AT THE HALL FARM[43]

Evidently that gate is never opened; for the long grass and the great

hemlocks grow close against it; and if it were opened, it is so rusty

that the force necessary to turn it on its hinges would be likely to

pull down the square stone-built pillars, to the detriment of the two

stone lionesses which grin with a doubtful carnivorous affability

above a coat of arms surmounting each of the pillars. It would be easy

enough, by the aid of the nicks in the stone pillars, to climb over

the brick wall with its smooth stone coping; but by putting our eyes

close to the rusty bars of the gate, we can see the house well enough,

and all but the very corners of the grassy inclosure.

[Footnote 43: From "Adam Bede."]

It is a very fine old place, of red brick, softened by a pale powdery

lichen, which has dispersed itself with happy irregularity, so as to

bring the red brick into terms of friendly companionship with the

limestone ornaments surrounding the three gables, the windows, and the

door-place. But the windows are patched with wooden panes, and the

door, I think, is like the gate--it is never opened: how it would

groan and grate against the stone floor if it were! For it is a solid,

heavy, handsome door, and must once have been in the habit of shutting

with a sonorous bang behind a liveried lackey who had just seen his

master and mistress off the grounds in a carriage and pair.

But at present one might fancy the house in the early stage of a

chancery suit, and that the fruit from that grand double row of

walnut-trees on the right hand of the inclosure would fall and rot

among the grass; if it were not that we heard the booming bark of dogs

echoing from great buildings at the back. And now the half-weaned

calves that have been sheltering themselves in a gorse-built hovel

against the left-hand wall come out and set up a silly answer to that

terrible bark, doubtless supposing that it has reference to buckets of

milk.

Yes, the house must be inhabited, and we will see by whom; for

imagination is a licensed trespasser; it has no fear of dogs, but may

climb over walls and peep in at windows with impunity. Put your face

to one of the glass panes in the right-hand window: what do you see? A

large open fireplace, with rusty dogs in it, and a bare boarded floor;

at the far end, fleeces of wool stacked up; in the middle of the

floor, some empty corn-bags. That is the furniture of the dining-room.

And what through the left-hand window? Several clothes-horses, a

pillion, a spinning-wheel, and an old box wide open, and stuffed full

of colored rags. At the edge of this box there lies a great wooden

doll, which so far as mutilation is concerned bears a strong

resemblance to the finest Greek sculpture, and especially in the total

loss of its nose. Near it there is a little chair, and the butt-end of

a boy's leather long-lasht whip.

The history of the house is plain now. It was once the residence of a

country squire, whose family, probably dwindling down to mere

spinster-hood, got merged in the more territorial name of Donnithorne.

It was once the Hall; it is now the Hall Farm. Like the life in some

coast town that was once a watering-place, and is now a port, where

the genteel streets are silent and grass-grown, and the docks and

warehouses busy and resonant, the life at the Hall has changed its

focus, and no longer radiates from the parlor, but from the kitchen

and the farm-yard.

Plenty of life there, tho this the drowsiest time of the year, just

before hay harvest; and it is the drowsiest time of the day too, for

it is close upon three by the sun, and it is half-past three by Mrs.

Poyser's handsome eight-day clock. But there is always a stronger

sense of life when the sun is brilliant after rain; and now he is

pouring down his beams, and making sparkles among the wet straw, and

lighting up every patch of vivid green moss on the red tiles of the

cow-shed, and turning even the muddy water that is hurrying along the

channel to the drain into a mirror for the yellow-billed ducks, who

are seizing the opportunity of getting a drink with as much body in it

as possible. There is quite a concert of noises: the great bull-dog,

chained against the stables, is thrown into furious exasperation by

the unwary approach of a cock too near the mouth of his kennel, and

sends forth a thundering bark, which is answered by two fox-hounds

shut up in the opposite cow-house; the old top-knotted hens,

scratching with their chicks among the straw, set up a sympathetic

croaking as the discomfited cock joins them; a sow with her brood, all

very muddy as to the legs, and curled as to the tail, throws in some

deep staccato notes; our friends the calves are bleating from the home

croft; and under all, a fine ear discerns the continuous hum of human

voices.

For the great barn doors are thrown wide open, and men are busy there

mending the harness under the superintendence of Mr. Goby the

"whittaw," otherwise saddler, who entertains them with the latest

Treddleston gossip. It is certainly rather an unfortunate day that

Alick the shepherd has chosen for having the whittaws, since the

morning turned out so wet; and Mrs. Poyser has spoken her mind pretty

strongly as to the dirt which the extra number of men's shoes brought

into the house at dinner-time. Indeed, she has not yet recovered her

equanimity on the subject, tho it is now nearly three hours since

dinner and the house floor is perfectly clean again; as clean as

everything else in that wonderful house-place, where the only chance

of collecting a few grains of dust would be to climb on the

salt-coffer, and put your finger on the high mantel shelf on which the

glittering brass candlesticks are enjoying their summer sinecure; for

at this time of year, of course, every one goes to bed while it is yet

light, or at least light enough to discern the outline of objects

after you have bruised your shins against them. Surely nowhere else

could an oak clock-case and an oak table have got to such a polish by

the hand: genuine "elbow polish," as Mrs. Poyser called it, for she

thanked God she never had any of your varnished rubbish in her house.

Hetty Sorrel often took the opportunity, when her aunt's back was

turned, of looking at the pleasing reflection of herself in those

polished surfaces, for the oak table was usually turned up like a

screen, and was more for ornament than for use; and she could see

herself sometimes in the great round pewter dishes that were ranged on

the shelves above the long deal dinner-table, or in the hobs of the

grate, which always shone like jasper.

Everything was looking at its brightest at this moment, for the sun

shone right on the pewter dishes, and from their reflecting surfaces

pleasant jets of light were thrown on mellow oak and bright

brass;--and on a still pleasanter object than these; for some of the

rays fell on Dinah's finely molded cheek and lit up her pale-red hair

to auburn, as she bent over the heavy household linen which she was

mending for her aunt. No scene could have been more peaceful, if Mrs.

Poyser, who was ironing a few things that still remained from the

Monday's wash, had not been making a frequent clinking with her iron,

and moving to and fro whenever she wanted it to cool; carrying the

keen glance of her blue-gray eye from the kitchen to the dairy, where

Hetty was making up the butter, and from the dairy to the back

kitchen, where Nancy was taking the pies out of the oven. Do not

suppose, however, that Mrs. Poyser was elderly or shrewish in her

appearance; she was a good-looking woman, not more than

eight-and-thirty, of fair complexion and sandy hair, well-shapen,

light-footed; the most conspicuous article in her attire was an ample

checkered linen apron, which almost covered her skirt; and nothing

could be plainer or less noticeable than her cap and gown, for there

was no weakness of which she was less tolerant than feminine vanity,

and the preference of ornament to utility. The family likeness between

her and her niece Dinah Morris, with the contrast between her keenness

and Dinah's seraphic gentleness of expression, might have served a

painter as an excellent suggestion for a Martha and Mary. Their eyes

were just of the same color, but a striking test of the difference in

their operation was seen in the demeanor of Trip, the black-and-tan

terrier, whenever that much-suspected dog unwarily exposed himself to

the freezing arctic ray of Mrs. Poyser's glance. Her tongue was not

less keen than her eye, and whenever a damsel came within earshot,

seemed to take up an unfinished lecture, as a barrel-organ takes up a

tune, precisely at the point where it had left off.

The Best of the World's Classics, Restricted to Prose, Vol. VI (of X)—Great Britain and Ireland IV · 第 86 / 118 题