kind of cactus grows straight up in tall, round spikes about as large
around as a boy's leg, and higher than a man's head. The spikes are
covered with long, stiff spines that stick straight out and prick like
everything if you run into them. The only way to get through such a
fence is to go to the gate, so the boys ran along until they came to
some bars. They opened the bars (and forgot to put them up again) and
went into the pasture.
[Illustration]
IV
When they got inside the pasture the boys looked about for the goat.
This goat was quite a savage one, and was kept all by himself in a small
field. It did not take them long to find him. He was grazing quietly in
the shadow of a mesquite[14] tree. As Tonio had the only lasso there
was, he knew he could have the game all his own way, so he said,--
"I'll take the first turn with the lasso, Ignacio; you wave your red
serape at the goat while Juan stirs him up from behind."
The goat had his head down, eating grass, and did not notice the boys
until suddenly Juan split the air behind him with a fearful roar and
prodded his legs with a stick.
"Ah, Toro!" roared Juan at the top of his lungs just as he had heard the
matadors do at a real bull-fight, and at the same moment Ignacio shook
out his red serape.
The goat looked up, saw Tonio and the red serape, and immediately stood
up on his hind legs. Then he came down with a thump on his fore feet,
put his head down, and ran at Ignacio like a bullet from a gun. Ignacio
waved the serape and shouted, and when the goat got very near, he jumped
to one side as he had seen the matadors do, and the goat butted with all
his might right into the serape.
When he struck the serape his horn went through one end of it. Ignacio
had hold of the other end and before he knew what had happened he was
rolling backward down a little slope into a pool of water which was the
goat's drinking-place.
[Illustration]
Meanwhile the goat went bounding about the pasture with the serape
hanging from one horn. Every few minutes he would stamp on it and paw it
with his fore feet. Ignacio picked himself out of the water, and then
all three boys began a wild chase to get back the serape. It would be a
sad day for Ignacio if he went home without it.
Serapes are the most valuable things there are in a peon's hut, and were
never intended to be used by goats in this way.
Tonio couldn't lasso the goat because the serape covered his horns, so
the boys all tried to snatch off the serape as the goat went galloping
past, but every time they tried it the goat butted at them, and they had
to run for their lives.
At last the goat stood up on his hind legs and came down on the serape
so hard that there was a dreadful tearing sound, and there was the
serape torn clear in two and lying on the ground!
When his horns were free, the goat looked around for the boys. He was a
very mad goat, and when he saw them he went for them like an express
train. Juan ran one way, and Ignacio ran the other. Tonio was a naughty
boy, but he wasn't a coward. He kept his lasso whirling over his head,
and as the goat came by, out flew the loop and dropped over his horns!
The goat was much stronger than he, but Tonio braced back with all his
might and held on to the rope. Then began a wild dance! The goat went
bounding around the pasture with Tonio at the other end of the rope
bouncing after him.
It was a sight to see, and Juan and Ignacio were not the only ones who
saw it either.
V
Senor Fernandez was going by on his fine black horse, and when he heard
the yells of the boys he rode up to the pasture to see what was going
on. He was right beside the bars when the goat and Tonio came tearing
through.
The goat jumped over the bars that the boys had left down, but Tonio
caught his foot and fell down, and the goat jerked the rope out of his
hands and went careering off over the fields and was soon out of sight.
Tonio sat up all out of breath and looked at Senor Fernandez. Senor
Fernandez looked at Tonio. Juan and Ignacio were nowhere to be seen.
They were behind bushes in the goat-pasture, and they were both very
badly scared.
"Well," said Senor Fernandez at last, "what have you been doing?"
"Just playing bull-fight a little," Tonio answered in a very small
voice.
"Didn't you know that was _my_ goat?" said Senor Fernandez severely.
"What business have you driving it mad like that? Get up."
Tonio got up. He was stiff and sore all over. Moreover, his hands were
all skinned inside, where the rope had pulled through.
"Were you alone?" asked Senor Fernandez.
"Not--very--" stammered Tonio.
"Where are the other boys?" demanded the Senor Fernandez.
"I d--don't know," gasped poor Tonio. "I--I don't see them anywhere."
(Tonio was looking right up into the top of the cactus hedge when he
said this, so I am quite sure he spoke the truth.)
