Thus the sacred regatta moved over the prescribed course to the
mainland. Leaving the barges, the priests were marshalled into a vast
procession. At the head moved the trumpeters, their instruments pitched
to a wailing key, and giving forth long and monotonous notes. They were
followed by others, carrying the various articles that were to be
offered. Then came the living sacrifices. About the parents who were
bringing their children to the god, the singing priests formed a circle,
and drowned the weeping in the louder praise they shouted to Baal. The
throne of the king was placed upon an open platform, and, with its royal
occupant, was borne upon the shoulders of the most noted of the
hierarchy; the neophyte Hanno being honored with a place by its side,
and with a wand of authority as one of the directors of the ceremony.
During the passage from the landing-place to the presence of the idol,
the people were allowed to look upon their vicarious sacrifice. All
hatred and wrath had given way to the better emotions of reverence,
gratitude, and affection. The crowd pressed as close to the line as the
priestly attendants would permit, and there threw themselves upon the
ground, kissing the spot their king's form had shadowed, and gathering
up handfuls of the dust for sacred memorial. He was now their possession
as they had never thought when they called him their king; for he was
their substitute, upon whom were laid all their woes and fears; and soon
he was to be their god, when, through the mystery of the fire-offering,
he would pass into the sublimer mysteries of the glory of Baal.
A little way to the front of the idol had been erected a silken
pavilion, covered with devices and mottoes of religious import, which
were elaborately wrought with needle-work upon its floating walls of
crimson. This was the Holy Place, into which the great atoner, leaving
his throne, retired from the gaze of all, that in secrecy he might
prepare himself for the final offering; that, as Egbalus had said, his
soul might first pass into, and be absorbed by, the very being of deity,
before his body should be given to the outward image of the Unknown. The
high priest had declared that so thorough was the acquiescence of the
king in his own immolation that, when he should come forth from the
sacred pavilion and proceed to the flames, he would not be a mortal, but
only the semblance of his former self; his glory shielded as a cloud
shields the sun, lest the sight should blind the beholders.
As the curtains fell, secluding Hiram in the sacred pavilion, Egbalus
kissed the spot where the victim's foot last touched the outer earth.
Together with the attendant priests, he then retired from the proximity
of the tent, leaving a broad space about it unoccupied by a human being,
but penetrated by the gaze of thousands.
A long silence fell upon the multitude. A strange, oppressive awe of
what might be transpiring within stifled the very breathing of the
waiting throngs.
Then, suddenly, the blare of a hundred trumpets gave the signal for the
presentation of the offerings. The inanimate gifts were first placed in
huge piles upon the arms of the god, which, being lowered, dropped them
into the flames beneath. Next, the living animals of small size were
laid bound in his hands. The horse and bull were first slain, their
blood poured over the arms of the idol, their hearts thrust into his
open jaw, until, shrunken by the heat, they fell into the pit, and were
consumed with the remaining flesh.
Then followed a stillness as of Sheol itself, broken only by the sobbing
of the women who approached the image, each bearing her child in her
arms. One, overcome by her contending emotions, fell fainting, but a
priest instantly seized the child, and laid it upon the hot hands that
shook it into the flames. Some staggered on with closed eyes, guided and
goaded by the attendants. Some sang, in half-crazy ecstasy, the wild
refrain of temple hymns, swaying their babes in time with the rhythm,
and, without assistance, ascended the steps and presented their
sacrifice. As babe after babe disappeared through the smoke, new waves
of excitement poured over the crowd; hot waves of delirium, burning out
humane instincts, and firing that rage of beasts which is latent in all
men. The crowd yelled in frenzy. The priests, with their long knives,
gashed their bodies, and, filling their mouths with their own flowing
blood, spit it forth again in the direction of the god.
Then, as the last babe was offered, the grand expectation brought the
multitude to silence. Egbalus approached the holy pavilion. He raised
his hand. The note of a single trumpet, finer, sweeter, yet sadder than
any other, floated over the throng. It was repeated, with louder sound
and more prolonged. Again it rang forth with full blast, and was
answered by one borne over the water from the Temple of Melkarth in the
island city. Then the high priest stood with uplifted hands. It seemed
many minutes to the people, whose excitement was scarcely endurable.
Turning to where the folding curtain indicated the entrance to the
pavilion, Egbalus cried with loud voice,
"Come forth, O thou accepted of Baal!"
