(?) in 1638, died at Amsterdam, buried Dec. 14, 1709. Dutch school;
landscape painter, formed himself under the influence of Jacob van
Ruisdael. Much neglected in his life-time, and little esteemed, this
painter now takes rank as one of the greatest masters of landscape
art, thanks to the initiative of England, where nine-tenths of his
works are to be found. With less inventive genius and less poetic
feeling than Ruisdael, Hobbema surpassed him in truth to atmospheric
effect, in tone, and in brilliancy of colour. These qualities give a
magical beauty to the generally prosaic scenes which he habitually
treated. Some of his landscapes are enlivened with figures by
Pieter Bouts, Adrian van der Velde, Berghem, Lingelbach, Storck,
Helt-Stokade, B. Gael, and Helmbreker. Works: Showery Weather,
Avenue at Middelharnis, Ruins of Brederode Castle (1667), Village
with Water-Mills, Forest Scene, Woody Landscape, Castle in Rocky
Landscape, National Gallery, London; landscapes in Buckingham Palace
(3), Bridgewater (3), Dulwich (2), and Grosvenor (2) Galleries,
Hertford House, Baring, Dudley, Wynn Ellis, Holford, Lord Overstone’s
Collections, ib.; Glasgow Gallery (5); National Gallery, Edinburgh
(2); Louvre, Paris; Museums of Bordeaux, Antwerp, Brussels (1663),
Amsterdam (3), Rotterdam (2), Berlin, Darmstadt (1649), Dresden (2),
Gotha, Königsberg, Leipsic (?), Stuttgart (2), Vienna, New York;
Städel Gallery, Frankfort (2); Kunsthalle, Hamburg; Old Pinakothek,
Munich; Hermitage, St. Petersburg (1663); Historical Society, New
York (2).--Allgem. d. Biogr., xii. 516; Dohme, 1ii; Gaz. des B. Arts
(1859), iv. 28; (1864), xvi. 214; Immerzeel, ii. 41; Kramm, iii. 693;
vii. 77; Kugler (Crowe), ii. 475; Richter, 76.
[Illustration: Bust]
HODGSON, JOHN EVAN, born in London, March 1, 1831. Subject painter,
student in 1855 of the Royal Academy, where he first exhibited in
1856. Painted at first domestic subjects, then historical pictures
from 1861 to 1865; and, after a visit to North Africa, subjects of
Moorish life, to which he has since mostly confined his efforts.
Became an A.R.A. in 1873 and R.A. in 1879. Works: Arrest of a
Poacher (1857); Canvassing for a Vote (1858); Patriot Wife (1859);
Sir Thomas More’s Daughter in Holbein’s Studio (1861); Return of Sir
Francis Drake from Cadiz (1862); First Sight of the Armada (1863);
Queen Elizabeth at Purfleet (1864); Taking Home the Bride (1865);
Jewess accused of Witchcraft (1866); Even Song (1867); Roman Trireme
at Sea (1868); Arab Story-Teller (1869); Pasha’s Black Guards (1870);
Snake Charmer (1872); Barbers Shop in Tunis (1875); Relatives in
Bond (1877); The Pasha (1878); Bound for the Black Sea--1854 (1881);
Painter and Critic (1882); Egypt (1882); The Water Dance (1883); Flat
Perjury, There Nelson Fell, The Drowsy East, Gate of the Sea, Church
Afloat (1884); Don Quixote and the Galley Slaves (1885).--Portfolio
(1871), 18.
HOECGEEST, C. (Cornelis?), born at The Hague, flourished about
1610–51. Dutch school; architecture painter, perhaps son of the
portrait painter Joachim H., at The Hague, who entered the guild
there in 1610; painted chiefly interiors of churches with a
masterly brush. Works: Interior of New Church in Delft, Interior of
Protestant Church, Antwerp Museum; Interior of New Church in Delft
(1650), Monument of William of Orange in same Church (1651), Hague
Museum; Choir in Delft Cathedral (1655), Interior of Flemish Church,
Copenhagen Gallery; Interior of Basilica, Oldenburg Gallery; Church
Interior, Hermitage, St. Petersburg.--Immerzeel, ii. 43; Kramm, iii.
