Of Father Kellogg as an earnest and inspired preacher, a consecrated

man with a message to men, and of his greatest sermons, others may

speak. He was a modest and unassuming man who did not recognize in

himself his full power to move and convince men. Physical fear stood

in the way. He often expressed himself as greatly embarrassed when

officiating over large and fashionable congregations, and he said to

me, following his magnificent discourse in a series of meetings at

Tremont Temple, that when he approached the desk, his knees shook so

that he feared he should fall in his tracks. However this may have

been, he got control of himself before he had spoken twenty-five

words. All of embarrassment fled before the earnestness of his words

and purpose. It was--and I speak with the knowledge that many others

consider his sermon on the “Prodigal Son” his masterpiece--one of the

greatest efforts of his life. He realized that he was in contrast with

Dr. Stone, Dr. Manning, Dr. Kirk, Dr. Neal, and others, and that he

must give the best he had. The sermon made a deep impression upon all

his hearers.

It was a comparative parallel of a brook and the career of man in weird

and forceful language, in imagery that was entrancing, in striking

passages, and with the lesson every moment in the foreground,--man and

brook at their sources, the place of their birth.

_Morning._ He dwelt upon its beauty at sunrise, and the secluded depths

of the forest, and sought the birthplace of the brook. Then with the

child and the tiny stream he lingered and dwelt in graceful, dreamy

thought, in which he compared their purity, pondered upon the dangers

and pitfalls beyond, half undecided whether to venture farther or cease

to be. Having determined that it would be cowardly to resist destiny,

he followed the murmuring stream, listened to its complaints and made

note of its troubles. It was the career of man. As it flowed on, and he

wandered beside it, he listened to the song of birds, the murmuring

wind, and found himself in harmony with things divine. Anon, the scene

changed, the harmony was broken, the temptation to recklessness was

observed on every hand. The little brook had increased in strength

and commenced its complaining. It was being bruised against boulders,

rushed over logs and through chasms, over ledges, alongside of marshes

and across the quicksands of meadows, under water-wheels and bridges,

thrown mercilessly over precipices and dashed against every substance

in its path.

_Noonday._ He mused with it, gathered admirers about it and discovered

that it entered into partnership with other streams as men and women

enter into the partnerships of life. He listened to its whispered

songs by day and sought its harmonies by night, he sympathized with

its fault-finding because of the impurities which flowed into it from

cities and villages, admired it when it became a broad expanse, and

enforced the lesson of man’s journey through life.

_Evening._ Standing on the shore of the ocean, the tide receding, he

gazed far out toward the horizon, and in descriptive beauty I cannot

reproduce, saw the river meet and mingle with the sea, losing its

identity; saw the streets of shining gold, the great white throne and

the crown for those who are faithful unto death.

The outline of one other of Father Kellogg’s great sermons still

lingers in my mind and attracts my thought. Paragraphs from it are

discoverable in the stories he wrote late in life. It was prepared for

the purpose of presenting the cause of the Seaman’s Friend Society

before a great convention in the Boston Music Hall. He was to speak

to a cultured audience of men and women from all parts of the state,

and in the presence of some of the best scholars and thinkers in his

own profession. He felt that he would be criticised in comparison with

other speakers, and was therefore determined to do himself and his

alma mater credit, and withal present his cause, so as to reach the

hearts and pocketbooks of his hearers. I did not hear the sermon at its

original delivery, but later he used it for the same purpose in the

churches. I heard it at Park Street, and was so attracted and impressed

by its beauty of language and eloquence when spoken by him that I went

to the Mount Vernon Church when he delivered it there. This gives the

impression it left upon my mind.

Through the career of one sailor, learn of many. He pictured the

child in the cradle, the love and hope of a doting mother; followed

him to school, saw him develop in mind and muscle; sailed cat-boats,

set lobster-traps, and dug clams with him. He talked and dreamed with

him about other lands and climes beyond the boundary of their vision,

and entered into his hopes and ambition to become the master of a

ship. Passing briefly over his coasting voyages, he portrayed him in

port surrounded by sharks and bad women, and in the whirl, where if

he listens and yields to the tempter, he becomes lost to himself and

a sorrow to the mother who bore him. He spoke of his needs, of the

associations that should environ him, the necessity for a snug harbor

home in every port, and then, when an able seaman, he accompanied him

on a voyage to a foreign land.

