1. CYCLE.

On a fine spring evening, the young Spanish Count Cesara came, with his

companions, Schoppe and Dian, to Sesto, in order the next morning to

cross over to the Borromæan island, Isola Bella, in Lago Maggiore. The

proudly blooming youth glowed with the excitement of travelling, and

with thoughts of the coming morrow, when he should see the isle, that

gayly decorated throne of Spring, and on it a man who had been promised

him for twenty years. This twofold glow exalted my picturesque hero to

the form of an angry god of the Muses. His beauty made a more triumphal

entry into Italian eyes than into the narrow Northern ones from the

midst of which he had come; in Milan many had wished he were of marble,

and stood with elder gods of stone, either in the Farnese Palace or in

the Clementine Museum, or in the Villa of Albani; nay, had not the

Bishop of Novara, with his sword at his side, a few hours before, asked

Schoppe (riding behind) who he was? And had not the latter, with a droll

squaring of the wrinkle-circle round his lips, made this copious answer

(by way of enlightening his spiritual lordship): "It's my Telemachus,

and I am the Mentor. I am the milling-machine and the die which coins

him,--the wolf's tooth and flattening mill which polishes him down,--the

man, in short, that regulates him"?

The glowing form of the youthful Cesara was still more ennobled by the

earnestness of an eye always buried in the future, and of a firmly shut,

manly mouth, and by the daring decision of young, fresh faculties; he

seemed as yet to be a burning-glass in the moonlight, or a dark precious

stone of too much color, which the world, as in the case of other

jewels, can brighten and improve only by cutting _hollow_.

As he drew nearer and nearer, the island attracted him, as one world

does another, more and more intensely. His internal restlessness rose as

the outward tranquillity deepened. Beside all this, Dian, a Greek by

birth and an artist, who had often circumnavigated and sketched Isola

Bella and Isola Madre, brought these obelisks of Nature still nearer to

his soul in glowing pictures; and Schoppe often spoke of the great man

whom the youth was to see to-morrow for the first time. As the people

were carrying by, down below in the street, an old man fast asleep, into

whose strongly marked face the setting sun cast fire and life, and who

was, in short, a corpse borne uncovered, after the Italian custom,

suddenly, in a wild and hurried tone, he asked his friends, "Does my

father look thus?"

But what impels him with such intense emotions towards the island is

this: He had, on Isola Bella, with his sister, who afterward went to

Spain, and by the side of his mother, who had since passed to the

shadowy land, sweetly toyed and dreamed away the first three years of

his life, lying in the bosom of the high flowers of Nature; the island

had been, to the morning slumber of life, to his childhood's hours, a

Raphael's painted sleeping-chamber. But he had retained nothing of it

all in his head and heart, save in the one a deep, sadly sweet emotion

at the name, and in the other the squirrel, which, as the family

scutcheon of the Borromæans, stands on the upper terrace of the island.

After the death of his mother his father transplanted him from the

garden-mould of Italy--some of which, however, still adhered to the

tap-roots--into the royal forest of Germany; namely, to Blumenbühl, in

the principality of Hohenfliess, which is as good as unknown to the

Germans; there he had him educated in the house of a worthy nobleman,

or, to speak more meaningly and allegorically, he caused the pedagogical

professional gardeners to run round him with their water-pots,

grafting-knives, and pruning-shears, till the tall, slender palm-tree,

full of sago-pith and protecting thorns, outgrew them, and could no

longer be reached by their pots and shears.

And now, when he shall have returned from the island, he is to pass from

the field-bed of the country to the tanvat and hot-bed of the city, and

to the trellises of the court garden; in a word, to Pestitz, the

university and chief city of Hohenfliess, even the sight of which, until

this time, his father had strictly forbidden him.

