I like to be admired.

It soothes my vanity.

When you read this Portrayal you will admire me. You will surely

have to admire me.

And so this is life, and everything matters.

But just now I will stop writing and go downstairs to my dinner.

There is a porterhouse steak, broiled rare, and some green young

onions. Oh, they are good! And when one is to have a porterhouse

steak for one’s dinner--and some green young onions, one doesn’t

give a tupenny dam whether anything else matters or not.

March 19.

On a day when the sky is like lead and a dull, tempestuous wilderness

of gray clouds adds a dreariness to the sand, there is added to

the loneliness of my life a deep bitterness of gall and wormwood.

Out of my bitterness it is easy for bad to come.

Surely Badness is a deep black pool wherein one may drown dullness

and Nothingness.

I do not know Badness well. It is something material that seems

a great way off now, but that might creep nearer and nearer as I

became less and less young.

But now when the day is of the leaden dullness I look at Badness

and long for it. I am young and all alone, and everything that is

good is beyond my reach. But all that is bad--surely that is within

the reach of every one.

I wish for a long pageant of bad things to come and whirl and rage

through this strange leaden life of mine and break the spell.

Why should it not be Badness instead of Death? Death, it seems,

will bring me but a change of agony. Badness would perhaps so crowd

my life with its vivid phenomena that they would act as a neurotic

to the racked nerves of my Nothingness. It would be an outlet--and

possibly I could forget some things.

I think just now of a woman who lived long ago and in whom the

world at large seems not to have found anything admirable. I mean

Messalina Valeria, the wife of the stupid emperor Claudius. I have

conceived a profound admiration for this historic wanton. She may

not indeed have had anything to forget; she may not have suffered.

But she had the strength of will to take what she wanted, to do as

she liked, to live as she chose to live.

It is admirable and beautiful beyond expression to sacrifice and

give up and wait for love of that good that gives in itself a just

reward. And only next to this is the throwing to the winds of all

restraint when the good holds itself aloof and gives nothing. We

are weak, contemptible fools who do not grasp the resources within

our reach when there is no just reward for our restraint. Why do we

not take what we want of the various temptations? It is not that

we are virtuous. It is that we are cowards.

And it is worth while to remain true to an ideal that offers only

the vaguest hopes of realization? It is not philosophy. When one has

made up one’s mind that one wants a dish of hot stewed mushrooms, and

set one’s heart on it, should one scorn a handful of raw evaporated

apples, if one were starving, for the sake of the phantom dish of

hot stewed mushrooms? Should one say, Let me starve, but I will

never descend to evaporated apples; I will have nothing but a dish

of hot stewed mushrooms? If one is sure one will have the stewed

mushrooms finally, before one dies of starvation, then very well.

One should wait for them and take nothing else.

But it is not in my good peripatetic philosophy to pass by the Badness

that the gods provide for the sake of a far-away, always-unrealized

ideal, however brilliant, however beautiful, however golden.

When the lead is in the sky and in my life, a vision of Badness looms

up on the horizon and looks at me and beckons with a fascinating

finger. Then I say to myself, What is the use of this unsullied,

struggling soul; this unbesmirched, empty heart; this treasureless,

innocent mind; this insipid maid’s-body? There are no good things

for them. But here, to be sure, are fascinating, glittering bad

things--the goods that the gods provide, the compensation of the

Devil.

Comes Death, some day, I said--but to die, in the sight of glittering

bad things--and I only nineteen! These glittering things appear

fair.

There is really nothing evil in the world. Some things appear

distorted and unnatural because they have been badly done. Had

they been perfect in conception and execution they would strike

one only with admiration at their fine, iridescent lights. You

remember Don Juan and Haidee. That, to be sure, was not evil in any

event--they loved each other. But if they had had only a passing, if

intense, fancy for one another, who would call it evil? Who would

call it anything but wonderful, charming, enchanting? The Devil’s

bad things--like the Devil’s good things--may gleam and glisten,

oh, how they may gleam and glisten! I have seen them do so, not

only in a poem of Byron’s, but in the life that is.

Always when the lead is in the sky I would like to cultivate

thoroughly this branch of the vineyard. Now doesn’t it make you

shiver to think of this dear little Mary MacLane wandering unloved

through dark by-ways and deadly labyrinths? It makes me shiver.

But it needn’t. If I am to wander unloved, why not as well wander

there as through Nothingness?

I fancy it must be wonderfully easy to become used to the many-sided

Badness. I have lived my nineteen years in the midst of Nothingness,

and I have not yet become used to it. It has sharp knives in it,

has Nothingness. Badness may have some sharp knives also--but there

are other things. Yes, there are other things.

Kind Devil, if you are not to fetch me Happiness, then slip off

from your great steel key-ring a bright little key to the door of

the glittering, gleaming bad things, and give it me, and show me

the way, and wish me joy.

