CHAPTER I.

[Illustration: JULIAN HAWTHORNE.]

“OUR CONTINENT” LIBRARY.

DUST:

A NOVEL

BY

JULIAN HAWTHORNE,

_Author of “Bressant,” “Sebastian Strome,” “Idolatry,”

“Garth,” etc._

[Illustration: colophon]

NEW YORK:

FORDS, HOWARD, & HULBERT

1883

COPYRIGHT, 1882,

BY JULIAN HAWTHORNE.

_All rights reserved._

ILLUSTRATIONS.

JULIAN HAWTHORNE (Portrait), _Frontispiece_.

“I AM A BIT OF A SURGEON; LET ME LOOK AT YOUR ARM,” 14

“PULLING THEMSELVES TOGETHER AND DISCUSSING THE

MAGNITUDE OF THEIR DISASTER,” 86

“I TIED THE CARD TO THE GATE MYSELF. NOBODY CAN FAIL TO SEE IT,” 134

“ONLY THE ACTIONS OF THE JUST

SMELL SWEET AND BLOSSOM IN THE DUST.”

DUST.

CHAPTER I.

The time at which this story begins was a time of many beginnings and

many endings. The Eighteenth Century had expired the better part of a

score of years before, and everything was in confusion.

Youth--tumultuous, hearty, reckless, showy, slangy, insolent, kindly,

savage--was the genius of the hour. The Iron Duke had thrashed the

Corsican Ogre, England was the Queen of nations, and Englishmen thought

so much of themselves and of one another that society, for all its

caste, became well-nigh republican. Gentlemen were bruisers and bruisers

were gentlemen. At Ranelagh and Vauxhall fine ladies rubbed shoulders

with actresses, magistrates foregathered with jockeys and sharpers, and

the guardians of public order had more to fear from young bloods and

sprigs of nobility than from professional thieves and blacklegs.

Costumes were grotesque and irrational, but were worn with a dash and

effrontery that made them becoming. There were cocked hats and

steeple-crowned hats; yards of neck-cloth and mountains of coat-collar;

green coats and blue coats, claret coats and white coats; four or five

great coats, one on top of another; small clothes and tight breeches,

corduroys, hessians and pumps. Beards were shaved smooth, and hair grew

long. Young ladies wore drab josephs and flat-crowned beaver bonnets,

and rode to balls on pillions with their ball clothes in bandboxes. The

lowest of necks were compensated by the shortest of waists; and the

gleam of garter-buckles showed through the filmy skirts that scarcely

reached to the ankle. Coral necklaces were the fashion, and silvery

twilled silks and lace tuckers; and these fine things were laid up in

lavender and rose leaves. Hair was cropped short behind and dressed with

flat curls in front. Mob-caps and top-knotted caps, skull-caps and

fronts, turbans and muslin kerchiefs, and puffed yellow satins--these

things were a trifle antiquated, and belonged to the elder generation.

Gentlemen said “Dammy, sir!” “Doosid,” “Egad,” “Stifle me!” “Monstrous

fine,” “Faith!” and “S’blood!” The ladies said, “Thank God!” “God

A’mighty!” and “Law!” and everybody said “Genteel.” Stage-coaches and

post-horses occupied the place of railways and telegraphs, and driving

was a fine art, and five hours from Brighton to London was monstrous

slow going. Stage-coachmen were among the potentates of the day; they

could do but one thing, but that they did perfectly; they were clannish

among themselves, bullies to the poor, comrades to gentlemen,

lickspittles to lords, and the high-priests of horse-flesh, which was at

that epoch one of the most influential religions in England; pugilism

being another, caste a third, and drunkenness the fourth. A snuff-box

was still the universal wear, blue-pill was the specific for liver

complaint, shopping was done in Cheape and Cornhill; fashionable bloods

lodged in High Holborn, lounged at Bennet’s and the Piazza Coffee-House,

made calls in Grosvenor Square, looked in at a dog-fight, or to see

Kemble, Siddons or Kean in the evening, and finished the night over

rack-punch and cards at the club. Literature was not much in vogue,

though most people had read “Birron” and the “Monk,” and many were

familiar with the “Dialogues of Devils,” the “Arabian Nights,” and

“Zadkiel’s Prophetic Almanac;” while the “Dairyman’s Daughter” either

had been written or soon was to be. Royalty and nobility showed

themselves much more freely than they do now. George the Third was still

King of England, and George, his son, was still the first gentleman and

foremost blackguard of Europe; and everything, in short, was outwardly

very different from what it is at the present day. Nevertheless,

underneath all appearances, flowed then, as now, the mighty current of

human nature. Then, as now, mothers groaned that infants might be born;

poverty and wealth were married in every human soul, so that beggars

were rich in some things and princes poor in others; young men and women

fell in love, and either fell out again, or wedded, or took the law into

their own hands, or jilted one another, just as they do now. Men in

power were tyrannous or just, pompous or simple, wise or foolish, and

men in subjection were faithful or dishonest, servile or

self-respectful, scheming or contented, then as now. Then, no less than

now, some men broke one Commandment, some another, and some broke all;

and the young looked forward to a good time coming and the old

prophesied misfortune. At that epoch, as in this, Death plied his trade

after his well-known fashion, which seems so cruel and arbitrary, and is

so merciful and wise. And finally--to make an end of this summary--the

human race was predestined to good, and the individual human being was

free to choose either good or evil, the same then as now and always.

And--to leave generalities and begin upon particulars--it was at this

time that Mrs. Lockhart (who, seven-and-forty years ago, as lovely Fanny

Pell, had cherished a passing ideal passion for Handsome Tom Grantley,

and had got over it and married honest young Lieutenant Lockhart)--that

Mrs. Lockhart, we say, having lost her beloved Major at Waterloo, and

finding herself in somewhat narrow circumstances, had made up her mind

to a new departure in life, and had, in accordance with this

determination, caused her daughter Marion to write “Lodgings to Let” on

a card, and to hang the same up in the window of the front drawing-room.

This event occurred on the morning of the third of May, Eighteen hundred

and sixteen.

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