699.
HOECHLE, JOHANN BAPTIST, born at Klingenau, Switzerland, Oct. 19,
1754, died in Vienna, Jan. 1, 1832. History, genre, and portrait
painter, pupil at St. Blasien of Morat, and in Augsburg of Hartmann;
settled in Munich in 1780, acquired reputation through historical
paintings, and was made court-painter to the Elector Charles Theodor,
after whose death in 1800 he settled at Vienna, where also he became
court-painter in 1802. Works: Meeting of Charles Theodor and Emperor
Francis in Munich (1793); Coronation of Emperor Francis, Banquet in
the Römer at Frankfort (1801), Wedding of Emperor Francis, Wedding
Banquet, Laxenburg Palace; Suit of Prince Berthier for the Hand of
Marie Louise, Marriage of Marie Louise, Harrach Gallery, Vienna; Old
Peasant, Old Woman, Vienna Museum.--Allgem. d. Biogr., xii. 522;
Wurzbach, ix. 89.
HOECHLE (Hechle), JOHANN NEPOMUK, born in Munich in 1790, died in
Vienna, Dec. 12, 1835. History painter, pupil of Munich Academy under
Kobell, and of Vienna Academy under Füger and Dies. In 1815 went to
Paris with the Austrian Emperor, and in 1819 to Rome and Naples.
In 1833 he succeeded his father, Johann Baptist, as court-painter
at Vienna. Works: Battle at Aspern, The Allied Armies crossing
the Vosges, Vienna Museum; Rudolf von Hapsburg and the Priest;
Battle-Pieces, Liechtenstein Gallery, Vienna.--Allgem. d. Biogr.,
xii. 523; Wurzbach, ix. 90.
[Illustration: Signature]
HOECKE, JAN VAN DEN, born in Antwerp, baptized Aug. 4, 1611, died
there in 1651. Flemish school; history and portrait painter, son and
pupil of Kasper van den Hoecke (master of Antwerp guild, 1603), then
pupil of Rubens. He visited Italy, and on his return executed many
works for the court at Vienna. Settled in Antwerp as court-painter
to Archduke Leopold William in 1647. Good draughtsman and pleasing
colourist. Works: St. Francis adoring the Child, Museum, Antwerp;
Holy Family, St. Willebrordus Church, ib.; Christ bearing the Cross,
Entombment, Notre-Dame, Mechlin; Entombment, St. John’s, ib.; do.,
St. Quentin’s, Louvain; Christ on the Cross, St. Salvator’s, Bruges;
do., Dunkirk Museum; Martyrdom of St. Mary of Cordova, Dijon Museum;
Resurrection, Schleissheim Gallery; Madonna and Angels, Allegory on
Transitoriness, January and February, July and August, September
and October, Day and Night, Archduke Leopold William in Prayer, do.
on Horseback, Museum, Vienna; Samson and Delilah, Massacre of the
Innocents, Cimon and Pera, Liechtenstein Gallery, ib.--Allgem. d.
Biogr., xii. 549; Ch. Blanc, École flamande; Cat. du Musée d’Anvers
(1874), 429; Immerzeel, ii. 42; Kramm, iii. 699; Michiels, viii. 97;
Rooses (Reber), 317; Van den Branden, 794.
HOECKE, ROBRECHT VAN DEN, born in Antwerp, Nov. 30, 1622, died after
1695. Flemish school; genre, landscape, and battle painter, son and
pupil of Kasper, and half-brother of Jan; master of the guild in
1645. His style was evidently influenced by Teniers the younger,
and his pictures are admired for great delicacy of tone, splendid
colouring, and richness of composition. While controller of the
fortifications of Flanders he painted many military camps and scenes,
executing the figures on a small scale and with great minuteness.