Then he presented, in vivid colors, beautiful, weird, and awful

pictures of the sea such as no man who has not witnessed them may

discover in the storehouse of his knowledge. The vessel drifts to-day

in a calm; there is little to do on shipboard, and so, half homesick,

the sailor looks upon the glassy deep as in a mirror, and sees faces

and forms of those he loves. Meantime, there are omens that indicate

a coming storm, and anxiety is depicted on every face. Night and the

storm! Then the awful picture of the raging deep; the vessel climbing

mountain waves and anon pitching into the trough of the sea; the

dark and ominous clouds, the angry winds, the mingled prayers and

supplications of the crew; the promises of a better life if spared to

reach land, the wreck, the rescue,--all in vividness, in rapid and

burning oratory that held a landsman as in a vice, moved him to tears,

and blotted from his mind all else save the speaker and his theme. Into

port, far from home and kindred, and the old story of forgetfulness of

promises when in the presence of temptations, and, in conclusion, a

masterly plea for pecuniary aid from those who had it in their hearts

to better the sailor’s environments.

During the war of the rebellion, Father Kellogg’s patriotism and zeal

for the cause of his country was of the most pronounced type. Whenever

a regiment from Maine was due to march through the streets of Boston,

whether outward or homeward bound, his affection for the old home and

the boys of his state, excited him beyond self-control. He met the

command, if informed of its coming, at the railroad station, crossed

the city with it, remained close to the ranks and at every halt talked

with and cheered the boys. He made speeches to several regiments, when

reviewed on the Common, and on one occasion--I was present to greet a

cousin in the ranks--he broke down completely, and wept like a child.

It was pretty safe to say after the departure of a regiment from Maine

that Mr. Kellogg had not a “penny to his name.” He made speeches and

offered prayers at the unfurling of the flag, and spoke parting words

of affection and advice to seamen of his congregation and young men of

his Sunday evening meetings, many of whom “died with their wounds in

front.”

The last of my several visits with Father Kellogg at his home at North

Harpswell was on August 5, 1899. On my journey thither, I talked freely

with the driver of the hired carriage--G. W. Holden, a brother of

the mystic tie--and said to him: “I should think the people of such

an up-to-date place as this would demand a younger preacher, more of

a society man than Mr. Kellogg.” He became enthusiastic at once and

replied: “Why, bless you, brother, the people of this place are all of

one mind in this matter. Like myself they had rather hear Mr. Kellogg

say ’amen,’ than the finest sermon any younger minister could possibly

preach. Why, people come from far and near to hear him, and every now

and then he has a request from some of them to deliver his discourse

on the ’Prodigal Son.’ It is a most remarkable sermon. I could hear it

twice a year, and hunger for a third.”

But here we were at the end of our pilgrimage, at the very door of

his residence. It was nine miles from the boat-landing, half a mile

from the main highway through a strip of woods, and in a romantic and

secluded spot; an old-fashioned, unpainted farm-house of the fathers,

with large, high-studded rooms, and furnishings after the fashion of

the city. Everything bespoke comfort.

Mr. Kellogg met me at the door with warm greeting, and when he made

out my identity through the mists of years, embraced me with the

enthusiasm of a child, put his arms about my neck and kissed me upon

the cheek. It was the same warmth and affection with which he greeted

the old Park Street Church crowd of young people in good old times.

“Come in! come in!” and then our tongues were loosed and it was a race

for life, for my visit was necessarily to be brief, to see who could do

the most talking. I think--mind you, reader, I am not positive about

it--that he did the most of it; at any rate he conjured with names of

old-time companions and friends whom I had forgotten, but whose faces

and forms were instantly upon the screen before me, and spoke with

tenderest affection of boys and girls, old men and matrons, whom we

had known and loved, and who have long since paid the debt of nature.

Oh, that the living of the good old times could have joined me on that

pilgrimage!

He told me it was his purpose to proclaim“glad tidings” to men while

life lasted; that he had engaged to preach the next year; that he

expected to officiate on Sunday at Bowdoin College, and that his

health was such--deafness being his only apparent infirmity--he had

reasonable hope of becoming a centenarian. He recalled incidents

innumerable with which I am familiar, and related with manifest

pleasure that the deacons of Park Street undertook to put a stop to

the “running away” of their young people on Sunday nights, and, with

merriest twinkle of the eye, said, “their lectures fell on stony

ground. Some of the young people replied that they were born in the

Bethel, others that they were looking for a chance to sing, and there

were a few--and I fear you were one of the number--who always turned up

where the girls were. Anyhow, I had the crowd, and I loved every one in

it as though he were my own.”

