After the church organist had played a voluntary, introducing airs from

"1492" and "The Black Crook"--which, of course, were not recognized by

the congregation--the choir arose for its first anthem of the morning.

The choir was made up of two parts, a quartette and a chorus. The former

occupied seats in the front row--because the members were paid. The

chorus was grouped about, and made a somewhat striking as well as

startling picture. There were some who could sing; some who thought they

could; and there were others.

The leader of this aggregation was the tenor of the quartette. He was

tall, but his neck was responsible for considerable of his extreme

height. Because he was paid to lead that choir he gave the impression to

those who saw him that he was cutting some ice. A greater part of his

contortions were lost because the audience did not face the choir.

The organist struck a few chords, and without any preliminary

wood-sawing the choir squared itself for action. Of course, there were a

few who did not find the place till after rising--this is so in all

choirs--but finally all appeared to be ready. The leader let out another

link in his neck, and while his head was taking a motion similar to a

hen's when walking, the choir broke loose. This is what it sang:

"Abide-e-e--bide--ab--abide--with abide

with--bide--a-a-a-a-bide--me--with me-e-e--abide with--with

me--fast--f-a-a-s-t falls--abide fast the even--fast fa-a-a-lls

the--abide with me--eventide--falls the e-e-eventide--fast--the--the

dark--the darkness abide--the darkness deepens--Lor-r-d with

me-e-e--Lord with me--deepens--Lord--Lord--darkness deepens--wi-i-th

me--Lord with me--me a-a-a-a-abide."

That was the first verse.

There were three others.

Every one is familiar with the hymn, hence it is not necessary to line

the verses.

During the performance, some who had not attended the choir rehearsal

the Thursday evening previous were a little slow in spots. During the

passage of these spots some would move their lips and not utter a sound,

while others--particularly the ladies--found it convenient to feel of

their back hair or straighten their hats. Each one who did this had a

look as if she could honestly say, "I could sing that if I saw fit"--and

the choir sang on.

But when there came a note, a measure or a bar with which all were

familiar, what a grand volume of music burst forth. It didn't happen

this way many times, because the paid singers were supposed to do the

greater part of the work. And the others were willing.

At one point, after a breathing spell--or a rest, as musicians say--the

tenor started alone. He didn't mean to. But by this break the deacons

discovered that he was in the game and earning his salary. The others

caught him at the first quarter, however, and away they went again, neck

and neck. Before they finished, several had changed places. Sometimes

"Abide" was ahead, and sometimes "Lord," but on the whole it was a

pretty even thing.

Then the minister--he drew a salary, also--read something out of the

Bible, after which--as they say in the newspapers--"there was another

well-rendered selection by the choir."

This spasm was a tenor solo with chorus accompaniment. This was when he

of the long neck got in his deadly work. The audience faced the choir

and the salaried soloist was happy.

When the huddling had ceased, the soloist stepped a trifle to the front

and, with the confidence born of a man who stands pat on four aces, gave

a majestic sweep of his head toward the organist. He said nothing, but

the movement implied, "Let 'er go, Gallagher."

Gallagher was on deck and after getting his patent leather shoes well

braced on the sub-bass pedals, he knotted together a few chords, and the

soloist was off. His selection was--that is, _verbatim_,

"Ge-yide me, ge-yide me, ge-yide me, O-,

Thor-or gra-ut Jaw-aw-hars-vah,

Pi-il-grum thraw-aw this baw-aw-raw-en larnd."

And he sang other things.

He was away up in G. He diminuendoed, struck a cantable movement, slid

up over a crescendo, tackled a second ending by mistake--but it

went--caught his second wind on a moderato, signified his desire for a

raise in salary on a trill, did some brilliant work on a maestoso,

reached high C with ease, went down into the bass clef and climbed out

again, quavered and held, did sixteen notes by the handful--payable on

demand--waltzed along a minor passage, gracefully turned the dal segno,

skipped a chromatic run, did the con expressione act worthy of a De

Reszke, poured forth volumes on a measure bold, broke the centre of an

andante passage for three yards, retarded to beat the band, came near

getting applause on a cadenza, took a six-barred triplet without turning

a hair--then sat down.