"Humph," grunted Senor Fernandez. "Go look for them."
Tonio began to hunt around stones and bushes in the pasture with Senor
Fernandez following right behind on his horse. It wasn't long before he
caught a glimpse of red. It was the pieces of the serape, which Ignacio
had picked up. Tonio pointed it out, and Senor Fernandez galloped to it
and brought out the two culprits. Then he marched the three boys back to
the village in front of his horse, Tonio with his blistered hands and
torn clothes, Juan with bumps that were already much swollen, and
Ignacio wet as a drowned rat and carrying the rags of the serape.
[Illustration]
When they got back to the river they found Dona Teresa there washing
out some clothes. When she saw them coming she stopped rubbing and
looked at them. She was perfectly astonished. She supposed, of course,
that Tonio was in school.
"Here, Dona Teresa, is a very bad boy," Senor Fernandez said to her. "He
has been chasing my goat all around the pasture and lassoing it, and he
left the bars down and they are broken besides, and no one knows where
the goat is by this time. I'll leave him to you, but I want you to make
a thorough job of It."
He didn't say just what she should make a thorough job of, but Tonio
hadn't the smallest doubt about what he meant. Dona Teresa seemed to
understand too.
Senor Fernandez rode on and left Tonio with his mother while he took the
other two boys to their homes. What happened there I do not know, but
when she and Tonio were alone I do know that Dona Teresa said sternly,
"Go bring me a strong switch from the willow tree," and that Tonio
thought, as he went for it, that there were more willow trees in the
world than were really needed.
And I know that when Dona Teresa had done "IT"--whatever it was that
Senor Fernandez had asked her to do thoroughly--Tonio felt that it
would be a very long time before he took any interest in either lizards
or goats again.
That evening Pancho went out with Pinto and hunted up the goat and put
him back in the pasture and brought home Tonio's lasso, and when he hung
it up on the nail he said to Tonio, "I think you're too young to be
trusted with a lasso. Let that alone for two weeks."
That was the very worst of all. To be told that he was too young! Tonio
went out and sat down under the fig tree and thought perhaps he'd better
run away.
But pretty soon Tita came out and sat down beside him and told him she
was sure he never meant any harm about the lizard, and his mother washed
his skinned hands and put oil on then, and brought him some molasses to
eat on his tortillas just as if she still loved him in spite of
everything.
So Tonio went to bed quite comforted, and that was the end of the day.
[Illustration]
[11] Mah-[)e]s'tr[=o].
[12] Hwahn.
[13] Ig-nah's[)i]-[=o].
[14] Mes'keet.
[Illustration]
V
JUDAS ISCARIOT DAY
[Illustration]
V
JUDAS ISCARIOT DAY
I
One day, later in spring, in the week just before Easter, Dona Teresa
got ahead of the red rooster. It happened in this way. Early in the
morning, when everything was still as dark as a pocket, and not a single
rooster in the neighborhood had yet thought of crowing, Dona Teresa woke
up and lighted a candle. Then see went over to the Twins' mat and held
up her candle so she could look at them. They were both sound asleep.
"Wake up, my lambs," said Dona Teresa. But her lambs didn't wake up.
Dona Teresa shook them gently. "Wake up, dormice! Don't you know this is
Judas Iscariot Day, and you are all going to town? Come, we are going in
Pedro's boat, and he has to start early."
Tita began to rub her eyes, and Tonio was sitting up with both of his
wide open the moment Dona Teresa said the word "boat." They bounced out
in a minute, and they even washed without being told, and they used
soap, too!
Pancho was roused by the noise they made. He got up at once and went to
attend to the donkey and to Pinto. When he opened the door the gleam of
Dona Teresa's candle woke the red rooster. He began to crow, and then
all the other roosters crowed, and almost right away candles were
glimmering in every hut in the village and every one was up and getting
ready to start to town.
Everybody was going. Some were going on horseback and some on donkeys;
more were walking, and as it was many miles from the hacienda to the
town it was necessary to start very early.
The quickest way to go was by boat, but, of course, not every one could
go that way because there were not enough boats. Pedro's boat went back
and forth every day between the hacienda and the town, carrying wood
and all kinds of supplies. He was a friend of Pancho's and that was how
they were so fortunate as to be invited to go with him.