And to-morrow he sees that father for the first time! He must have

burned with desire, since his whole life had been one preparation for

this meeting, and his foster-parents and teachers had been a sort of

chalcographic company, who had engraved in copper a portrait of the

author of his life-book so magnificently opposite the title-page. His

father, Gaspard de Cesara, Knight of the Golden Fleece (whether Spanish

or Austrian I should be glad to be precisely informed myself), a spirit

naturally three-edged, sharp, and brightly polished, had in his youth

wild energies, for whose play only a battle-field or a kingdom would

have been roomy enough, and which in high life had as little power of

motion as a sea-monster in a harbor. He satisfied them by playing

star-parts with all ranks in comedies and tragedies, by the prosecution

of all sciences, and by an eternal tour: he was intimate and often

involved with great and small men and courts, yet always marched along

as a stream with its own waves through the sea of the world. And now,

after having completed his travels by land and sea round the whole

circumference of life, round its joys and capacities and systems, he

still continues (especially since the Present, that ape of the Past, is

always running after him) to pursue his studies and geographical

journeyings; but always for scientific purposes, just as he visits now

the European battle-fields. As for the rest, he is not at all gloomy,

still less gay, but composed and calm; he does not even hate and love,

blame and praise other men any more than he does himself, but values

every one in his kind, the dove in hers and the tiger in his. What often

seems vengeance is merely the determined, soldier-like tread wherewith a

man, who can never flee and fear, but only knows how to advance and

stand his ground, tramples down larks'-eggs and ears of corn.

I think that the corner which I have thus snipped off from the

Whistonian chart of this comet, for the benefit of mankind, is broad

enough. I will, before I discourse further, reserve the privilege to

myself, of sometimes calling Don Gaspard _the Knight_, without appending

to him the Golden Fleece; and, secondly, of not being obliged by

courtesy towards the short memory of readers to steal from his son

Cesara (under which designation the old man will never appear) his

Christian name, which, to be sure, is _Albano_.

As Don Gaspard was about leaving Italy for Spain, he had, through

Schoppe, caused our Albano, or Cesara, to be brought hither without any

one's knowing why he did it at so late a period. Was it his pleasure,

perhaps, to gaze into the full spring-time of the young twigs? Did he

wish to unfold to the youth some rules for rustics in the

century-almanac of court life? Would he imitate the old Gauls, or the

modern inhabitants of the Cape, who never suffered their sons in their

presence till they were grown up and capable of bearing arms? Was

nothing less than that his idea? This much only I comprehend, that I

should be a very good-natured fool if I were, in the very fore-court of

the work, to suffer myself to be burdened with the task of drawing and

dotting out from the few data that I now have, in the case of a man so

remarkable, and whose magnetic needle declines so many degrees,--a

Wilkes's magnetic table of inclinations;--he, not I, is the father of

his son, to be sure, and he knows of course why he did not send for him

till his beard was grown.

When it struck twenty-three o'clock (the hour before sundown), and

Albano would have counted up the tedious strokes, he was so excited that

he was not in a condition to ascend the long tone-ladder;[2] he must

away to the shore of the Lago, in which the up-towering islands rise

like sceptred sea-gods. Here stood the noble youth, his inspired

countenance full of the evening glow, with exalted emotions of heart,

sighing for his veiled father, who, hitherto, with an influence like

that of the sun behind a bank of clouds, had made the day of his life

warm and light. This longing was not filial love,--_that_ belonged to

his foster-parents, for childlike love can only spring up toward a heart

whereon we have long reposed, and which has protected us, as it were,

with the first heart's-leaves against cold nights and hot days,--his

love was higher or rarer. Across his soul had been cast a gigantic

shadow of his father's image, which lost nothing by Gaspard's coldness.

Dian compared it to the repose on the sublime countenance of the Juno

Ludovici; and the enthusiastic son likened it to another sudden chill

which often comes into the heart in company with too great warmth from

another's heart, as burning-glasses burn feeblest precisely in the

hottest days. He even hoped he might perchance melt off by his love this

father's heart, so painfully frozen to the glaciers of life: the youth

comprehended not how possible it was to resist a true, warm heart, at

least his.