Between whiles the chorus had been singing something else. The notes

bumped against the oiled natural-wood rafters--it was a modern

church--ricochetted over the memorial windows, clung lovingly to the new

$200 chandelier, floated along the ridgepole, patted the bald-headed

deacons fondly, and finally died away in a bunch of contribution boxes

in the corner.

Then the minister preached.

* * * * *

A Chicago man who has recently returned from Europe was asked by a

friend what he thought of Rome.

"Well," he replied, "Rome is a fair-sized town, but I couldn't help but

think when I was there that she had seen her best days."

MARK TWAIN

THE NOTORIOUS JUMPING FROG OF CALAVERAS COUNTY[B]

In compliance with the request of a friend of mine, who wrote me from

the East, I called on good-natured, garrulous old Simon Wheeler, and

inquired after my friend's friend, Leonidas W. Smiley, as requested to

do, and I hereunto append the result. I have a lurking suspicion that

Leonidas W. Smiley is a myth; that my friend never knew such a

personage; and that he only conjectured that if I asked old Wheeler

about him, it would remind him of his infamous Jim Smiley, and he would

go to work and bore me to death with some exasperating reminiscence of

him as long and as tedious as it should be useless to me. If that was

the design, it succeeded.

[Footnote B: By permission of the American Publishing Company.]

I found Simon Wheeler dozing comfortably by the barroom stove of the

dilapidated tavern in the decayed mining camp of Angel's, and I noticed

that he was fat and bald-headed, and had an expression of winning

gentleness and simplicity upon his tranquil countenance. He roused up,

and gave me good day. I told him a friend of mine had commissioned me to

make some inquiries about a cherished companion of his boyhood named

_Leonidas W_. Smiley--_Reverend Leonidas W._ Smiley, a young minister of

the Gospel, who he had heard was at one time a resident of Angel's Camp.

I added that if Mr. Wheeler could tell me anything about this Reverend

Leonidas W. Smiley I would feel under many obligations to him.

Simon Wheeler backed me into a corner and blockaded me there with his

chair, and then sat down and reeled off the monotonous narrative which

follows this paragraph. He never smiled, he never frowned, he never

changed his voice from the gentle-flowing key to which he tuned his

initial sentence, he never betrayed the slightest suspicion of

enthusiasm; but all through the interminable narrative there ran a vein

of impressive earnestness and sincerity which showed me plainly that, so

far from his imagining that there was anything ridiculous or funny about

his story, he regarded it as a really important matter, and admired its

two heroes as men of transcendent genius in _finesse_. I let him go on

in his own way, and never interrupted him once.

Reverend Leonidas W. H'm, Reverend Le--well, there was a feller here

once by the name of _Jim_ Smiley, in the winter of '49--or maybe it was

the spring of '50--I don't recollect exactly, somehow, though what makes

me think it was one or the other is because I remember the big flume

warn't finished when he first come to the camp; but anyway, he was the

curiosest man about always betting on anything that turned up you ever

see, if he could get anybody to bet on the other side; and if he

couldn't he'd change sides. Any way that suited the other man would suit

_him_--any way just so's he got a bet, _he_ was satisfied. But still he

was lucky, uncommon lucky; he most always come out winner. He was always

ready and laying for a chance; there couldn't be no solit'ry thing

mentioned but that feller'd offer to bet on it, and take ary side you

please, as I was just telling you. If there was a horse-race, you'd find

him flush or you'd find him busted at the end of it; if there was a

dog-fight, he'd bet on it; if there was a cat-fight, he'd bet on it; if

there was a chicken-fight, he'd bet on it; why, if there was two birds

setting on a fence, he would bet you which one would fly first; or if

there was a camp-meeting he would be there reg'lar to bet on Parson

Walker, which he judged to be the best exhorter about here, and so he

was too, and a good man. If he even see a straddle-bug start to go

anywhere, he would bet how long it would take him to get to--to wherever

he was going to, and if you took him up, he would foller that

straddle-bug to Mexico but what he would find out where he was bound for

and how long he was on the road. Lots of the boys here has seen that

Smiley and can tell you about him. Why, it never made no difference to

_him_--he'd bet on _any_thing--the dangdest feller. Parson Walker's wife

laid very sick once, for a good while, and it seemed as if they warn't

going to save her; but one morning he come in, and Smiley up and asked

him how she was, and he said she was considable better--thank the Lord

for His inf'nite mercy--and coming on so smart that with the blessing of

Prov'dence she'd get well yet; and Smiley, before he thought, says,

"Well, I'll resk two-and-a-half she don't anyway."