Works: Skating in Town-moat at Brussels (1649), View of Ostend,
Military Camps (3), March of Troops, Halt of Travellers by an Inn,
Flemish Store-room (1695), Nocturnal Conflagration, Vienna Museum;
Military Camp (1665), Dunkirk Museum.--Allgem. d. Biogr., xii. 549;
Immerzeel, ii. 43; Kramm, iii. 700; Van den Branden, 797.
HOECKERT, JOHANN FREDRIK, born at Jönköping, Aug. 26, 1826, died
in Göteburg, Sept. 16, 1866. Genre and portrait painter, pupil of
Stockholm Academy under Boklund, with whom he went to Munich in 1846.
After his return (1849) he visited Lapland, went in 1853 to Paris,
where he allied himself with Max Hess, travelled in 1857 through
Holland, Belgium, and England, in 1858; made studies in Dalecarlia,
and in 1861 visited Spain, Italy, and North Africa. Medals in 1857,
1866; Orders of Wasa and North Star. Works: Bandits (1846); Queen
Christina ordering Execution of Monaldeschi (1853); Divine Service
in Lapland Chapel (1855); Return from Chase in Lapland; Interior
of Lapland Hut (1857), Lapland Wedding (1858), Stockholm Museum;
Rescue of Gustavus Vasa (1858); Peasant Woman at the Hearth (1862);
Portraits of Bey of Tunis (1861), and Charles XV.; Burning of Palace
in Stockholm in 1697; Bellman in Sergell’s Studio; Dead Body of
Charles XI.--Taflor.
HOEFEL, JOHANN NEPOMUK, born in Pesth in 1786, died in Vienna in
Feb., 1864. History and portrait painter, pupil of Krafft and of
Vienna Academy, where he won the great prize in 1811; visited Italy
in 1818, and after his return painted many altarpieces for churches
in Austria and Hungary. Works: Ægeus recognizing Theseus by his
Sword (1811); Sons of Diagoras as Victors at Olympia (1820); Series
of Twenty-Four Figures for Imperial Palace; Portrait of Ladislaus
Pyrker.--Wurzbach, ix. 97; Hormayr, Archiv., 623.
HOEFNAGEL, JORIS, born at Antwerp in 1545, died in Vienna after 1618.
Flemish school; genre, landscape, portrait, and miniature painter,
mostly self-taught, but for a time pupil at Mechlin of Jan Bol, after
having travelled through France and Spain in 1563–65, where he made
many drawings of notable objects. Returned to Antwerp, and uniting
with his art the business of a jewel dealer, he and his father were
pillaged of everything on the invasion by the Spaniards in 1576, and
went to Augsburg, thence to Munich, where, after a visit to Italy, he
spent eight years, patronized by the elector; visited England about
1582; worked temporarily for the Archduke Ferdinand at Innsbruck,
then entered the service of Emperor Rudolph at Prague, for whom
he illustrated four books on natural history, and finally settled
at Vienna. Works: Miniature View of Seville (1573, masterpiece).
Burgundian Library, Brussels; Roman Missal (1582–90), Imperial
Library, Vienna. His son Jacobus, born at Frankfort in 1575, became
court-painter to the Emperor Rudolph in 1607. In the museum at
Valencia there is a fine water-colour drawing by him: Samson slaying
the Philistines (1600).--Fétis, Les artistes belges à l’étranger, i.
85; Michiels, vi. 239; Nagler, Mon., iii. 564.
HOEGG, JOSEF, born in Coblentz in 1826. Genre painter, pupil of
Düsseldorf Academy, paints chiefly mournful subjects. Works:
Farewell of Emigrant Wine-Growers (1846); At Mother’s Coffin
(1847); Boy reading Letter (1848); Blind Grandmother, Return from
Cemetery (1849); Grandfather and Grandchildren (1850); Blind Man
(1852).--Wiegmann, 327.
