Mr. Morton bowed and said, while his heart sunk in his bosom--

"To-morrow I will be ready for that."

"But why not to-day?" inquired one of the trustees. "We are anxious

to get through with this unpleasant business."

"I said to-morrow," Mr. Morton replied, while a red spot burned upon

his cheek.

The trustees looked at each other, and hesitated.

"Surely," said the debtor, "you cannot hesitate to let me have a

single day in which to prepare my family for so painful a duty as

that which is required of me."

"We should suppose," remarked one of the trustees, in reply, "that

your family were already prepared for that."

The debtor looked the last speaker searchingly in the face for some

moments, and then said, as if satisfied with the examination--

"Then you are afraid that I will make way, in the mean time, with

some of my plate!"

"I did not say so, Mr. Morton. But, you know we are under oath to

protect the interest of the creditors."

An indignant reply trembled on the lips of Morton, but he curbed his

feelings with a strong effort.

"I am ready now," he said, after a few moments of hurried

self-communion. "The sooner it is over the better."

Half an hour after he entered his house with the trustees, and sworn

appraiser. He left them in the parlour below, while he held a brief

but painful interview with his family.

"Do not distress yourself, dear father!" Constance said, laying her

hand upon his shoulder. "We expected this, and have fully nerved

ourselves for the trial."

"May he who watches over, and regards us all, bless you, my

children!" the father said with emotion, and hurriedly left them.

A careful inventory of the costly furniture that adorned the

parlours was first taken. The plate was then displayed, rich and

beautiful, and valued; and then the trustees lifted their eyes to

the wall--they were connoisseurs in the fine arts; at least one of

them was, but a taste for the arts had, in his case, failed to

soften his feelings. He looked at a picture much as a dealer in

precious stones looks at a diamond, to determine its money-value.

"That is from Guido," he said, looking admiringly at a sweet

picture, which had always been a favourite of Mr. Morton's, "and it

is worth a hundred dollars."

"Shall I put it down at that?" asked the appraiser, who had little

experience in valuing pictures.

"Yes; put it down at one hundred. It will bring that under the

hammer, any day," replied the connoisseur. "Ah, what have we here? A

copy from Murillo's 'Good Shepherd.' Isn't that a lovely picture?

Worth a hundred and fifty, every cent. And here is 'Our Saviour,'

from Da Vinci's celebrated picture of the Last Supper; and a

'Magdalen' from Correggio. You are a judge of pictures, I see, Mr.

Morton! But what is this?" he said, eyeing closely a large

engraving, richly framed.

"A proof, as I live! from the only plate worth looking at of

Raphael's Madonna of St. Sixtus. I'll give fifty dollars for that,

myself."

The pictures named were all entered up by the appraiser, and then

the group continued their examination.

"Here is a Sully," remarked the trustee above alluded to, pausing

before Willie's portrait.

"But that is a portrait," Mr. Morton said, advancing, while his

heart leaped with a new and sudden fear.

"If it is, Mr. Morton, it is a valuable picture, worth every cent of

two hundred dollars. We cannot pass that, Sir."

"What!" exclaimed Mr. Morton, "take my Willie's portrait? O no, you

cannot do that!"

"It is no doubt a hard case, Mr. Morton," said one of the trustees.

"But we must do our duty, however painful. That picture is a most

beautiful one, and by a favourite artist, and will bring at least

two hundred dollars. It is not a necessary article of household

furniture, and is not covered by the law. We should be censured, and

justly too, if we were to pass it."

For a few moments, Mr. Morton's thoughts were so bewildered and his

feelings so benumbed by the sudden and unexpected shock, that he

could not rally his mind enough to decide what to say or how to act.

To have the unfeeling hands of creditors, under the sanction of the

law, seize upon his lost Willie's portrait, was to him so unexpected

and sacrilegious a thing, that he could scarcely realize it, and he

stood wrapt in painful, dreamy abstraction, until roused by the

direction,

"Put it down at a hundred and fifty," given to the appraiser, by one

of the trustees.

"Are your hearts made of iron?" he asked bitterly, roused at once

into a distinct consciousness of what was transpiring.

"Be composed, Mr. Morton," was the cold, quiet reply.

"And thus might the executioner say to the victim he was

torturing--_Be composed_. But surely, when I tell you that that

picture is the likeness of my youngest child, now no more, you will

not take it from us. To lose that, would break his mother's heart.

Take all the rest, and I will not murmur. But in the name of

humanity spare me the portrait of my angel boy."

There was a brief, cold, silent pause, and the trustees continued

their investigations. Sick at heart, Mr. Morton turned from them and

sought his family. The distressed, almost agonized expression of his

countenance was noticed, as he came into the chamber where they had

retired.