Thish-yer Smiley had a mare--the boys called her the fifteen-minute nag,

but that was only in fun, you know, because of course she was faster

than that--and he used to win money on that horse, for all she was slow

and always had the asthma, or the distemper, or the consumption, or

something of that kind. They used to give her two or three hundred yards

start, and then pass her under way; but always at the fag end of the

race she'd get excited and desperate like, and come cavorting and

straddling up, and scattering her legs around limber, sometimes in the

air and sometimes out to one side among the fences, and kicking up

m-o-r-e dust and raising m-o-r-e racket with her coughing and sneezing

and blowing her nose--and _always_ fetch up at the stand just about a

neck ahead, as near as you could cipher it down.

And he had a little small bull-pup, that to look at him you'd think he

warn't worth a cent but to set around and look ornery and lay for a

chance to steal something. But as soon as money was up on him he was a

different dog; his under-jaw'd begin to stick out like the fo'castle of

a steamboat, and his teeth would uncover and shine like the furnaces.

And a dog might tackle him and bully-rag him, and bite him, and throw

him over his shoulder two or three times, and Andrew Jackson--which was

the name of the pup--Andrew Jackson would never let on but what _he_ was

satisfied, and hadn't expected nothing else--and the bets being doubled

and doubled on the other side all the time, till the money was all up;

and then all of a sudden he would grab that other dog just by the j'int

of his hind leg and freeze to it--not chaw, you understand, but only

just grip and hang on till they throwed up the sponge, if it was a year.

Smiley always come out winner on that pup, till he harnessed a dog once

that didn't have no hind legs, because they'd been sawed off in a

circular saw, and when the thing had gone along far enough, and the

money was all up, and he come to make a snatch for his pet holt, he see

in a minute how he'd been imposed on, and how the other dog had him in

the door, so to speak, and he 'peared surprised, and then he looked

sorter discouraged-like, and didn't try no more to win the fight, and so

he got shucked out bad. He give Smiley a look, as much as to say his

heart was broke, and it was _his_ fault, for putting up a dog that

hadn't no hind legs for him to take holt of, which was his main

dependence in a fight, and then he limped off a piece and laid down and

died. It was a good pup, was that Andrew Jackson, and would have made a

name for hisself if he'd lived, for the stuff was in him and he had

genius--I know it, because he hadn't no opportunities to speak of, and

it don't stand to reason that a dog could make such a fight as he could

under them circumstances if he hadn't no talent. It always makes me feel

sorry when I think of that last fight of his'n, and the way it turned

out.

Well, thish-yer Smiley had rat-tarriers, and chicken cocks, and

tom-cats, and all them kind of things till you couldn't rest, and you

couldn't fetch nothing for him to bet on but he'd match you. He ketched

a frog one day, and took him home, and said he cal'lated to educate him;

and so he never done nothing for three months but set in his back yard

and learn that frog to jump. And you bet you he _did_ learn him, too.

He'd give him a little punch behind, and the next minute you'd see that

frog whirling in the air like a doughnut--see him turn one summerset, or

maybe a couple, if he got a good start, and come down flat-footed and

all right, like a cat. He got him up so in the matter of ketching flies,

and kep' him in practice so constant, that he'd nail a fly every time as

fur as he could see him. Smiley said all a frog wanted was education and

he could do 'most anything--and I believe him. Why, I've seen him set

Dan'l Webster down here on this floor--Dan'l Webster was the name of the

frog--and sing out, "Flies, Dan'l, flies!" and quicker'n you could wink

he'd spring straight up and snake a fly off'n the counter there, and

flop down on the floor ag'in as solid as a gob of mud, and fall to

scratching the side of his head with his hind foot as indifferent as if

he hadn't no idea he'd been doin' any more'n any frog might do. You

never see a frog so modest and straightfor'ard as he was, for all he was

so gifted. And when it come to fair and square jumping on a dead level,

he could get over more ground at one straddle than any animal of his

breed you ever see. Jumping on a dead level was his strong suit, you

understand; and when it come to that, Smiley would ante up money on him

as long as he had a red. Smiley was monstrous proud of his frog, and

well he might be, for fellers that had traveled and been everywheres all

said he laid over any frog that ever _they_ see.