HOERBERG, PEHR, born at Oefra-Oe, Småland, Jan. 31, 1746, died at
Oelstorp, East Gothland, Jan. 24, 1816. History painter, self-taught
peasant. While serving as a shepherd (1783) he frequented the
Stockholm Academy, and obtained two prizes. Made member of the
Academy and court-painter in 1797, and received a pension from
Charles XIV. in 1812. Over six hundred paintings by him are known,
among which are eighty-seven altarpieces. His best fresco paintings
are the Combats of Titans at Castle Finspång. He was an accomplished
musician, and invented a new kind of violin; his musical compositions
are original and full of sentiment.--Pehr Hoerberg’s Lebens
beschreibung (Greifswald, 1819).
HOERTER, AUGUST, born in Germany; contemporary. Landscape painter
in Carlsruhe, pupil of Lessing; draws his subjects mostly from the
high mountains of Germany and Switzerland. Works: Courtyard of
Magdeburg; View of Reichenbach Falls; Landscape about the Hohentviel;
Oak Landscape; Wood Brook; Approaching Storm with Mediæval Horsemen;
Rosegg Glacier; Landscape in the Höhgau (1868).--Müller, 267.
[Illustration: Signature]
HOET (Hoedt), GERARD, born at Bommel, Aug. 22, 1648, died at The
Hague, Dec. 2, 1733. Dutch school; history painter, son and pupil of
the glass painter Moses Hoet, then pupil of Warnard van Rysen and
of Poelenburg; went to The Hague in 1672, travelled in Holland and
France, and settled in Utrecht, where, with H. Schook, he founded
a school of painting; returned to The Hague when sixty, and there
painted in a hall the Seven Christian Virtues. Works: Landscapes with
Figures (2), Marriage of Alexander and Roxana, Homage to Alexander,
Family Scene, Amsterdam Museum; Pyramus and Thisbe, Rotterdam Museum;
Queen of Sheba before Solomon, Pyramus and Thisbe, Cassel Gallery;
Death of Dido, Alcestis at Death-bed of Admetus, Copenhagen Gallery;
Woman and Children by Ruined Wall (1667), Dresden Museum; Samson and
Delilah, Solomon’s Idolatry, Leipsic Museum; Æneas and Dido, Antony
and Cleopatra, Ulysses recognizing Achilles, The Wooers Feasting,
Male Portrait, Schleissheim Gallery; Moses striking the Rock, Vienna
Museum; Callisto’s Guilt, Glasgow Gallery; Adoration of the Magi,
Hermitage, St. Petersburg.--Immerzeel, ii. 44; Kramm, iii. 705.
HOFF, JAKOB, born in Frankfort in 1838. Genre painter, pupil at
Frankfort of the sculptor Zwerger, then at the Städel Institute
of Jakob Becker, spent two years in Belgium and Holland, and
subsequently visited Hungary and North Italy. Works: Kirmess Dance
(1861); Under the Linden; Repose at the Chase.--Müller, 261.
[Illustration: Bust]
HOFF, KARL, born in Mannheim, Sept. 8, 1838. Genre and landscape
painter, pupil of Carlsruhe Art School under Schirmer and Des
Coudres, and of Düsseldorf Academy under Vautier; visited Paris in
1862, settled in Düsseldorf, whence he made journeys through Germany,
France, Italy, and Greece, and in 1878 went to Carlsruhe as professor
at the art-school. Medals in Berlin (1872), Vienna (1873); honorary
member of Rotterdam Academy. Since 1865 he has painted all the
figures in his genre scenes in the costume of the times of Louis
XIV. and XV. Works: Gypsies before Bailiff (1861); Last Rendezvous;
The Pettifogger; Noblesse Oblige; On the Old Field of Battle; Visit
of the Bride (1865); Repose during Flight in Time of Louis XIV.
(1866); First Criticism (1868); Return Home (1870); Tartuffe and
Elmire (1872); Draught on Horseback (1873); Baptism of Posthumous
Son (1875), National Gallery, Berlin; Son’s Last Greeting (1878);
Before Departure (1880); Young Lady at Balustrade of Garden-Stairs in
Moonlight, Schwerin Gallery.--Müller, 262; Leixner, Mod. K., i. 93;
ii. 70; Zeitsch., xii. (Mittheilungen, v. 6); D. Rundschau, ix. 326;
xvii. 312.