Our hero, reared in the Carthusian monastery of rural life, and more in

past ages than his own, applied to every subject antediluvian gigantic

standards of measurement; the invisibility of the Knight constituted a

part of his greatness, and the Moses'-veil doubled the glory which it

concealed. Our youth had, in general, a singular leaning toward

extraordinary men, of whom others stand in dread. He read the eulogies

of every great man with as much delight as if they were meant for him;

and if the mass of people consider uncommon spirits as, for that very

reason, bad,--just as they take all strange petrifactions to be Devil's

bones,--in him the reverse was the case: in him _love_ dwelt a neighbor

to _wonder_, and his breast was always at the same time wide and warm.

To be sure, every young man and every great man who looks upon another

as great, considers him for that very reason as too great. But in every

noble heart burns a perpetual thirst for a nobler, in the fair, for a

fairer; it wishes to behold its ideal out of itself, in bodily presence,

with glorified or adopted form, in order the more easily to attain to

it, because the lofty man can ripen only by a lofty one, as diamond can

be polished only by diamond. On the other hand, does a litterateur, a

cit, a newspaper carrier or contributor wish to get a glimpse of a great

head,--and is he as greedy for a great head as for an abortion with

three heads,--or a Pope with as many caps,--or a stuffed shark,--or a

speaking-machine or a butter-machine,--it is not because his inner man

is burdened and beset by the soul-inspiring ideal of a great man, pope,

shark, three-headed monster, or butter-model, but it is because he

thinks, in the morning, "I can't help wondering how the creature looks,"

and because, in the evening, he means to tell how he looks, over a glass

of beer.

Albano looked from the shore with increasing restlessness across the

shining water toward the holy dwelling-place of his past childhood, his

departed mother, his absent sister. The songs of gladness thrilled

through him as they came floating along on the distant boats; every

running wave--the foaming surge--raised a higher in his bosom; the giant

statue of St. Borromæus,[3] looking away over the cities, embodied the

exalted one (his father) who stood erect in his heart, and the blooming

pyramid, the island, was the paternal throne; the sparkling chain of the

mountains and glaciers wound itself fast around his spirit, and lifted

him up to lofty beings and lofty thoughts.

The first journey, especially when Nature casts over the long road

nothing but white radiance and orange-blossoms and chestnut-shadows,

imparts to the youth what the last journey often takes away from the

man,--a dreaming heart, wings for the ice-chasms of life, and wide-open

arms for every human breast.

He went back, and with his commanding eye begged his friends to set sail

this very evening, although Don Gaspard was not to come to the island

till to-morrow morning. Often, what he wanted to do in a week, he

proposed to himself for the next day, and at last did it at once. Dian

tapped the impetuous Boreas on the head lovingly, and said: "Impatient

being, thou hast here the wings of a Mercury, and down there too

(pointing to his feet)! But just cool off! In the pleasant

after-midnight we embark, and when the dawn reddens in the sky we land."

Dian had not merely an artistic eye to his well-formed darling, but also

a tender interest in him, because he had often, in Blumenbühl, where he

had business as public architect, been the friend and guide of his

childhood and youth, and because now on the island he must tear himself

from his arms for some time and be absent at Rome. Since he (the public

architect) considered the same extravagance which he would rebuke in an

old man to be no extravagance in a youth,--an inundation to be no

inundation in Egypt, though it would be in Holland,--and since he

assumed a different average temperature for every individual, age, and

people, and in holy human nature found no string to be cut off, but only

at most to be tuned, surely Cesara must have cherished toward the

cheerful and indulgent teacher, on whose two tables of laws stood only,

Joy and moderation! a right hearty attachment, even more hearty than for

the laws themselves.

