highest standing. He is said to
have painted 5,000 portraits. Works: Dr. Thomas Platter, portrait
of himself, Basle Museum; Family of Margrave Frederic Magnus of
Baden-Durlach (1693); Envoys to the Peace Congress in Baden (1713);
Joseph I., and many other Sovereigns.--Allgem. d. Biogr., xiii. 231;
Füessli, ii. 257.
HUBER, RUDOLF, born at Schleinz, Nether Austria, about 1844. Animal
and portrait painter, pupil of Vienna and Düsseldorf Academies;
took part in the Italian campaign of 1866 as an officer, visited
Egypt repeatedly after 1870, and brought back numerous studies
of Abyssinian types. Professor at Vienna Academy. Works: Cows in
Pasture; Caravan; Maternal Joys, Cows Fighting, Equestrian Portraits
of Duke Charles of Lorraine and of Count Stahremberg (1883);
Washington on Horseback (1884).--Müller, 268; Kunst-Chronik, xviii.
372.
HUBERT, ALFRED, born in Brussels (or Liège?); contemporary. Genre
and animal painter; at first made his mark with pen-and-ink drawings
of military life, but began to paint in water-colours in 1854. Is
especially skilful in painting horses. Works: Horses and Cattle in
Stable; Peasant Women in Town; Dog-Team; Camp-Scene; New Year’s
Presents; Coachmen; Umbrellas; Militaria; Railroads; Masked Ball;
Horses in Gypsy Camp (1870); Artillery Resting (1872); Marine (1873);
Evening after Battle (1874); Mounted Artillery (1875).--Gaz. des B.
Arts (1876), xiii. 453; Müller, 269.
HUBERTI, ÉDOUARD, born in Brussels in 1818, died there in 1880.
Landscape painter in the manner of Corot; his pictures commanded
high prices in Belgium and England. Member of Société belge des
Aquarellistes. Works: Heath in the Campine, King of Belgium; Harvest;
On Border of Forest; Pond of Ramée; Spring; Gloomy Weather at Wilryk;
Valley of Jehoshaphat in Morning Light; Autumn; Snow Landscape on the
Scheldt.--Meyer, Conv. Lex., xix. 473.
HÜBNER, EDUARD, born in Dresden, May 27, 1842. Genre painter, son of
Julius, pupil of Schurig, then of Dresden Academy, and in 1860–67 of
Düsseldorf Academy under Bendemann; repeatedly visited Italy, spent
three winters at Rome, and (1869–70) in Paris. Professor at Berlin
Academy. Works: Marguerite Le Riche consoling her Fellow-Prisoners;
Graziella; Toilet in Capri; Two Girls on a Roof; First Age of the
World; Iphigenia; Girl Asleep (1881); Curtain for Royal Theatre at
Dresden (1882).--Kunst-Chronik, xvii. 659; Müller, 269.
[Illustration: Bust]