HOFF, KONRAD, born in Schwerin, Nov. 19, 1816, died in Munich,
Feb. 18, 1883. Architecture painter, pupil of Dresden and Munich
Academies; travelled extensively in Germany and later in North
Italy. His architectural views and interiors are distinguished for
poetic conception and brilliant colouring. Works: Rococo Chamber,
View in Church of Our Lady--Munich, Renaissance Chamber with Lady
Writing (1860); Sacristy (1861); Interior of Old House in Neuburg;
Staircase in Castle Schleissheim (1862); Hall of Country Mansion,
Room of a Cardinal (1863), Schwerin Gallery; Morning after Banquet;
Interior of St. Zeno’s--Verona, Santa Maria dei Miracoli in Venice
(1864); Basilica on Isle of Torcello (1865); Scuola di San Rocco in
Venice, Santa Maria della Salute in Venice, Bedroom of Charles VII.
in Schleissheim (1867); Ancestral Hall in Schleissheim; Last Meeting;
Canal Grande; Riva degli Schiavoni; Doge’s Palace.--Kunst-Chronik,
xviii. 368; Müller, 262.
HOFFMANN, JOSEF, born in Cologne, Oct. 28, 1764, died there, March
6, 1812. German school; history painter, son of and first instructed
by Valentin Hoffmann (a painter of Mentz, who had settled at Cologne
before 1764), then pupil of Düsseldorf Academy under Krahe and
Langer; won the first prize for decorative painting, then twice
(1800–1801) the Goethe prize in Weimar, and another in 1805; visited
Paris in 1797. Works: Ulysses and Diomed surprising Camp of the
Trojans (1800); Achilles at Court of Lycomedes (1801); Hercules
cleaning Stables of Augeas (1805); Diana with Hunting Suite, Ceiling
in Audience Chamber, Weimar (sketch of this in Cologne Museum);
Ceiling in Choir of St. Martin’s, Düsseldorf (1793–94).--Mercure du
Départment de la Roër (1812), 151–60; Merlo, 182.
HOFFMANN, JOSEF, born in Vienna, July 22, 1831. Landscape painter,
pupil of Rahl; went in 1856 to Venice and in 1857 to Greece. From
1858 to 1864 he lived in Rome, perfecting himself by study and
intercourse with masters of the German school. Member of Vienna
Academy since 1867. Works: Remains of Sanctuary of Venus; Anacreon’s
Grave (1865); Athens in Time of Pericles; Athens from Gardens of
the Queen; Sabine Mountains near Olevano; Eight Landscapes, Palace
Epstein, Vienna; Drama; Idyl and Tragedy; Five Views of Ancient
Athens (1876), Palace Sina, Vienna; Decorations to Magic Flute,
Freischütz, and Romeo and Juliet (1866), Vienna Opera House; Four
Joys of Life, Kursalon, Vienna; Burning of Ringtheatre in Vienna
(1881); The Hour of Death on Golgotha (1882); Cycle of Landscapes
illustrating the Geological Epochs (1884), Museum of Natural
History, Vienna; View of Helgoland (1885).--Allgem. K. Ch., ix. 434;
Kunst-Chronik, xvii. 259, 467; xx. 636; Müller, 262; Wurzbach, ix.
174; Zeitschr. f. b. K., ix. (Mittheilungen, ii. 47).
HOFFMANN-FALLERSLEBEN, FRANZ, born in Weimar, May 19, 1855.
Landscape painter, pupil of Düsseldorf Academy and of Weimar Art
School under Theodor Hagen; visited the Baltic coast, Westphalia,
Hanover, and Thuringia, and settled in Düsseldorf. Works: Giant’s
Grave, By a Woodland Cemetery (1877); Solitude, After Storm-Tide
(1878); Twilight, Enchanted Castle (1879); Ancient German Offering
Grove, At the Forest-Border (1880).--Müller, 263.