The images of the present and of the near future and of his father had

so filled the breast of the Count with greatness and immortality, that

he could not comprehend how any one could let himself be buried without

having achieved both, and that as often as the landlord brought in

anything, he pitied the man, particularly as he was always singing, and,

like the Neapolitans and Russians, in the minor key, because he was

never to be anything, certainly not immortal. The latter is a mistake;

for he gets his immortality here, and I take pleasure in giving place

and life to his name, _Pippo_ (abbreviated from Philippo). When, at

last, they paid and were about to go, and Pippo kissed a Kremnitz ducat,

saying, "Praised be the holy Virgin with the child on her _right_ arm,"

Albano was pleased that the father took after his pious little daughter,

who had been all the evening rocking and feeding an image of the child

Jesus. To be sure, Schoppe remarked, she would carry the child more

_lightly_ on her left arm;[4] but the error of the good youth is a merit

in him as well as the truth.

Beneath the splendor of a full moon they went on board the bark, and

glided away over the gleaming waters. Schoppe shipped some wines with

them, "not so much," said he, "that there is nothing to be had on the

island, as for this reason, that if the vessel should leak, then there

would be no need of pumping out anything but the flagons,[5] and she

would float again."

Cesara sank, silently, deeper and deeper into the glimmering beauties of

the shore and of the night. The nightingales warbled as if inspired on

the triumphal gate of spring. His heart grew in his breast like a melon

under its glass-bell, and his breast heaved higher and higher over the

swelling fruit. All at once he reflected that he should in this way see

the tulip-tree of the sparkling morn and the garlands of the island put

together only like an artificial, Italian silk-flower, stamen by stamen,

leaf by leaf; then was he seized with his old thirst for one single

draining draught from Nature's horn of plenty; he shut his eyes, not to

open them again, till he should stand upon the highest terrace of the

island before the morning sun. Schoppe thought he was asleep; but the

Greek smilingly guessed the epicurism of this artificial blindness, and

bound, himself, before those great insatiable eyes the broad, black

taffeta-ribbon, which, like a woman's ribbon or lace mask, contrasted

singularly and sweetly with his blooming but manly face.

Now the two began to tease and tantalize him in a friendly way with oral

night-pictures of the magnificent adornments of the shores between which

they passed. "How proudly," said Dian to Schoppe, "rises yonder the

castle of Lizanza, and its mountain, like a Hercules, with twelvefold

girdles of vine-clusters!" "The Count," said Schoppe in a lower tone to

Dian, "loses a vast deal by this bandaging of his eyes. See you not,

architect, to speak poetically, the glimmer of the city of Arona? How

beautifully she lays on Luna's blanc d'Espagne, and seems to be setting

herself out and prinking up for to-morrow in the powder-mantle of

moonshine which is flung around her! But that is nothing; still better

looks St. Borromæus yonder, who has the moon on his head like a

freshly-washed night-cap; stands not the giant there like the Micromegas

of the German body politic, just as high, just as stiff and stark?"

The happy youth was silent, and returned for answer a hand-pressure of

love;--he only dreamed of the present, and signified he could wait and

deny himself. With the heart of a child from whom the curtains and the

after-midnight hide the approaching Christmas present of the morrow, he

was borne along in the pleasure-boat, with tightly bandaged eyes, toward

the approaching, heavenly kingdom. Dian drew, as well as the double

light of the moonshine and the aurora permitted, a sketch of the veiled

dreamer in his scrap-book. I wish I had it here, and could see in it how

my darling, with the optic nerves tied up, strains at once the eye of

dream directed toward the inner world, and the ear of attention so

sharply set toward the outer. How beautiful is such a thing,

painted,--how much more beautiful realized in life!

The mantle of night grew thinner and cooler,--the morning air fanned

livingly against the breast,--the larks mingled with the nightingales

and with the singing boatmen,--and he heard, beneath his bandage, which

was growing lighter and lighter, the joyful discoveries of his friends,

who saw in the open cities along the shore the reviving stir of human

life, and on the waterfalls of the mountains the alternate reflections

of clouds and ruddy sky. At last the breaking splendors of morn hung

like a festoon of Hesperides-apples around the distant tops of the

chestnut-trees; and now they disembarked upon Isola Bella.

