30. CYCLE.

The paternal letter, which shook Albano's soul in all its joints, runs,

when translated, thus:--

"Dear Albano: I regret to say, that in the Campanian vale I received a

letter informing me of the continued recurrence and increasing violence

of thy sister's asphyxias; it was written on Good Friday, and looked

forward to her death as a settled thing. I, too, am prepared for the

event. So much the more am I struck with thy account of the juggler of

the Island, who would play the prophet. Such a prediction presupposes

some circumstance or other, which I must trace out more nearly in Spain.

I think I already know the impostor. Be thou, on thy birthday, watchful,

armed, cool, and bold, and, if possible, hold the _jongleur_ fast; but

bring no ridicule upon thyself by speaking of the subject. Dian is in

Rome, working away right bravely. Put on court-mourning for the dear old

Prince, out of courtesy. Addio!

"G. DE C."

"Ah, precious sister!" he sighed inwardly, and drew out her medallion,

and looked through his tears upon the features of an old age which was

denied her, and read with dim eyes the refuted subscription: "We see

each other again." Now, when life was opening before him broad and

smiling, it came home to him much more nearly, that fate laid its hand

so darkly and heavily upon his sister; to which was added, too, the

melancholy question, whether he was not guilty of her disappearance and

decline, since on his account the frightful Zahouri of the Island had

carried on perhaps a sacrificing jugglery: even the circumstance that

she was his weakly twin-sister was a pang. But now his feelings stood

contending against each other in his mind, as on a battle-field. "What

destiny is on its way to meet me!" thought he. "Take the crown!" that

voice had said. "What one?" his ambitious spirit rose up and asked, and

boldly conjectured whether it consisted of laurels or thorns or metals.

"Love the beautiful one!" it had said; he asked not, however, in this

case, "What one?" only he feared, since the father of Death seemed

terribly to certify his name and credentials, that the voice announced

for the ascension- and birth-night might name some other name than the

most beloved.

In the evening, after the three new-comers had fairly got through their

household arrangements,--which, however, had never yet been able to

efface from Albano's undulating soul the multiplied magic splendor of

the Linden-city,--the Lector introduced the Count to the hereditary

prince, Luigi. That individual was engaged half an hour every day

copying in the picture-gallery; and appointed the two to attend him

there. They went in. Any other than myself would have set before the

world a bill of fare _raisonné_ of all the show-dishes in the gallery;

but I cannot so much as present it with the seventeen pictures, over

whose charms those silken shame-aprons or veils hung, which a Paris dame

would gladly take off from her own, merely for the sake of modestly

covering therewith works of art. One may easily conceive that our Alban,

in this picture-gallery, must have been vividly reminded of that one of

his mother's,[50] and that he would gladly have pressed every nail, had

no one been there.

But the Princess Julienne was there, whom he (as we all do) still

recognized right well as a Blumenbühl acquaintance, as she also did him.

She was truly full of youthful charms, but one did not find these out

till one had been for two days violently in love with her; that made her

every minute afterward prettier, as in fact love is rather the father

than the son of the goddess of grace, and his quiver the best casket of

jewels and the richest toilet-box, and his bandage the best _mouchoir

de Venus_ and beauty-patch that I know.

