CHAPTER I

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THE SUBSTITUTE PRISONER

by

MAX MARCIN

Author of "Are You My Wife?" "Britz of Headquarters," etc.

Copyright, 1911, by

Moffat, Yard and Company

New York

Published October, 1911

LIST OF ILLUSTRATIONS

Mrs. Collins (_Frontispiece_)

He looked about him in a bewildered way

She felt herself seized with a desire to weep

She did not repel the arm

THE SUBSTITUTE PRISONER

CHAPTER I

Did she come to threaten or to plead?

The question, darting swiftly through his mind as his eyes took in the

unfamiliar outline of her figure, produced a storm of agitation which

left him gazing stupidly at her, with fixed eyes in which surprise and

terror mingled.

He had never seen her before--his first moment of survey impressed that

clearly on him. Yet her presence in his home at this compromising hour

signified that she was involved, remotely or intimately, in his own

tangled affairs. The thought impelled him to closer scrutiny of her.

She was pleasing to the eye. But whether her beauty was soft and

alluring or hard and repelling, his bewildered senses could not

determine. Her toilet, fresh and elegant, rich and clinging, harmonizing

with the velvet drapings and melting lights of the room, seemed to

invest her with an air of breeding, gave her an outward show of

refinement. Yet she betrayed certain signs of doubtful comfort, as if

all this magnificence had been borrowed for the occasion.

He came forward noiselessly, his footsteps deadened in the soft pile of

the Brussels carpet. She regarded his approach with cold, impassive

demeanor, nodding slightly as he paused near the carved rosewood table

above which hung an exquisitely wrought silver lamp, suspended by four

silver chains from the ceiling.

"Mr. Herbert Whitmore?" she asked, not without trace of anxiety in her

voice.

He observed that her skin had a warm and pearly tone, that her abundant

hair was of a dark reddish tinge, and that her eyes, of turquoise blue,

gleamed with a strange, impenetrable hue. He was still gazing vacantly

at her, but his mind was working furiously, striving to answer the

harrowing questions that presented themselves in tumultuous succession

before it.

Who was she? What motive prompted this visit at ten in the evening? Did

she come to plead a financial matter?--or was she here for purposes of

blackmail? Did she have knowledge of his incriminating conduct, and was

she sent to ensnare him into further complications? Above all, what

attitude should he adopt toward her?

"What can I do for you?" he inquired in a tone frigidly polite, yet not

devoid of an anxious note.

They regarded each other a moment.

"I hardly know how to begin," she said, lowering her eyes.

He did not credit her hesitancy. It was a deceit, he felt, a bit of

theatricalism,--the simulated modesty of a woman of experience.

"Begin by being seated," he said rather sharply, as if he meant to

convey that he penetrated her sham diffidence.

Ignoring his brusqueness, she dropped into one of the ornate rosewood

chairs near the table.

"It is such a delicate matter on which I have come," she began

timorously, eying him for a sign of encouragement. "Now that I am here I

wish I hadn't come--it's so difficult for me to begin."

His keen gray eyes narrowed on her, but she read no encouragement in his

glance. He had regained control of himself and assumed a non-committal

attitude, as of one ready to listen, but indifferent as to whether she

proceeded or withdrew.

"You haven't revealed the purpose of your visit as yet," he said,

crossing his legs. "If you regret having come, you are at liberty to go

without further explanation."

He hurled it at her as a challenge, but with a positive feeling that it

would not be accepted.

"I have come to warn you," she said with sudden resolution.

"To warn me of what?" His brow knitted in puzzled surprise.

"I have come to tell you that he knows and has worked himself into a

murderous fury."

"I don't understand." But his pretense of ignorance was too shallow not

to be seen through immediately.

"You understand perfectly," she declared. "Moreover, you recognize your

danger. It is useless to try to deceive me--an understanding between us

might work to our mutual advantage."

He imagined that he perceived the sinister import of her suggestion. An

understanding between them--that could mean only one thing. She had come

to blackmail him.

"What sort of an understanding?" he asked experimentally.

She bent forward, thrusting her head directly underneath the overhanging

lamp, revealing a face not untouched by care and suffering. He guessed

her age at twenty-four, but the set earnestness of her expression made

her seem close to thirty. She still possessed a certain girlishness, but

it was marked and marred by an unpleasant maturity, as if she had

arrived too young at a woman's understanding of the world. With physical

beauty she was amply endowed; nor had it been hardened and coarsened

beyond power to allure. There was no visible imperfection to detract

from its charm; but, gazing on her, Whitmore felt something lacking,

something spiritual, imponderable, yet immediately detected and missed.

And this impression was heightened when she spoke.

"You are interested in George Collins and so am I," she said, and

paused.

"And you've come to plead for him?" His manner signified that her errand

was useless.

"Plead for him!" she echoed, a faint smile hovering about her lips. "Why

should I plead for him with you? I came to tell you that he knows--and

has bought a pistol."