He instantly prostrated himself on the ground. The priests in the front
row of spectators fell prone upon their faces. In the crowd every neck
was stretched and all eyes strained to catch the first glimpse of the
sacrificial hero.
But the curtain of the pavilion did not move. Was not the victim's
prayer yet completed? Was he so absorbed in communion with his god that
he had become oblivious to what was outward? Or did he flinch now at
the fatal instant? Perhaps the god had become his own priest and
stricken him, or sweetly drawn his consecrated spirit from his body! Was
he already dead?
Egbalus rose slowly from the ground, keeping his eyes upon the curtain
to note its first flutter. Again he struck his most august attitude, and
repeated the invocation:
"Come forth, thou accepted of Baal!"
He prostrated himself as before. But still there was no response.
The high priest rose again. He advanced, and touched the curtain, but,
evidently overcome by a feeling that it were sacrilege, or perhaps by
the dread of some mystery beyond his solution, or some ghostly power
raised by his word, but not amenable to it, and that would not down at
his bidding, he withdrew. He beckoned the dignitaries next in rank to
himself, among them Hanno, and with them held a consultation. They were
evidently as puzzled as he.
A third time the solemn invocation was pronounced, but with the same
futile result. Egbalus then, with pretence of bold exercise of his
office, but with manifest trepidation, laid his hand upon the curtain.
Hesitatingly he drew it aside. For a moment he stared into the shadows.
He advanced a step, then suddenly retreated. He looked about him as one
bewildered and uncertain how to act. He motioned to the nearest priests.
They came reverently, answering the perplexed face of the high priest
with looks of equal curiosity and alarm. One by one they looked into the
pavilion. Then they raised their hands as if Heaven alone could account
for what they saw.
_The Holy Place was empty!_
"The god! the god has taken him!" said Egbalus, in half-dubious,
half-credulous voice.
"The god has taken him!" shouted Hanno, and ran towards the crowd,
wildly throwing his arms. "Let us die with him!"
He grasped for his priest's knife. It had fallen from his belt. He beat
his breast, and fell in convulsions to the earth. Some of the people
fainted with fright. Others covered their heads with their mantles, as
if to shut out some stupendous apparition.
At this terrible moment a new portent occurred. The colossal image of
Baal shook. Its metal folds creaked one upon another. The ground
trembled as if from the convulsion of some subterranean spirit. The idol
tottered, and fell half-way to the earth. The priests, wild with terror,
ran shrieking into the crowd. Panic seized the multitude, who trod upon
one another in their haste to get away from the dread proximity. Many
were maimed as they fell among the great stones of the old ruin that
covered the ground, and some were crushed beneath the trampling feet, or
smothered under the accumulated mass of helpless humanity piled above
them. Only when they had reached a distance did the fleeing men pause to
look back. Egbalus alone remained near the pavilion. He seemed to have
been transformed into a statue. At length he moved, not to follow the
awe-stricken fugitives, but to enter the pavilion! Such halting steps
did he take that one might have imagined him drawn by some invisible
power which he was trying to resist.
"The god has taken the high priest also!" cried Hanno, who had recovered
sufficient self-possession to raise his head and look; but,
horror-stricken by the sight, he buried his face in the dust.
A venerable priest advanced from the cowering throng midway the open
space, and raised his knife with a loud cry:
"I, too, would come to thee, O Baal!"
He plunged the gleaming blade into his own heart. Scores of knives
flashed in the hands of the demented priests about him, as if they,
also, were waiting the audible summons to follow.
Suddenly Egbalus reappeared. He beckoned those nearest. He called for
Hanno, but the new enthusiasm had proved too much for the neophyte,
untrained to such deep emotions, and he lay a heaving heap of
unconscious devotion. Egbalus selected two attendants, and with them
re-entered the Holy Place. Would the god have more? No; Baal was
satisfied; for, see! the three priests emerge, not one of them blasted
to a walking cinder, nor ascending in a flame of fire. They talked
excitedly. Egbalus lifted his hand.
Suddenly the long blare of a trumpet announced the termination of the
sacrifice. The crowds were not allowed to re-enter the enclosure, but
betook themselves, some to Tyre or to their ships, some over the hills
to the inland villages, others along the coast--on foot, in litters, on
mules and camels and stately steeds--all scattering, to astound the
world with their reports of the miracle.
The setting sun flashed its red rays upon the leaning figure of Baal,
that seemed to bow in obeisance to the god of day. Only the priests
remained to watch until Astarte, smiling in the crescent moon, wrote her
benediction with the silvery beams she threw over the scene.