Then, in softened accent, as though he feared he had wronged those

deacons in thought and spirit, he said practically this: “Ah, but those

same deacons were good and true men. They were sympathetic, they were

liberal to a fault, and I never went to one of them for aid in my work

to return empty-handed. Then there was my old friend, Alpheus Hardy, of

the Mount Vernon Church. I verily believe he would have turned all he

had in the world over to me had I solicited it.”

The conversation ran on and on in changing moods. I feared that

Brother Holden and our lady travelling companion would begin to think

themselves in for a half-day of steady waiting, and so I began to break

away. This was the hard part of it all. He clung to me and put his arms

about me, urged me to dismiss the driver and sleep under his roof, and

finally exacted a promise that I would come again next year, if in that

vicinity, and tarry longer. Our adieus were then spoken, and he stood

upon the porch and waved his hand in parting.

All that I have here written is, as I view it, a eulogy on the

character and career of Father Kellogg, and yet I may be pardoned,

considering my long acquaintance, tender attachment and admiration for

the man, if, as attorneys put it, I sum up:--

He was one of nature’s noblemen; he was incapable of deceit; he lived

a life above reproach. His one great purpose was to make himself

useful to the human family. To this end he sought out boys who were

liable to go astray, and it may be said in all seriousness, and with

impressive emphasis, that he succeeded in the mission to which he

was consecrated. The seed he sowed ripened in the lives of those in

whom it was planted, and, granting that each in turn confers the same

blessing upon his children, Father Kellogg’s influence must continue on

and on to future generations, making the world wiser and better because

he has lived in it. His gentle chidings, his forgiveness of seeming

neglect, his patience when troubles were upon him, his sympathy for

those who were in sickness, sorrow, need, or any other adversity, his

hopefulness when in financial stress, his devotion to his invalid wife,

his anxiety for his children, his unselfishness, his never failing

cheerfulness and steadfast faith in God, his submission by which he

ever discovered the silver lining in the dark cloud, his determination

to preach the Gospel to the end of his days,--all, all, have lodgment

in my heart; and so, when I think of him, it is not as of one dead,

but one who lives, lives in the affections of kindred and friends, in

beneficent influence still abroad in the world, in deeds: not dead, not

dead:--

“There is no death,

The stars go down to rise upon a brighter shore.”

[Illustration: ELIJAH KELLOGG’S HOME AT HARPSWELL, MAINE.]

Kellogg the Author

WILMOT BROOKINGS MITCHELL

“If the gods would give me the desire of my heart,” exclaims Thackeray

in _The Roundabout Papers_, “I should write a story which boys would

relish for the next few dozen of centuries.” This is a glorious

immortality which Thackeray desires for his boys’ story. Generously

have the gods dealt with that author whose writings for boys have been

relished even a quarter of a century.

Of the stories and declamations of Elijah Kellogg the past at least is

secure. What boy reader did not relish “Good Old Times” and “Lion Ben”?

What schoolboy has not“met upon the arena every shape of man or beast

that the broad empire of Rome could furnish, and yet never has lowered

his arm”? The schoolboy of the future will be of different stuff from

the schoolboy of the past if, when declaiming to his mates on a Friday

afternoon, he does not begin in subdued tones and stand, like Regulus,

“calm, cold, and immovable as the marble walls around him,” and end

in guttural tones and in a fine frenzy with “the curse of Jove is on

thee--a clinging, wasting curse.” “Spartacus to the Gladiators,” the

first of Mr. Kellogg’s eleven declamations, was written, as has already

been said,[4] in 1842, for one of the rhetorical exercises at Andover

Seminary. At this exercise there was present a Phillips Academy boy,

John Marshall Marsters. Some years afterward, when Marsters was to take

part in the Boylston Prize Speaking at Harvard College, he secured

from Mr. Kellogg a copy of “Spartacus.” In this, as in many similar

competitions, it proved a prize-winner; and it so won the admiration

of Mr. Epes Sargent, one of the judges, that he first published it,

in 1846, in his “School Reader.” Since then no school or college

speaker has been deemed complete unless it included“Spartacus to the

Gladiators.”