"Is it all over?" asked Mrs. Morton.

"Not yet," was the sad answer.

The mother and daughter knew how much their father prized his choice

collection of pictures, and supposed that giving an inventory of

them had produced the pain that he seemed to feel. Of the truth,

they had not the most distant idea. For a few minutes he sat with

them, and then, recovering in some degree, his self-possession, he

returned and kept with the trustees, until everything in the house

that could be taken, was valued. He closed the door after them, when

they left, and again returned to his family.

"Have they gone?" asked Constance, in a low, almost whispering

voice.

"Yes, my child, they have gone at last."

"And what have they left us?" inquired Mrs. Morton somewhat

anxiously.

"Nothing but the barest necessaries for housekeeping."

"They did not take our carpets and--"

"Yes, Mary," said Mr. Morton interrupting her, "every article in the

parlors has been set down as unnecessary."

"O, father!" exclaimed the eldest daughter, "can it be possible?"

"Yes, my child, it is possible. We are left poor, indeed. But for

all that I would not care, if they had only left us Willie's

portrait!"

Instantly the mother and daughters rose to their feet, with blanched

cheeks, and eyes staring wildly into the father's face.

"O no, not Willie's portrait, surely!" the mother at length said,

mournfully. "We cannot give that up. It is of no comparative value

to others, and is all in all to us."

"I plead with them to spare us that. But it was no use," Mr. Morton

replied. "The tenderest ties in nature were nothing to them in

comparison with a hundred and fifty dollars."

"But surely," urged Constance, "the law will protect us in the

possession of the picture. Who ever heard of a portrait being seized

upon by a creditor?"

"It is a cruel omission; but nevertheless, Constance, there is no

law to protect us in keeping it."

"But they shall _not_ have it!" Mary said indignantly. "I will take

it away this very night, where they can never find it."

"That would be doing wrong my child," Mr. Morton replied. "I owe

these men, and this picture, they say, will bring a hundred and

fifty dollars. If they claim it, then, I cannot honestly withhold

it. Let us, then, my dear children, resolve to keep our consciences

clear of wrong, and endeavor patiently to bear with our afflictions.

They can only result in good to us so far as we humbly acquiesce in

them. Nothing happens by chance. Every event affecting us, I have

often told you, is ordered or permitted by Divine Providence, and is

intended to make us better and wiser. This severest trial of all, if

patiently borne, will, I am sure, result in good."

But, even while he tried to encourage and bear up the drooping

spirits of his family, his own heart sunk within him at the thought

of losing the portrait of his child.

One week sufficed to transfer his property into the hands of the

individuals appointed to receive it. He sought to make no

unnecessary delay, and, therefore, it was quickly done. At the end

of that time, he removed his family into a small house at the

northern extremity of the city, and furnished it with the scanty

furniture that, as an insolvent debtor the law allowed him to claim.

Ere he left his beautiful mansion with his wife and children, they

all assembled in the parlour where still hung Willie's sweet

portrait. The calm, innocent face of the child had for their eyes a

melancholy beauty, such as it had never worn before; and they gazed

upon it until every cheek was wet, and every heart oppressed. A sale

of the furniture had been advertised for that day, and already the

house had been thrown open. Several strangers had come in to make

examinations before the hour of sale, and among them was a young

man, who on observing the family in the parlour, instinctively

withdrew; not, however before he had glanced at the picture they

were all looking at so earnestly. Aware that strangers were

gathering, Mr. Morton and his family soon withdrew, each taking a

last, lingering, tearful glance at the dear face looking so sweet,

so calm, so innocent.

Their new home presented a painful and dreary contrast to the one

from which they had just parted. In the parlours, the floors of

which were all uncarpeted there were a dozen chairs, and a table,

and that was all! Bedding barely enough for the family, with but

scanty furniture, sufficed for the chambers; and the same exacting

hands had narrowed down to a stinted remnant the appendages of the

kitchen.

It was an hour after the closing in of evening, and the family

greatly depressed in spirits, were gathered in one of the chambers,

sad, gloomy, and silent, when the servant which they had retained

came in and said that Mr. Wilkinson was below and wished to see Miss

Constance.

"Indeed, indeed, mother, I cannot see him!" Constance said bursting

into tears. "It is cruel for him to come here so soon," she added,

after she had a little regained her self-possession.

"You can do no less than see him Constance," her mother said. "Do

not lose that consciousness of internal truth of character which

alone can sustain you in your new relations. You are not changed,

even if outward circumstances are no longer as they were. And if Mr.

Wilkinson does not regard these do not you. Meet him my child, as

you have ever met him."

"We have only met as friends," Constance replied, while her voice

trembled in spite of her efforts to be calm.