The veiled dreamer heard, as they ascended with him the ten terraces of

the garden, the deep-drawn sigh and shudder of joy close beside him, and

all the quick entreaties of astonishment; but he held the bandage fast,

and went blindfold from terrace to terrace, thrilled with

orange-fragrance, refreshed by higher, freer breezes, fanned by

laurel-foliage,--and when they had gained at last the highest terrace,

and looked down upon the lake, heaving its green waters sixty ells

below, then Schoppe cried, "Now! now!" But Cesara said, "No! the sun

first!" and at that moment the morning wind flung up the sunlight

gleaming through the dark twigs, and it flamed free on the summits,--and

Dian snatched off the bandage, and said, "Look round!" "O God!" cried he

with a shriek of ecstasy, as all the gates of the new heaven flew open,

and the Olympus of nature, with its thousand reposing gods, stood around

him. What a world! There stood the Alps, like brother giants of the Old

World, linked together, far away in the past, holding high up over

against the sun the shining shields of the glaciers. The giants wore

blue girdles of forest, and at their feet lay hills and vineyards, and

through the aisles and arches of grape-clusters the morning winds played

with cascades as with watered-silk ribbons, and the liquid brimming

mirror of the lake hung down by the ribbons from the mountains, and

they fluttered down into the mirror, and a carved work of chestnut woods

formed its frame.... Albano turned slowly round and round, looked into

the heights, into the depths, into the sun, into the blossoms; and on

all summits burned the alarm-fires of mighty Nature, and in all depths

their reflections,--a creative earthquake beat like a heart under the

earth and sent forth mountains and seas.... O then, when he saw on the

bosom of the infinite mother the little swarming children, as they

darted by under every wave and under every cloud,--and when the morning

breeze drove distant ships in between the Alps,--and when _Isola Madre_

towered up opposite to him, with her seven gardens, and tempted him to

lean upon the air and be wafted over on level sweep from his summit to

her own,--and when he saw the pheasants darting down from the _Madre_

into the waves,--then did he seem to stand like a storm-bird with

ruffled plumage on his blooming nest, his arms were lifted like wings by

the morning wind, and he longed to cast himself over the terrace after

the pheasants, and cool his heart in the tide of Nature.

Ashamed, he took, without looking round him, the hands of his friends

and pressed them in mute fervor, that he might not be obliged to speak.

The magnificent universe had painfully expanded, and then blissfully

overflowed his great breast; and now, when he opened his eyes, like an

eagle, wide and full upon the sun, and when the blinding brightness hid

the earth, and he began to be lonely, and the earth became smoke and the

sun a soft, white world, which gleamed only around the margin,--then did

his whole, full soul, like a thunder-cloud, burst asunder and burn and

weep, and from the pure, white sun his mother looked upon him, and in

the fire and smoke of the earth his father and his life stood veiled.

Silently he went down the terraces, often passing his hand across his

moist eyes to wipe away the dazzling shadow which danced on all the

summits and all the steps.

Exalted Nature! when we see and love thee, we love our fellow-men more

warmly; and when we must pity or forget them, thou still remainest with

us, reposing before the moist eye like a verdant chain of mountains in

the evening red. Ah, before the soul in whose sight the morning dew of

its ideals has faded to a cold, gray drizzle,--and before the heart,

which, in the subterranean passages of this life, meets no longer men,

but only dry, crooked-up mummies on crutches in catacombs,--and before

the eye which is impoverished and forsaken, and which no human creature

will any longer gladden,--and before the proud son of the gods whom his

unbelief and his lonely bosom, emptied of humanity, rivet down to an

eternal, unchangeable anguish,--before all these thou remainest,

quickening Nature, with thy flowers and mountains and cataracts, a

faithful comforter; and the bleeding son of the gods, cold and

speechless, dashes the drop of anguish from his eyes, that they may

rest, far and clear, on thy volcanoes, and on thy Springs, and on thy

suns!

Titan: A Romance. v. 1 (of 2) · 第 39 / 159 题