[4] See page 47.

“Regulus to the Carthaginians” Mr. Kellogg wrote at Harpswell for his

friend, Stephen Abbott Holt, then a student at Bowdoin College, who

first declaimed it in the Junior Prize Speaking, August 25, 1845; and

it was first published in 1857 in Town and Holbrook’s Reader. Most of

his other declamations were written for _Our Young Folks_, and similar

magazines.

As school and college declamations, these have seldom, if ever, been

surpassed. Vivid in description, stirring in sentiment, alive with

action, dramatically portraying concrete deeds of heroism, they are

especially attractive to school and college boys. Nearly all of these,

it will be noticed, deal with ancient characters and events. From the

time Mr. Kellogg began to prepare for college in his father’s study,

he was exceedingly fond of the ancient classics. He had in his library

at the time of his death 235 volumes of the classics of Greece and

Rome. Well versed in Greek and Roman history and mythology, he could

fittingly extol the patriotism of Leonidas and Decius; bewail the woes

of the Roman debtor; incite the gladiators to revolt; and appeal to the

Roman legions, or curse the Carthaginians through the mouth of Icilius

or Regulus.

With the exception of a few bits of verse written while he was

an undergraduate and printed in the college paper, _The Bowdoin

Portfolio_, “Spartacus” was the first of Mr. Kellogg’s writings to be

published. During the twenty-three years between 1843, when he became

pastor of the church at Harpswell, Maine, and 1866, when he resigned

as pastor of the Mariners’ Church in Boston, he wrote very little

that was printed: “Regulus,” an ode for the celebration of Bowdoin’s

semi-centennial in 1852, and a sermon, “The Strength and Beauty of the

Sanctuary,” preached at the dedication of the Congregation Chapel,

St. Lawrence Street, Portland, Maine, in 1858. After 1866, after Mr.

Kellogg was more than fifty years old, came that rather remarkable

period of story-writing. Uncommon is it for a story-writer not to

begin his career until after he has lived two score years and ten.

That Mr. Kellogg could tell a tale, however, in a way to interest

boys, his college mates discovered during his undergraduate days; for

those well acquainted with him in college, as they have recorded their

recollections of young Kellogg, seldom fail to mention that “he was

very fluent in talk, exceedingly interesting as a conversationalist,

and an excellent story-teller.”

For some time before his resignation from the pastorate of the

Mariners’ Church he had been thinking of trying his hand at a boys’

story, and in January, 1867, the first chapter of his first story

was printed in _Our Young Folks_, a magazine published in Boston by

Ticknor and Fields. This story, “Good Old Times,” at once became

popular with the young readers of this magazine. It is one of the best

stories that Mr. Kellogg ever wrote. It is largely a narrative of

facts--the story of Hugh and Elizabeth McLellan, the great-grandfather

and great-grandmother of Elijah Kellogg, in their struggle at the

beginning of the eighteenth century to cut a home for themselves out of

the forest wilderness of Narragansett No. 7, where the town of Gorham,

Maine, now is. Of Scotch-Irish descent, young, brave, and resolute,

“strong of limb, strong in faith, strong in God,” this couple left

their home in the north of Ireland to escape persecution, poverty, and

famine. They braved the terrors of the sea and the savages to found

a home in the new country. Accustomed as they had been in Ireland to

regard a landowner as the most fortunate of men, they deemed it a rare

privilege to secure land in Narragansett No. 7, by paying “but little

money and the balance in blood and risk and hardship.” They gladly

dared the privations of a savage wilderness to obtain some soil they

could call their own.

Little wonder is it that the story of how they did this proves of

interest to the boys of New England; it is the story of what their own

grandfathers and great-grandfathers endured, enjoyed, and achieved.