"So he knows that I have learned of his conduct!" He studied the woman

as if trying to read her inmost thoughts. "Does he suppose that by

sending you with threats he can prevent me from telling--from

telling--her?"

"He didn't send me," she retorted quickly. "I came without his

knowledge. Nor do I care about what you have discovered! The point is

that he has discovered that you have been urging his wife to divorce

him. He accuses you of trying to disrupt his home. He is aware that you

have been in correspondence with his wife and intends to intercept your

next letter."

Whitmore's brow clouded. "Why did you come to tell me this?"

"For purely personal reasons."

"And who are you, madam?"

"I am----" She hesitated, as if afraid to disclose her identity. Then,

overcoming her hesitancy, she said, "I am Julia Strong."

On hearing the name, the outward calm which he had maintained vanished,

leaving him pale, agitated, apprehensive. Presently a mounting anger

succeeded all other emotions, and he rose to his feet.

"What do you mean by coming here at this hour?" he demanded savagely.

"You came here to warn me!--really, you overestimate my credulity!"

"I did come here to warn you," she persisted.

"And to betray George Collins!" The note of irony in his voice brought

the blood to her cheeks.

"I don't want him to kill you," she said, controlling a clutch in her

voice. "I want you to live. It is necessary--all my hopes and

aspirations demand it."

He was on the point of making a sharp retort, but checked himself

suddenly and regarded her with less aversion. Perhaps she was telling

the truth! If so, the situation in which he found himself was not

without its touch of grim humor. But what motive prompted her to extend

the mantle of protection about him, and simultaneously to betray George

Collins? He pondered the question a full minute. Then the simple

solution, the only tenable one, occurred to him. She was ready to betray

Collins for the same reason that had made her accept his protection.

"Madam," he said, with an eagerness he did not mean to betray, "knowing

who you are, now I can guess at the nature of your hopes and

aspirations. And you did right in coming to me. From what my detectives

have communicated to me, I am led to believe that you are a woman with a

keen appreciation of worldly comfort and luxury. I say this, without

intending the slightest offense. You are aware, undoubtedly, that I am

able to supply you with all you crave for--far in excess of anything

that you can possibly hope to obtain from Collins. If you will consent

to appear at my lawyer's office and make an affidavit----"

The changed expression on her face made him pause. She had risen and

stood facing him, her eyes blazing resentment, her lips curled in a

disdainful smile.

"I don't care to listen to your offensive utterances," she said, gazing

at him as if to impale him with her glance. "I'm sorry I came.

Good-night."

With an angry movement she donned her rich cloak, wrapping it about her

figure and moving toward the door. He followed her with his eyes, until

he saw her pass into the vestibule. Then he hastened forward and opened

the street door.

She descended the broad steps holding herself stiffly erect, head

uptilted--a striking figure, graceful, supple, almost commanding. In

fact, so attractive was the picture she made as she stood a moment on

the sidewalk, that a passing policeman, seized by a gallant impulse,

opened the door of the waiting taxicab and held it ajar while she

entered.

Balancing himself on the edge of the curb, the bluecoat stared after her

in undisguised admiration until the cab swung around the corner; then he

bestowed a curious glance on the house whence she had come. He saw that

the door was half open and that a man's figure stood revealed in the

soft light of the hallway. One hand was on the door knob, one foot was

thrust forward as if the man were uncertain whether to plunge after her.

Evidently he decided against venturing out, for he stepped back into the

vestibule and shut the door.

"Even these people have their little scraps," the bluecoat murmured

sagely, and passed on.

Herbert Whitmore did not return to the room in which he had received the

visitor. Instead, he ascended the stairs to the library, and threw

himself into the soft embrace of a wide leather chair.

The turmoil of his brain gave him an uncomfortable feeling of

excitement, as if he were participating in something active and swift,

which he but partly understood. He was incapable of connected

thought--everything was vague and shadowy before him. In a dim way he

recognized that he was standing in the way of an approaching avalanche,

and gradually he began to discern the nature of the impending

catastrophe. Presently the vague uncertainty that hovered before his

mind resolved itself into action, and his groping forefinger pressed a

button hidden beneath the carved edge of the library table. In response

to the pressure, a liveried butler entered the room.

"Did you mail the letter I gave you?" inquired Whitmore.

"Yes, sir."

"When?"

"Immediately you gave it to me."

"That was about four hours ago?"

"Yes, sir."

"That is all."

The butler effaced himself from the room as noiselessly as he had

entered, and again Whitmore gave himself up to the alarming predicament

in which he found himself.

His reflections centered about the letter which the butler had mailed.

It was not sent in a moment of impulsiveness. The information which it

conveyed was not offered in spite, or in anger, or in envy. It was the

deliberate act of a man habituated to clear thinking and correct action.

Viewed with full knowledge of all the surrounding circumstances, that

letter must be regarded as the noble outpouring of a chivalrous love,

honest, worthy, unselfish. Regarded without the illumination of the

complex conditions which called it forth, the letter was pregnant with

possibility of mischief.