She was just sketching the gypsum-cast of a noble old head, which seemed

to the Count as if it must have been drawn from the antique-cabinet of

his memory, and toward which his swelling heart flowed out right

lovingly; but he could not recall the original. At last Julienne, in

despite of etiquette, said, looking up most kindly, "Ah, dear Augusti,

my father lies dead in Lilar." The word Lilar suddenly colored, in

Albano, the pale image of recollection,--perfectly like this white bust

had the old man in the moonshine looked, who, in that poetical

summer-night, pressed Zesara's hands together on the mountain for

prayer, and said, "Go home to sleep, dear son, ere the storm comes." Now

another would have inquired after the name of the bust, and then, and

not till then, have disclosed the nocturnal history; but the Count, in

his warmth, did merely the latter, after waiting a short time for the

conversation to run out. Augusti, when Albano began the history--to

_him_ a foreign one--of his acquaintance with the original, was on

thorns to interrupt him; but Julienne gave him a nod, to let him go on,

and the youth true-heartedly communicated to the sympathizing soul the

beautiful meeting, with a tenderness of emotion and fire, both of which

increased when her eyes flowed over into her smiles. "It was my

father,--that is his cast," said Julienne, weeping and glad. Albano,

after his manner, clasped his hands together, with a sigh, before the

bust, and said, "Thou noble, heartily-beloved form!" and his large eye

gleamed with love and sorrow.

The good female soul was carried away by a sympathy so uncourtly, and

she gave herself up completely to her inborn fire. Female and court life

is truly only a longer _punishment of bearing arms_ (as, according to

the model of the yes-sirs, there are no-sirs, so royal governesses are

true no-ma'ams); the seven-colored cockade of gay, dancing liberty is

there torn off, or runs into the black of court-mourning; every female

pleasure-grove must be an unholy one; I know nothing more fatal,--but

the curly-haired Julienne, in spite of you and me, broke through the

eternal imprisonment (with sweet bread and strong water), some twelve

times a day, and laughed to the free heavens, and offended (herself and

others never) the royal governess always. She now related to the Count

(while from nervous weakness and vivacity she continued to smile more

brightly and speak more rapidly) how her dear, feeble father, more

childlike than childish, whose old lips and disabled thoughts could not

possibly any longer do more than lisp a response to prayers, had shut

himself up with a snowy-headed mystical court-preacher in an oratory at

Lilar (a gray head loves to hide itself before it disappears forever,

and seeks, like birds, a dark place for going to sleep),--and how she

and Fräulein von Froulay (Liana) had alternately read prayers before the

half-blind old man, and, as it were, tolled the evening-bell of devotion

to the weary, sleep-drunken life. She painted how, in this antechamber

of the tomb, he had outlived or forgotten all that he had once loved;

how he had kept always asking after her mother, whose death was ever

slipping again from his memory; and how the dimmed eye had taken every

hour of the day for evening, and accordingly every one who went out as

one going to bed.

We will not look too long at this late time of life, when men again,

like children, shrink up for the more lasting cradle of the

grave; and when, like flowers sleeping at evening, they become

_undistinguishable_, and grow all alike, even before death makes them

so.

The Lector, like all courtiers, was particularly ill-suited with these

funereals; he would also fain heal the Job's malady of her lamentation

by changing the current of discourse, and bringing it nearer to Liana.

But in the very act of describing the sympathy and sacrifices of this

friend, and when memory brought back to her the long, tearful embrace in

which Liana had locked her and pain at once as it were fast to her

bosom, then came back into her heart anew every dark, heavy drop of

blood which her powerful arteries had sent forth, and she ceased to

portray either this history or the head upon which she had been engaged.

The two female friends were none of those who send a kiss to each other

through two thicknesses of veil, or who know how to hug each other

without wounding or bruising a curl, or whose love-feast every year, as

the sacramental bread every century, breaks lighter and thinner; but

they loved each other intensely,--with eyes, lips, and hearts,--like two

good angels. And if hitherto joy had taken her harvest-wreath and made

it a wedding-ring of friendship, so now did grief seek to do the same

with his girdle of thorns. You good souls! to me it is very easily

imaginable how such a pure, bright linking of souls should at once

painfully distend and blissfully exalt the heart of your friend Albano,

as the aerostatic ball at once destructively swells and soars. For

Liana's entry, there stood besides beautifully decorated triumphal gates

to the highest heavens in his innermost being!

Meanwhile a stranger would not, without this pen of mine (nor I myself

without the fee-provost Hafenreffer), have been able to observe

anything in the Count, while speaking, except a mild, wandering glow in

his face, and rapidity of utterance.

Titan: A Romance. v. 1 (of 2) · 第 79 / 159 题