HOFMANN, HEINRICH, born in Darmstadt, March 19, 1824. History
and portrait painter, pupil of Düsseldorf Academy under Theodor
Hildebrandt and Schadow, then of Antwerp Academy (1845); visited
Holland and Paris, and returned to his native city, where he painted
portraits; was in Munich in 1847, in Darmstadt and Frankfort in
1848–51, and in Dresden in 1851–53. Went in 1854 to Italy, where
he spent four years, mostly at Rome, and was much influenced by
Cornelius. Removed to Dresden in 1862, became honorary member of the
Academy in 1868, and professor in 1870. Works: Scene from History of
Longobards (1844), Würtemberg Art Union; Entombment (1846), Rhenish
Art Union; Scene from Romeo and Juliet (1847), Cologne Art Union;
King Enzio in Prison (1851), Freiburg Gallery; Taking of Christ
(1858), Darmstadt Museum; Othello and Desdemona; Shylock and Jessica;
St. Cecilia; Venus and Cupid; Christ and the Adulteress, Christ in
the Temple, Dresden Gallery; Christ’s Sermon on the Lake, National
Gallery, Berlin; Apotheosis of Ancient Heroes, Court Theatre,
Dresden; Betrothal of Albrecht the Brave with Princess Sidonie
(fresco), Albrechtsburg, Meissen; Dornröschen, Leda.--Brockhaus, ix.
305; Müller, 263.
HOFMANN, RUDOLF, born in Darmstadt in 1820, died there in 1882. Genre
and history painter, pupil in Darmstadt of Lucas, then of Düsseldorf
and Munich Academies; studied for three years in Rome, and became
professor in Darmstadt and inspector of the Museum there. Works:
Scene from Peasants’ War, Darmstadt Museum; twenty-three scenes from
History of the House of Ysenburg-Büdingen (1852). Frescos: Minstrels’
War, Scenes from Niebelungen Lied, Parsifal, Tristan and Isolde, all
at Wartburg near Eisenach.--Müller, 264.
HOFMANN, SAMUEL, born in Zürich in 1592, died in Frankfort in 1648.
Portrait painter, pupil in Zürich of Gotthard Ringli, then in
Antwerp of Rubens; worked at Amsterdam, Zürich, and Frankfort after
1638. Works: Equestrian Portrait of Peter König (1631), Freiburg
Museum; Duke Bernhard of Weimar (1639), Entry of Gustavus Adolphus
into Frankfort, Birth of Erichthonius, Female Portrait, Städel
Gallery, Frankfort; The Zinsgroschen, Still Life, Portraits, Zürich
City Library and Art Union; Portrait of a Lady, Städel Gallery,
Frankfort.--Allgem. d. Biogr., xii. 637; Füessli, i. 155.
HOFMANN-ZEITZ, LUDWIG, born in Zeitz, Nov. 11, 1832. Genre painter,
pupil in Munich of Schwind. Works: Blue Floweret; Ruined and Dead;
Francesca da Rimini and Paolo; Surprise.--Müller, 264.
HOGARTH, SCOTTISH. See _Allan_, David.
[Illustration: Bust]
[Illustration: Initials]
HOGARTH, WILLIAM, born in London, Dec. 10, 1697, died there, Oct.
