Canaris did not look up as he spoke, but Helwyze asked hastily,—

“I hope you harvested a few fresh ideas for winter work? We ought to

have something to show after so laborious a summer.”

“I have: I am going to write a novel or a play. I cannot decide which;

but rather lean toward the latter, and, being particularly happy, feel

inclined to write a tragedy;” and something beside the daring of an

ambitious author sparkled in the eyes Canaris fixed upon his patron. It

looked too much like the expression of a bondman about to become a

freeman to suit Helwyze; but he replied, as imperturbably as ever,—

“Try the tragedy, by all means: the novel would be beyond you.”

“Why, if you please?” demanded Canaris, loftily.

“Because you have neither patience nor experience enough to do it well.

Goethe says: ‘In the novel it is _sentiments_ and _events_ that are

exhibited; in the drama it is _characters_ and _deeds_. The novel goes

slowly forward, the drama must hasten. In the novel, some degree of

scope may be allowed to chance; but it must be led and guided by the

sentiments of the personages. Fate, on the other hand, which, by means

of outward, unconnected circumstances, carries forward men, without

their own concurrence, to an unforeseen catastrophe, can only have place

in the drama. Chance may produce pathetic situations, but not tragic

ones.’”

Helwyze paused there abruptly; for the memory which served him so well

outran his tongue, and recalled the closing sentence of the

quotation,—words which he had no mind to utter then and there,—“Fate

ought always to be terrible; and it is in the highest sense tragic, when

it brings into a ruinous concatenation the guilty man and the guiltless

with him.”

“Then you think I _could_ write a play?” asked Canaris, with affected

carelessness.

“I think you could act one, better than imagine or write it.”

“What, I?”

“Yes, you; because you are dramatic by nature, and it is easier for you

to express yourself in gesture and tone, than by written or spoken

language. You were born for an actor, are fitted for it in every way,

and I advise you to try it. It would pay better than poetry; and that

stream _may_ run dry.”

Gladys looked indignant at what she thought bad advice and distasteful

pleasantry; but Canaris seemed struck and charmed with the new idea,

protesting that he would first write, then act, his play, and prove

himself a universal genius.

No more was said just then; but long afterward the conversation came

back to him like an inspiration, and was the seed of a purpose which,

through patient effort, bore fruit in a brilliant and successful career:

for Canaris, like many another man, did not know his own strength or

weakness yet, neither the true gift nor the power of evil which lay

unsuspected within him.

So the old life began again, at least in outward seeming; but it was

impossible for it to last long. The air was too full of the electricity

of suppressed and conflicting emotions to be wholesome; former relations

could not be resumed, because sincerity had gone out of them; and the

quiet, which reigned for a time, was only the lull before the storm.

Gladys soon felt this, but tried to think it was owing to the contrast

between the free, happy days she had enjoyed so much, and uttered no

complaint; for Felix was busy with his play, sanguine as ever, inspired

now by a nobler ambition than before, and happy in his work.

Helwyze had flattered himself that he could be content with the harmless

shadow, since he could not possess the sweet substance of a love whose

seeming purity was its most delusive danger. But he soon discovered “how

bitter a thing it is to look into happiness through another man’s eyes;”

and, even while he made no effort to rob Canaris of his treasure, he

hated him for possessing it, finding the hatred all the more poignant,

because it was his own hand which had forced Felix to seize and secure

it. He had thought to hold and hide this new secret; but it held him,

and would not be hidden, for it was stronger than even his strong will,

and ruled him with a power which at times filled him with a sort of

terror. Having allowed it to grow, and taken it to his bosom, he could

not cast it out again, and it became a torment, not the comfort he had

hoped to find it. His daily affliction was to see how much the young

pair were to each other, to read in their faces a hundred happy hopes

and confidences in which he had no part, and to remember the confession

wrung from the lips dearest to him, that his death would bring to them

their much-desired freedom.

At times he was minded to say “Go,” but the thought of the utter blank

her absence would leave behind daunted him. Often an almost

uncontrollable desire to tell her that which would mar her trust in her

husband tempted him; for, having yielded to a greater temptation, all

lesser ones seemed innocent beside it; and, worse than all, the old

morbid longing for some excitement, painful even, if it could not be

pleasurable, goaded him to the utterance of half truths, which irritated

Canaris and perplexed Gladys, till she could no longer doubt the cause

of this strange mood. It seemed as if her innocent hand gave the touch

which set the avalanche slipping swiftly but silently to its destructive

fall.

One day when Helwyze was pacing to and fro in the library, driven by the

inward storm which no outward sign betrayed, except his excessive pallor

and unusual restlessness, she looked up from her book, asking

compassionately,—

“Are you suffering, sir?”

“Torment.”

“Can I do nothing?”

“Nothing!”