"Then meet now as friends, and equals. Remember, that, all that is

of real worth in you remains. Adversity cannot rob you of your true

character."

"Your mother has spoken well and wisely," Mr. Morton said. "If Mr.

Wilkinson, whom I know to be a man of most sterling integrity of

character, still wishes your society, or ours, it must not, from any

foolish pride or weakness on our part, be denied."

"Then I will see him, and try to meet him as I should, though I feel

that the task will be a hard one," Constance replied. And her pale

cheek and swimming eye, told but too well, that it would need all

her efforts to maintain her self-possession.

In a few minutes she descended and met Mr. Wilkinson in the parlour.

"Pardon me," he said advancing and taking her hand as she entered,

"for so soon intruding upon you after the sad change in your

condition. But I should have been untrue to the kind feelings I bear

yourself and family, had I, from a principle of false delicacy,

staid away. I trust I shall be none the less welcome now than

before."

"We must all esteem the kindness that prompted your visit,"

Constance replied with a strong effort to subdue the troubled

emotions within, and which were but too plainly indicated, by her

now flushed cheek and trembling lips.

"No other feeling induced me to call, except indeed, one stronger

than that possibly could be--" Mr. Wilkinson said, still holding her

hand, and looking intently in her face--"the feeling of profound

regard, nay, I must call it, affection, which I have long

entertained for you."

A declaration so unexpected, under the circumstances, entirely

destroyed all further efforts on the part of Constance, to control

her feelings. She burst into tears, but did not attempt to withdraw

her hand.

"Can I hope for a return of like sentiment, Constance?" he at length

said, tenderly.

A few moments' silence ensued, when the weeping girl lifted her

head, and looked him in the face with eyes, though filled with

tears, full of love's tenderest expression.

"I still confide in my father, Mr. Wilkinson," was her answer.

"Then I would see your father to-night."

Instantly Constance glided from the room, and in a few minutes her

father came down into the parlour. A long conference ensued; and

then the mother was sent for, and finally Constance again. Mr.

Wilkinson made offers of marriage, which, being accepted, he urged

an immediate consummation. Delay was asked, but he was so earnest,

that all parties agreed that the wedding should take place in three

days.

In three days the rite was said, and Wilkinson, one of the most

prosperous young merchants of Philadelphia, left for New York with

his happy bride. A week soon glided away, at the end of which time

they returned.

"Where are we going?" Constance asked, as they entered a carriage on

landing from the steamboat.

"To our own house, of course!" was her husband's reply.

"You didn't tell me that you had taken a house, and furnished it."

"Didn't I? Well, that is something of an oversight. But you hardly

thought that I was so simple as to catch a bird without having a

cage first provided for it."

"You had but little time to get the cage," thought Constance, but

she did not utter the thought.

In a few minutes the carriage stopped before a noble dwelling, the

first glance of which bewildered the senses of the young bride, and

caused her to lean silent and trembling upon her husband's arm, as

she ascended the broad marble steps leading to the entrance. Thence

she was ushered hurriedly into the parlours.

There stood her father, mother, and sisters, ready to receive her.

There was every article of furniture in its place, as she had left

it but a little over a week before. The pictures, so much admired by

her father, still hung on the wall; and there, in the old spot, was

Willie s dear portrait, as sweet, as innocent, as tranquil as ever!

One glance took in all this. In the next moment she fell weeping

upon her mother's bosom.

A few words will explain all. Mr. Wilkinson, who was comparatively

wealthy, was just on the eve of making proposals for the hand of

Constance Morton, when the sudden reverse overtook her father, and

prostrated the hopes of the whole family. But his regard was a true

one, and not to be marred or effaced by external changes. When he

saw the sale of the house and furniture announced, he determined to

buy all in at any price. And he did so. On the day of the sale, he

bid over every competitor.

On the night of his interview with Constance and her father, he

proposed a partnership with the latter.

"But I have nothing, you know, Mr. Wilkinson," he replied.

"You have established business habits, and extensive knowledge of

the operations of trade, and a large business acquaintance. And

besides these, habits of discrimination obtained by long experience,

which I need. With your co-operation in my business, I can double my

profits. Will you join me?"

"It were folly, Mr. Wilkinson, to say nay," Mr. Morton replied.

"Then I will announce the co-partnership at once," he said.

And it was announced before the day of marriage, but Constance did

not see it.

A happy elevation succeeded of course, the sudden, painful, but

brief depression of their fortunes. Nor was any of that tried family

less happy than before. And one was far happier. Still, neither Mr.

Morton, nor the rest could ever look at Willie's portrait without

remembering how near they had once been to losing it, nor without a

momentary fear, that some change in life's coming mutations might

rob them of the precious treasure, now doubly dear to them.

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