Now and then single blossoms dropped as if they had something to say

to the little cow-herd and his queen, lying there in the cool grass.

But the marionettes said nothing; their hearts were very full; now, at

last, they found their old happiness return to them. Their prayers,

that they used to say to each other so tenderly, had been going wrong

for quite a long time; sudden starts and tremblings of fear had taken

hold of their light-hearted deceptions of each other; and every day

things had been going worse. But now they felt like entering upon a

long rest.

As they lay, their hands met together. The little cow-herd could

count her fingers across the palm of his hand, and never once did she

pretend to be drawing them away. How good it all seemed!

Close by them the odd man was strutting in stiff, ungainly attitudes,

cricking his neck and elbows, and tossing up his toes. How foolish he

seemed to them in their innocent wisdom! They knew he was nothing to

them, for he had no heart; he was nothing but a trick on springs. Yet

they wished he would go away, and give them room to be alone, while

the moon was making a white dream over their lives.

* * * * *

The partner grumbled to himself at the awkward ways of the new

puppet. Instead of obeying, it kicked at the leading strings, and did

everything like a stick, all angles and corners. Presently he put it

back into its box; and then he saw the little king and queen lying

together on the damp grass. He picked them up, growling at Killian as

a simpleton, for leaving them there to get rusty with the dew. Then he

put them also away, and curled himself up to dream about the success

of his play on the morrow.

Quite early in the morning he and Killian went into the city, and set

up their stage in a corner of the marketplace. The wonderful acting of

the little king and queen, compared with the ungainly hobblings and

jerkings of the odd man, threw the townspeople into ecstasies of

laughter. They declared they had never seen so funny a sight in their

lives as the beautiful nervous acting of the pair, side by side with

the stiff-jointed awkwardness of the other.

Presently, sure enough, the queen heard tell of this new form of

entertainment, and sent word for the mummers to appear at the palace.

Killian said to his partner: 'There is something the matter with the

puppets to-day; they want careful handling. I am glad we settled

that you are to do the new play; for, before the queen and her great

ladies, I am likely to lose my head.'

All the court was gathered together to watch the puppet-play, while

behind the scenes the partner took all the leading strings into his

own hands.

* * * * *

The two marionettes opened their eyes, and saw daylight; they began

moving to and fro softly; every now and then they put their faces

together and kissed. The stupid odd man seemed to have gone; they were

so glad to be left alone.

Soon the little king lay down, pretending to be tired, but it was only

that he might put his head in the queen's lap. She bent over him, and

laid her fingers on his eyes, seeming to say, 'Go to sleep, then! I

will shut your eyes for you.' How pretty it was of her!

Then she covered his face over with her handkerchief; and all at once

in came the odd man, walking on the points of his toes. The little

king, now that the handkerchief was over his face, opened his eyes,

and looked through it, to see what his dear queen would be doing now.

The odd man had his arms round her neck, and was kissing her, and the

queen looked as if she were going to kiss him back; but all at once

she had pushed away the odd man so hard that he fell down with his

heels in the air; and then she snatched the handkerchief from the

king's face, and began trembling, and kissing him.

The whole of the court shouted, first with laughter at the odd man's

fall, and then with admiration at the wonderful acting of the little

queen.

Behind the scenes the partner began grumbling to Killian: 'They are

going all wrong! It's all your doing, leaving them to lie in the damp

grass last night!'

But still the whole court shouted and applauded. So the play went on;

and now, more and more, the showman had cause to grumble. Whenever he

came to a part where the play required that the queen should turn from

her own cow-herd to the ugly odd man, everything went wrong. 'Very

well,' thought he at last, 'she may be as innocent as Desdemona but it

will all come to the same at the last!'

And so, still more, as the play went on, the little marionettes

trembled and shook with fear. They wished the silly odd man would go

away, and not come interrupting their prayers; and all the while they

loved each other so! No idea of jealousy ever entered the little

king's head; and as for the queen, if the odd man came and put his

arms round her neck and kissed her, could she help it? All she could

do was to run and put her arms round her own lover when he reappeared;

and how the court shouted and applauded, when she went so quick from

one to the other.

At last the final act was begun; the king came running in with a sword

in his hand, why, he did not know, until he saw his poor little queen

struggling in the arms of the odd man. 'Ah,' thought he, 'it is to

drive him away! Then we shall be by ourselves again, and happy.'

No one ever fought so wonderfully on a stage before as the little

cow-herd. All the court started to their feet, shouting; and still,

while they shouted, they laughed to see the impossible odd man

scooping about with his sword, and jerking head over heels, and high

up into the air, to get away from the little king's sword-play. The

partner had to keep snatching him up out of harm's way, for fear of a

wrong ending. Then, suddenly he let him come down with a jump on the

little king's head. And at that the king fell back upon the ground,

and felt a sharp pain go through his heart.

The odd man drew out his sword and laughed; on the end of it was a

tiny drop of blood. The poor little queen ran up, and bent down to

look in her lover's face, to know if he were really hurt. And then a

terrible thing happened.

Three times the little king raised his sword and pointed it at her

heart, and dropped it again. And all the time the partner was tugging

at the strings, and swearing by all the worst things he knew.

The little king felt himself growing weak; he was very frightened. He

felt as if he were going away altogether, and leaving her to think

he did not love her any more. And still his arm went up and down,

pointing the sword at her heart.

The showman tugged angrily; then there was the sound of a wire that

snapped--the king had thrown away his sword.

He reached up his two arms, and laid them fast round the queen's neck.

'Now at last she knows that I have not left off loving her.' He felt

her drawing herself away, he held her more and more tightly to his

breast; and now her little face lay close against his. Nothing should

take her away from him now!

The showman pulled violently with all his might, to get her away;

there was a snapping of strings, and then--the queen reached out two

weak little hands, and laid them under her lover's head.

They lay quite still, quite still for a long time, and never moved.

'The play is over!' said the showman, disgusted and angry at the wreck

of his plot.

Suddenly the whole stage became showered with gold; the great queen

and all her court threw out showers of it like rain. It fell all over

the two marionettes, covering them where they lay, just as the babes

in the wood when they died were covered over with leaves.

Killian dropped his head on to the boards of the little stage, and

sobbed. The partner let down the curtain, and began gathering up the

gold.

And still, from without, the queen and her court clapped, and cried

their applause; and still within lay Killian with his head upon the

stage, sobbing for the two little marionettes, lying still with all

the springs and strings of their bodies quite broken. Inside, though

he could not see them, their hearts were broken also. 'Now,' he

thought, 'I must go back to Grendel, or I too shall die!'

That night, in the middle of the night, the partner went away,

carrying with him all the gold that the little marionettes had earned

by their deaths. And these, indeed, he left, seeing that they were

useless any more. But to Killian, when he woke the next morning, they

were the only things left him in the world, to take back to Grendel.

He took them just as they were, locked in each other's arms, and went

back all the long way to Grendel, up into the hills of his home, as

poor in money as when he first started.

But Grendel saw that he had come back rich; for his face was grown

tender and wise. And for five years they waited very patiently

together, till by cow-keeping he had earned enough for them to keep

some cows of their own, and to live in married happiness.

The little marionettes they put on a shelf, beneath the cross, and the

statue of our Lady; and there, locked in each other's arms, those two

disciples and martyrs of love lie at peace, feeling no pain any more

in their broken hearts.

The Field of Clover · 第 4 / 4 段