She went on reading, as if glad to be left in peace; for distrust, as

well as pity, looked out from her frank eyes, and there was no longer

any pleasure in the duties she performed for Canaris’s sake.

But Helwyze, jealous even of the book which seemed to absorb her, soon

paused again, to ask, in a calmer tone,—

“What interests you?”

“‘The Scarlet Letter.’”

The hands loosely clasped behind him were locked more closely by an

involuntary gesture, as if the words made him wince; otherwise unmoved,

he asked again, with the curiosity he often showed about her opinions of

all she read,—

“What do you think of Hester?”

“I admire her courage; for she repented, and did not hide her sin with a

lie.”

“Then you must despise Dimmesdale?”

“I ought, perhaps; but I cannot help pitying his weakness, while I

detest his deceit: he loved so much.”

“So did Roger;” and Helwyze drew nearer, with the peculiar flicker in

his eyes, as of a light kindled suddenly behind a carefully drawn

curtain.

“At first; then his love turned to hate, and he committed the

unpardonable sin,” answered Gladys, much moved by that weird and

wonderful picture of guilt and its atonement.

“The unpardonable sin!” echoed Helwyze, struck by her words and manner.

“Hawthorne somewhere describes it as ‘the want of love and reverence for

the human soul, which makes a man pry into its mysterious depths, not

with a hope or purpose of making it better, but from a cold,

philosophical curiosity. This would be the separation of the intellect

from the heart: and this, perhaps, would be as unpardonable a sin as to

doubt God, whom we cannot harm; for in doing this we must inevitably do

great wrong both to ourselves and others.’”

As she spoke, fast and earnestly, Gladys felt herself upon the brink of

a much-desired, but much-dreaded, explanation; for Canaris, while owning

to her that there _was_ a secret, would not tell it till Helwyze freed

him from his promise. She thought that he delayed to ask this absolution

till she was fitter to bear the truth, whatever it might be; and she had

resolved to spare her husband the pain of an avowal, by demanding it

herself of Helwyze. The moment seemed to have come, and both knew it;

for he regarded her with the quick, piercing look which read her purpose

before she could put it into words.

“You are right; yet Roger was the wronged one, and the others deserved

to suffer.”

“They did; but Hester’s suffering ennobled her, because nobly borne;

Dimmesdale’s destroyed him, because he paltered weakly with his

conscience. Roger let his wrong turn him from a man into a devil, and

deserves the contempt and horror he rouses in us. The keeping of the

secret makes the romance; the confession of it is the moral, showing how

falsehood can ruin a life, and truth only save it at the last.”

“Never have a secret, Gladys: they are hard masters, whom we hate, yet

dare not rebel against.”

His accent of sad sincerity seemed to clear the way for her, and she

spoke out, briefly and bravely,—

“Sir, _you_ dare any thing! Tell me what it is which makes Felix obey

you against his will. He owns it, but will not speak till you consent.

Tell me, I beseech you!”

“Could you bear it?” he asked, admiring her courage, yet doubtful of the

wisdom of purchasing a moment’s satisfaction at such a cost; for, though

he could cast down her idol, he dared not set up another in its place.

“Try me!” she cried: “nothing can lessen my love, and doubt afflicts me

more than the hardest truth.”

“I fear not: with you love and respect go hand in hand, and some sins

you would find very hard to pardon.”

Involuntarily Gladys shrunk a little, and her eye questioned his

inscrutable face, as she answered slowly, thinking only of her husband,—

“Something very mean and false _would_ be hard to forgive; but not some

youthful fault, some shame borne for others, or even a crime, if a very

human emotion, a generous but mistaken motive, led to it.”

“Then this secret is better left untold; for it would try you sorely to

know that Felix _had_ been guilty of the fault you find harder to

forgive than a crime,—deceit. Wait a little, till you are accustomed to

the thought, then you shall have the facts; and pity, even while you

must despise, him.”

While he spoke, Gladys sat like one nerving herself to receive a blow;

but at the last words she suddenly put up her hand as if to arrest it,

saying, hurriedly,—

“No! do not tell me; I cannot bear it yet, nor from you. He shall tell

me; it will be easier so, and less like treachery. O sir,” she added, in

a passionately pleading tone, “use mercifully whatever bitter knowledge

you possess! Remember how young he is, how neglected as a boy, how

tempted he may have been; and deal generously, honorably with him,—and

with me.”

Her voice broke there. She spread her hands before her eyes, and fled

out of the room, as if in his face she read a more disastrous confession

than any Felix could ever make. Helwyze stood motionless, looking as he

looked the night she spoke more frankly but less forcibly: and when she

vanished, he stole away to his own room, as he stole then; only now his

usually colorless cheek burned with a fiery flush, and his hand went

involuntarily to his breast, as if, like Dimmesdale, he carried an

invisible scarlet letter branded there.

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A Modern Mephistopheles, and A Whisper in the Dark · 第 32 / 43 题