I would like to live about seven years of judicious Badness, and then

Death, if you will. Nineteen years of damnable Nothingness, seven

years of judicious Badness--and then Death. A noble ambition! But

might it not be worse? If not that, then nineteen years of damnable

Nothingness, and then Death. No; when the lead is in the sky that

does not appeal to me. My versatile mind turns to the seven years

of judicious Badness.

There is nothing in the world without its element of Badness. It is

in literature; it is in every art--in pictures, sculpture, even in

music. There are certain fine, deep, minute passages in Beethoven

and in Chopin that tell of things wonderfully, sublimely bad. Chopin

one can not understand. Is there any one in the world who can

understand him? But we know at once that there is the Badness--and

it is music!

There is the element of Badness in me.

I long to cultivate my element of Badness. Badness compared to

Nothingness is beautiful. And so, then, I wait also for some one to

come over the hill with things other than Happiness. But whatever

I wait for, nothing comes.

March 20.

There were pictures in the red sunset sky to-day. I looked at them

and was racked with passions of desire. I fancied to myself that I

could have any of the good things in the pictures for the asking

and the waiting. The while I knew that when the sunset should fade

from the sky I would be overwhelmed by my heaviest woe.

There was a picture of intense peace. There were stretches of flat,

green country, and oak-trees and aspens, and a still, still lake.

In the dim distance you could see fields of wheat and timothy-grass

that moved a little as if in the wind. You could fancy the cows

feeding just below the brow of the near hills, and a hawk floating

and wheeling among the clouds. A rainbow arched over the lake.

There is nothing lacking here, I thought. “Life and health and

peace possessing.” Give me this, kind Devil.

There was a picture of endless, limitless strength. There were the

oak-trees again but bereft now of every leaf, and the bristling,

jagged rocks back of them were not more coldly staunch. The sun

poured brilliantly bright upon them. A river flowed unmoved and quiet

between yellow clay banks. A tornado might sweep over this and not

one twig would be displaced, not one ripple would come to the river.

Is it not fine! I said to myself. No feeling, no self-analysis,

no aching, no pain--and the strength of the Philistines. Oh, kind

Devil, I entreat you, let me have that!

There was a picture of untrammeled revel and forgetfulness. There

were fields of swaying daffodils and red lilies. The young shrubs

tossed their heads and were joyous. Lambs gamboled and the happy

meadow-lark knew whereof she sang.

“The winds with wonder whist

Smoothly the waters kissed.”

Be carefree, be light-hearted, be wicked--above all, forget. The

deeds are what you will; the time is now; the aftermath is nothing;

the day of reckoning is never. Love things lightly, take all that

you see, and to the winds with regret! Gracious Devil, I whispered

intensely, give me this and no other!

There was a picture of raging elements. “The winds blew, and the

rains descended and the floods came.” The sky was overcast with

rolling clouds. The air was heavy with unrest. There was a gray

stone house set upon a rocky point, and I had momentary glimpses of

an unquiet sea below it. Back on the surface of the land slender

trees were waving wildly in the gale. The wind and the rain were

saying, “Damn you, little earth, I have you now,--I will rend and

ruin you.” They whipped and raged in frenzied joy. The little earth

liked it. The elements whirled and whistled round the gray stone

house. A lurid light came from a ghastly moon between clouds. The

entire scene was desolately savage and forlorn, but attractive.

As I listened in fancy to that shrieking, wailing wind, and saw

green branches jerked and twisted asunder in the storm, my barren,

defrauded heart leaped and exulted. If I could live in the midst

of this and be beaten and shaken roughly, would not that deep

sense forget to ache? Kind Devil, pray send me some storms. It is

Nothingness that bears down heavy.

There was a picture of an exalted spiritual life. There was that

strange bright light. And the things in the picture were those things

alone in this world that are real, and the only things that count.

The old, soft green of the old, old rolling hills was the green of

love--the earth-love and the love that comes from beyond the earth.

The air and the blue water and the sunshine were so beautifully

real and true that except for their deep-reaching, passionate

tenderness human strength could not endure them. There were lanes

of climbing vines and white violets. Was it my fancy that brought

their thin fragrance to me over piles of billowy clouds? There was

something there that was old--old as the race. Those green valleys

were the same as when the mists first lifted from the earth. As I

looked my life stood still. My soul shivered faintly. As I looked I

felt nearer, my God, to thee--though I have no God and everything

is away from me, nothing tender comes to me.

Still it was nearer, my God, to thee.

A voice came out of the far, far distant ages and said very gently:

“All these shadows are falling in vain. You are blinded and bewildered

in the darkness--the darkness is deep--deep. There is not one dim

ray of light. Your feet falter and stumble. You can not see. But

the shadows are falling in vain.”

The Story of Mary MacLane · 第 55 / 79 题