26, 1764. Son of Richard Hogarth, schoolmaster; apprenticed to Ellis
Gamble, silversmith, to learn to engrave arms and cyphers on plate;
when his time had expired (1718), became a student in St. Martin’s
Lane Academy, where he learned to draw. About 1720 he set up in
business as a silversmith, and began to engrave book-plates, the
first of his prints to attract notice being a series of illustrations
for Butler’s Hudibras (1726). In 1730 he clandestinely married the
daughter of Sir James Thornhill, serjeant-painter to the king, whose
studio he had frequented. As his book-plates were not profitable, he
set up as a portrait painter and met with considerable success. In
1733 he completed his series of six pictures entitled the Harlot’s
Progress (5 burned at Fonthill, 1755; 1, the sixth picture, Earl of
Wemys, Gosford House), which was followed by the _Rake’s_ Progress
(8 pictures), and _Marriage_ à la Mode (6), in which he reached
the height of his art, his more ambitious works, such as the Good
Samaritan (1736), Paul before Felix (1748), Moses brought to
Pharaoh’s Daughter (1752), and others, being less successful. Among
his other pictures painted especially for engraving are: Southwark
Fair (1733), Duke of Newcastle; Midnight Modern Conversation (1734);
Distressed Poet (1735); The Four Times of the Day (1738); Strolling
Actresses Dressing in a Barn (1738, burned at Littleton House,
near Staines, 1874); The Enraged Musician (1741); _Calais_ Gate
(1749); March to _Finchley_ (1750); The _Election_ (1755), Soane
Museum, London. In 1753 he published a work entitled “The Analysis
of Beauty”; in 1757 he was appointed serjeant-painter to the king.
Hogarth painted several portraits of himself; the best of them,
in which he is represented with his dog Trump (1745), is in the
National Gallery, London. Other pictures in the National Gallery
are: _Marriage_ à la Mode (6), Portrait of his sister, Mary Hogarth
(1746), _Sigismonda_ (1763), Family Group, Polly _Peachum_, _Shrimp_
Girl; _Garrick_ as Richard III., Earl of Feversham.--Dobson, Biogr.
Great Artists; Boydell, Works, etc. (London, 1792, new ed. 1849);
Home, Works (London, 1866); L’Artiste (1882), ii. 365, 463; Portfolio
(1872), 146; Athenæum, Dec., 1874, 888; G. A. Sala, Hogarth (London,
1866); Redgrave, Century, i. 44; Trusler, Works (London, 1821);
Zeitschr., vii. 1, 44.
HÖGER, JOSEF, born in Vienna, Nov. 2, 1801, died there, May
13, 1877. Landscape painter, pupil of the Vienna Academy under
Mössmer, and then much influenced by Rebell, and later by his
brother-in-law, Fritz Gauermann. Studied nature in Styria, Tyrol,
and Upper Austria. In 1843 he became member of the Vienna Academy,
and took an active part in its reorganization in 1865. He was in
great demand as a teacher in the highest circles of Vienna, and
gave the empress lessons in water-colour painting. Works: Chapel in
the Ramsau (1835), Count Beroldingen, Vienna; View near Lundenburg;
Wood with Stags (1847); Landscape in Styria (1850), Austrian Art
Union; View near Berchtesgaden (1852); Entrance to Woods (1853),
View in Patschkau--Moravia (1857), Views near Patschkau (3, 1858),
Landscape with Storm Atmosphere, View near Lundenburg, Count Saint
Genois, Vienna; Wood Landscape in the Mountains (1856), Museum,
ib.--Kunst-Chronik, xii. 721; Wurzbach, ix. 110.
[Illustration: Bust]
HOGUET, CHARLES, born in Berlin, Nov. 21, 1821, died there, Aug.
4, 1870. Landscape, genre, and marine painter, pupil of Krause,
and in Paris of Ciceri; went in 1841 to England, and in 1842
studied again in Paris under Isabey. Gold medal in Paris (1848)
and Berlin. Member of Berlin Academy in 1869. Works: The Cook; Rue
Pirouette in Paris; Coast near Yport; From Normandy; Gust of Wind;
Last Windmill on Montmartre (temporarily in Stettin Museum), Still
Life (1852), The Wreck (1864), National Gallery, Berlin; Rocky
Landscape, Woodland (1854), Landscape with Water, Ravené Gallery,
ib.; Market Scene at Rouen, Marine, Lighthouse near Boulogne, Mill on
Montmartre, Store-room, Windmill, Winter Landscape, Saardam, Stettin
Museum.--Dioskuren (1870), 293; Jordan (1885), ii. 102; Rosenberg,
Berl. Malersch., 343.