It was addressed to Mrs. George Collins. And George Collins must not be

permitted to intercept it.

With the single resolve to frustrate Collins actuating his movements,

Whitmore went to his apartment, slipped on his topcoat, and left the

house. He paused at the corner to consult his watch. It was eleven

o'clock.

He was sufficiently acquainted with the city to know that over on

Seventh Avenue certain shops kept open until midnight. He had passed

them frequently after theater and observed the industrious proprietors

and barkers noisily soliciting trade on the sidewalk.

Down Fifth Avenue Whitmore swung at a rapid pace, turning west at

Forty-second Street. Through the swirling crowds at Broadway he threaded

his way, finally entering the gloomy thoroughfare that cuts a somber,

murky streak through the illuminated area of Times Square.

Even Whitmore, engrossed as he was in his own affairs, could not help a

feeling of depression as with a single step he emerged from the

throbbing life and light of Broadway into the shabby darkness of Seventh

Avenue. For nowhere in the big city is the contrast of its extremes

brought home so sharply as at this intersection of three busy

thoroughfares.

It is worth while to pause a moment in the blatant glare of that

monstrously hideous variety house, that architectural malformation that

defaces the northwest corner; or opposite in the shadow of the gray

illumined tower that mounts undaunted, a connecting ladder between earth

and sky. Especially profitable is it to pause a moment at the hour when

the neighboring theaters are discharging their crowds, and to glance

behind and beyond the furious activity that bewilders the eye and

dazzles the senses. If you have the eye to see and the mind to

appreciate, you will behold an illuminated canvas whereon is depicted,

within the limited area of your vision, everything that a great city

holds of wealth and poverty, beauty and ugliness, joy and sorrow, luxury

and squalor, purity and degradation, truth and falsehood. It is all

there, in this narrow environment, with the lights and the shadows

meeting and blending, as the noise from below merges with the silence

above.

Nothing of these vivid contrasts struck the sense of Whitmore as with

nervous steps he hurried toward his destination. In the first place,

familiarity with the scene had deprived him of the faculty to read its

pitiless meaning; secondly, a feverish anxiety to have done with the

business that dominated his mind and accelerated his footsteps sent him

unheeding across Seventh Avenue and down that thoroughfare until he

stopped abruptly before one of the shabby second-hand clothing stores

with which the street abounds.

The air of prosperity with which he was invested saved him from being

seized immediately by one of the bawling salesmen and dragged into the

mothy interior of the shop. He was not of the type that submits to being

manhandled and browbeaten into purchasing cast-off garments. But, as he

stood hesitant and uncertain within the narrow radius of the gas-lit

window, one of the barkers found sufficient courage to invite him

within. And, to the utter amazement of the alert salesman, Whitmore

entered the store.

The proprietor of the place, a stooped, be-whiskered man who spoke with

a pronounced Hebraic accent, came forward to wait personally on this

elegant customer. But he found that no especial skill was required to

consummate a sale. Whitmore selected an old, dilapidated suit, a worn

coat, an old slouch hat, and a pair of heavy shoes, and almost caused

the beaming merchant to die of heart failure by paying the first price

demanded of him.

"It's for an amateur theatrical performance," Whitmore explained to the

proprietor, who was unable to hide his surprise that a customer of such

seeming prosperity should invest in these cast-off garments.

With the bundle containing the clothes under his arm, Whitmore returned

to Broadway and entered one of the hotels. He consulted a railroad time

table, after which he called for a taxicab and directed the chauffeur to

take him home.

He entered the house with his latchkey and climbed the stairs to his

room. Divesting himself of coat and vest, he stepped before the mirror

and shaved off his gray mustache. Next he produced a soft tennis shirt,

which he exchanged for the linen one he had on, and an old bow tie took

the place of the blue four-in-hand which he usually wore.

Undoing the bundle with which he had entered the house, he proceeded to

dress in the second-hand garments. When he had pulled the battered

slouch hat well down on his forehead, he surveyed himself in the glass.

The transformation was complete.

Regarding himself in this shabby disguise, he almost deteriorated in his

own estimation. It was difficult to believe that a mere change of

apparel could make such a vast difference. But one satisfaction he could

not deny himself. It was unlikely that anyone would recognize, in the

human derelict before the looking-glass, Herbert Whitmore, millionaire,

owner of the great Whitmore Iron Works. It was certain that his most

intimate friend would have failed to penetrate his disguise.

Dismissing the unpleasant reflections kindled within him, Whitmore

proceeded with characteristic assurance to execute what was in his mind.

He descended silently to the basement of the house, where he obtained a

heavy screw-driver. This he secreted in the inside pocket of his coat.

Next he went to the basement door and peered furtively through the

grating. His anxious eyes swept the street until convinced that no

inquisitive policeman was loitering in the immediate vicinity. Then,

slowly, apprehensively, he opened the door and issued, like a thief in

the night, from his own home.

The Substitute Prisoner · 第 1 / 24 章