Here, to be sure, they read of no fairyland peopled with elves and

sprites, with ogres and goblins; here is no fairy godmother with

glass slippers and pumpkin coaches, but a land of flesh-and-blood men

and women, of real boys and girls, of Indians with war-whoops, and

tomahawks, and scalping-knives--all true, but all enchanted by the wand

of the story-teller. What better fun for the boy reader than to join

this resolute family as they set out from Portland, and go with them

into the primeval forest; Elizabeth on horseback with a babe in her

arms leading the way, little ten-year-old Billy just behind driving

the cow, and Hugh with a pack on his back, a musket slung across his

shoulders, and another child in his arms, acting as rear-guard. Here

in the woods were hard work, peril, and poverty; but here, too, were

all kinds of interesting things for a boy to see and do. To help build

the log house, shingle it with hemlock bark, and stuff the chinks with

clay and brush; to see Hugh make the big “drives” and prepare for the

“burn,” an exciting and important event in the making of a forest home;

to watch the fire as it rushed through the clearing, and to lie in

wait, gun in hand, near the woods and watch the “raccoons, woodchucks,

rabbits, skunks, porcupines, partridges, foxes, and field mice ’on

the clean jump,’ all running for dear life to gain the shelter of the

forest, while a great gray wolf, which had been taking a nap beneath

the fallen trees, brought up the rear”--this was rare sport. To wear

leggings and breeches of moosehide; to gather spruce gum and maple sap;

on moonlight nights to shoot the coons that were stealing the corn;

to see the men cut and haul the masts, those immense trees upon which

the king’s commissioner had put the broad arrow, those trees so large

that upon the stump of one of the largest, so said Grannie Warren, a

yoke of oxen could turn without stepping off--this was fun indeed for

little Billy. What boy, as he reads the story, does not wish that he

were the son of a pioneer, even if the corn and meat did now and then

get so scarce that the McLellans were obliged to dine upon hazelnuts,

boiled beech leaves, and lily roots. In those good old times, men and

boys were not forced to betake themselves to tents and camps to get

away from our “modern conveniences,” to test their resourcefulness

and ingenuity in devising ways and means to secure food and shelter.

From the boy’s point of view that pioneer life was one long, glorious

vacation of “camping out.”

And then there were the Indians, who, whatever else they did, kept the

life of that day from becoming tame and commonplace. They furnished,

when friendly, no end of entertainment for the youngsters. What fun

the boys had playing beaver in Weeks’s brook, and how delicious the

venison was when roasted by old Molly the squaw! Under the instruction

of friendly Indians, Billy learned to give the war-whoop, to hurl the

tomahawk, and to acquire great skill with the bow. If he could not,

like Robin Hood, cleave a willow wand at a hundred yards, he could

“knock a bumblebee off a thistle at forty.” And when Billy was fast

coming to man’s estate, the Indians, instigated by the French, dug up

the hatchet that had been buried for nineteen years; then there was

a call for all the coolness, cunning, and heroism that this pioneer

life had developed in boy or man; then Beaver, as the Indians called

Billy, and his savage playmate, Leaping Panther, were compelled to

pit against each other their prowess and cunning. Narragansett No.

7, right in the Indians’ trail, was the scene of many an encounter,

often bloody and disastrous in those days, but more exciting than a

Captain Kidd expedition when looked back upon through the eyes of the

twentieth-century boy. Driving the oxen, with a gun resting on the top

of the yoke, planting and reaping and every moment expecting to hear

the war-whoop, creeping serpent-like through the grass and stealing

noiselessly under an overhanging bank in order to discover an Indian

ambush--the story of all this arouses the heroic in a boy’s nature.

After “Good Old Times,” from Mr. Kellogg’s pen the books came thick and

fast,--the Elm Island stories, the Forest Glen, the Pleasant Cove, and

the Whispering Pine series,--so that by 1883 there were twenty-nine in

all.

While writing these books, the author lived in Boston, on Pinckney

Street, during the winter, often supplying neighboring pulpits, and

spent the summer at his Harpswell home. His favorite workshop was the

Boston Athenæum. Here he often wrote from morning till evening. One of

his college mates has said: “Kellogg when in college was strenuous and

persistent in whatever he undertook. I remember when he was composing a

poem or preparing an essay, he gave his whole soul to it; his demeanor

showed that he was absorbed in it and absent-minded to everything else,

until that one thing was done.” This power of concentration now stood

him in good stead. Often he worked upon his stories fifteen hours a

day. Upon his “Sophomores of Radcliffe” he spent a year and a half; but

by making his days long and concentrating his thought upon the one task

before him, he was sometimes able to turn out a book in three months.

Elijah Kellogg, the Man and His Work Chapters from His Life and Selections from His Writings · 第 5 / 18 段