I was interested to know that.

“They all do--oh, yes,” she said. “But you likely to be better

off peddlin’, I tell you.”

“Yes, I think it would be amusing to be a peddler for a while,” I

said. “But I should want the man, too, as long as he was dem sweet.”

The peddler-woman picked up the telescope valise.

“Yes,” she remarked, “a man, he’s sweet two days, t’ree days,

then--holy God! he never work, he git-a drunk, he make-a rough-house,

he raise hell.”

The peddler-woman nodded at me and limped out of the yard. The

telescope valise was heavy. When she walked every muscle in her

body seemed to be pressed into the service. She had a heavy, solid

look. She seemed as though she might weigh three hundred pounds,

though she was not large. The afternoon sun shone down brightly on

her dirty white handkerchief, on her brown comely face, on her brown

brass-ringed hands, on her black satine wrapper, on her ancient

cape.

As I watched her out of sight I thought to myself: “Two days, t’ree

days, then--holy God! he never work, he git-a drunk, he make-a

rough-house, he raise hell.”

I was conscious of an intense humor that was so far beyond laughter

that it was too deep even for tears. But I felt tears vaguely as

I watched the peddler-woman limping up the road.

It was not pathos. It was humor--humor. My emotion was one of vivid

pleasure--pleasure at the sight of the woman, and at the telescope

valise, and at her conversation supplemented by my own.

This emotion is divine, and I can not grasp it.

As I looked after the Italian peddler-woman it came to me with sudden

force that the earth is only the earth, but that it is touched here

and there brilliantly with divine fingers.

Long and often as I’ve sat in intense silent passion and gazed at

the red, red sunset sky, I have never then felt this sense of the

divine.

It comes only through humor.

It comes only with things like an Italian peddler-woman in a black

satine wrapper and an ancient cape.

My soul--how heavily it goes.

Life is a journeying up a spring-time hill. And at the top we wonder

why we are there. Have mercy on me, I implore in a dull idea that

the journey is so long--so long, and a human being is less than an

atom.

The solid, heavy figure of an Italian peddler-woman with a telescope

valise, limping away in the afternoon sunshine, is more convincing

of the Things that Are than would be the sound of the wailing of

legions of lost souls, could it be heard.

For the world must be amused.

And the world’s wind listeth as it bloweth.

April 11.

I write a great many letters to the dear anemone lady. I send some

of them to her and others I keep to read myself. I like to read

letters that I have written--particularly that I have written to her.

This is a letter that I wrote two days ago to my one friend:

“To you:--

“And don’t you know, my dearest, my friendship with you contains

other things? It contains infatuation, and worship, and bewitchment,

and idolatry, and a tiny altar in my soul-chamber whereon is burning

sweet incense in a little dish of blue and gold.

“Yes, all of these.

“My life is made up of many outpourings. All the outpourings have

one point of coming-together. You are the point of coming-together.

There is no other.

“You are the anemone lady.

“You are the one whom I may love.

“To think that the world contains one beautiful human being for me

to love!

“It is wonderful.

“My life is longing for the sight of you. My senses are aching for

lack of an anemone to diffuse itself among them.

“A year ago, when you were in the high school, often I used to go

over there when you would be going home, so that my life could be

made momentarily replete by the sight of you. You didn’t know I

was there--only a few times when I spoke to you.

“And now it is that I remember you.

“Oh, my dearest--you are the only one in the world!

“We are two women. You do not love me, but I love you.

“You have been wonderfully, beautifully kind to me.

“You are the only one who has ever been kind to me.

“There is something delirious in this--something of the nameless

quantity.

“It is old grief and woe to live nineteen years and to remember no

person ever to have been kind. But what is it--do you think?--at the

end of nineteen years, to come at last upon one who is wonderfully,

beautifully kind!

“Those persons who have had some one always to be kind to them can

never remotely imagine how this feels.

“Sometimes in these spring days when I walk miles down into the

country to the little wet gulch of the sweet-flags, I wonder why

it is that this thing does not make me happy. ‘She is wonderfully,

beautifully kind,’ I say to myself--‘and she is the anemone lady.

She is _wondrously_ kind, and though she’s gone, nothing can ever

change that.’

“But I am not happy.

“Oh, my one friend--what is the matter with me? What is this feeling?

Why am I not happy?

“But how can you know?

“You are beautiful.

“I am a small, vile creature.

“Always I awake to this fact when I think of the anemone lady.

“I am not good.

“But you are kind to me--you are kind to me--you are kind to me.

“You have written me two letters.

“The anemone lady came down from her high places and wrote me two

letters.

“It is said that God is somewhere. It may be so.

“But God has never come down from his high places to write me two

letters.

“Dear--do you see?--you are the only one in the world.

“=Mary MacLane.=”

April 12.

Oh, the dreariness, the Nothingness!

Day after day--week after week,--it is dull and gray and weary. It

is _dull_, =DULL=, DULL!

No one loves me the least in the world.

“My life is dreary--he cometh not.”

The Story of Mary MacLane · 第 73 / 79 题