Well, Smiley kep' the beast in a little lattice box, and he used to

fetch him downtown sometimes and lay for a bet. One day a feller--a

stranger in the camp, he was--come acrost him with his box, and says:

"What might it be that you've got in the box?"

And Smiley says, sorter indifferent-like, "It might be a parrot, or it

might be a canary, maybe, but it ain't--it's only just a frog."

And the feller took it, and looked at it careful, and turned it round

this way and that, and says, "H'm--so 'tis. Well, what's _he_ good for?"

"Well," Smiley says, easy and careless, "he's good enough for _one_

thing, I should judge--he can outjump any frog in Calaveras County."

The feller took the box again, and took another long, particular look,

and give it back to Smiley, and says, very deliberate, "Well," he says,

"I don't see no p'ints about that frog that's any better'n any other

frog."

"Maybe you don't," Smiley says. "Maybe you understand frogs and maybe

you don't understand 'em; maybe you've had experience, and maybe you

ain't only a amature, as it were. Anyways, I've got _my_ opinion, and

I'll resk forty dollars that he can outjump any frog in Calaveras

County."

And the feller studied a minute, and then says, kinder sad like, "Well,

I'm only a stranger here, and I ain't got no frog; but if I had a frog

I'd bet you."

And then Smiley says, "That's all right--that's all right--if you'll

hold my box a minute I'll go and get you a frog." And so the feller took

the box, and put up his forty dollars along with Smiley's, and set down

to wait.

So he set there a good while thinking and thinking to himself, and then

he got the frog out and prized his mouth open and took a teaspoon and

filled him full of quail shot--filled him pretty near up to his

chin--and set him on the floor. Smiley he went to the swamp and slopped

around in the mud for a long time, and finally he ketched a frog, and

fetched him in, and give him to this feller, and says:

"Now, if you're ready, set him alongside of Dan'l with his forepaws just

even with Dan'l's, and I'll give the word." Then he says,

"One--two--three--_git!_" and him and the feller touched up the frogs

from behind, and the new frog hopped off lively, but Dan'l give a heave,

and hysted up his shoulders--so--like a Frenchman, but it warn't no

use--he couldn't budge; he was planted as solid as a church, and he

couldn't no more stir than if he was anchored out. Smiley was a good

deal surprised, and he was disgusted too, but he didn't have no idea

what the matter was, of course.

The feller took the money and started away; and when he was going out at

the door, he sorter jerked his thumb over his shoulder--so--at Dan'l,

and says again, very deliberate, "Well," he says, "_I_ don't see no

p'ints about that frog that's any better'n any other frog."

Smiley he stood scratching his head and looking down at Dan'l a long

time, and at last he says, "I do wonder what in the nation that frog

throw'd off for--I wonder if there ain't something the matter with

him--he 'pears to look mighty baggy, somehow." And he ketched Dan'l by

the nap of the neck, and hefted him, and says, "Why, blame my cats if he

don't weigh five pound!" and turned him upside down and he belched out a

double handful of shot. And then he see how it was, and he was the

maddest man--he set the frog down and took out after that feller, but he

never ketched him. And----

[Here Simon Wheeler heard his name called from the front yard, and got

up to see what was wanted.] And turning to me as he moved away, he said:

"Just set where you are, stranger, and rest easy--I ain't going to be

gone a second."

But, by your leave, I did not think that a continuation of the history

of the enterprising vagabond _Jim_ Smiley would be likely to afford me

much information concerning the Reverend _Leonidas W._ Smiley, and so I

started away.

At the door I met the sociable Wheeler returning, and he buttonholed me

and recommenced:

"Well, thish-yer Smiley had a yaller, one-eyed cow that didn't have no

tail, only just a short stump like a bannanner, and----"

However, lacking both time and inclination, I did not wait to hear about

the afflicted cow, but took my leave.

Little Masterpieces of American Wit and Humor, Volume I · 第 9 / 9 段