Dona Teresa got breakfast very quickly, and while they were eating it
they heard a voice calling, "Here, buy your Judases--at six and twelve
cents--your Judases."
"There comes the Judas-seller. Run, children, run," cried Dona Teresa.
"You may each have twelve cents and you may buy two little ones or one
big one, as you like."
The Judas-seller had a long branch cut from a tree, with little twigs
growing out of it. On each twig hung a "Judas." They were small dolls,
with sticky pink-painted faces and sticky black-painted hair, and they
were dressed in tissue paper. The hands of the Judases were stuck
straight out on each side and from one hand to the other there was a
string stretched. Fire-crackers were hung along on this string. When
these fire-crackers go off, one after another, they set fire to the
Judas and burn him up.
You remember that long years ago, when Jesus was on earth, He was
betrayed by a man named Judas Iscariot, who sold Him to his enemies for
thirty pieces of silver. In Mexico, Judas Iscariot Day is kept in
remembrance of this, and all the Judases which the people buy and burn
up are to show how very wicked they believe the real Judas to have been.
But the Judas dolls didn't look the least bit as the real Judas must
have looked. Some of them were made to look like Mexican donkey-boys and
some like water-carriers, while others represented priests, or
policemen, or cowboys.
Tita couldn't make up her mind whether to buy a donkey-boy or a
policeman. But Tonio found what he wanted right away. It was a "Judas"
made like a thin young school-teacher! Tonio thought it looked like the
Senor Maestro, and he thought it would be very pleasant to see him burn
up, and so, though he cost twelve cents, he bought him at once.
II
When Pancho and Dona Teresa and the Twins were ready they went in a
little procession to the lake-shore. They found Pedro with his wife and
baby and Pablo already there.
This was the very same Pablo on whose feet Tonio had put the lizard. He
was Pedro's son.
Pedro was loading the boat with bundles of reeds. They were the reeds
used for weaving the petates[15] or sleeping-mats. The reeds grew all
about the lake, but the people in the town could not easily get them, so
Pedro had gathered a supply to sell to them.
The boat was quite large. It had one sail and there was a thatched roof
of reeds over the back part of it. It was too large to bring into the
shallow water near the shore, so Pedro had rolled up his white trousers
and was wading back and forth from the boat to the beach, carrying a
bundle of reeds each time and stowing it away under the thatch.
[Illustration]
Pancho at once took off his sandals, rolled up his trousers, and began
to help carry the bundles, while Dona Teresa and the Twins sat on the
sand with Pablo and the baby and their mother.
There was a large sack of sweet potatoes lying on the sand beside
Pedro's wife. You could tell they were sweet potatoes because the
bundle was so knobby. Besides Tonio felt of them.
"What are you going to do with your sweet potatoes?" asked Dona Teresa.
"I'm going to cook them in molasses and sell them," said Pedro's wife.
"I shall sit under an awning and watch the fun and turn a penny at the
same time. The baby is too heavy to carry round all day, anyway."
"I'll help you," said Dona Teresa. "Very likely I shall be glad enough
to sit down somewhere myself before the day is over."
"Pedro made me a little brasero out of a tin box," said his wife, "and I
have a bundle of wood right here, and the syrup and the dishes, all
ready."
When the reeds had all been put on board, Pancho took Tonio in his arms
and Pedro took Pablo, and they tossed them into the boat as if they had
been sacks of meal. The boys scrambled under the covered part and out to
the bow at once, and Pablo got astride the very nose of the boat and
let his feet hang over.
Then Pedro lifted Tita in.
It was more of a job to get the mothers aboard, for Pedro's wife was
fat, and he was a small man. Pedro shook his head when he looked at his
wife, then he took off his sombrero, and scratched his head. At last he
said, "I think I'll begin with the baby."
He took the baby and waded out to the boat and handed her to Tita, then
he went back to shore and took another look at his wife. "It'll take two
of us," he said to Pancho.
"I'm your man," said Pancho bravely. "I can lift half of her."
So Pedro and Pancho made a chair with their arms, and Pedro's wife sat
on it, and put her arms around their necks, and they waded out with her
into the water.
They got along beautifully until they reached the side of the boat and
undertook to lift her over the edge. Then there came near being an
awful accident, for Pedro's foot slipped on a slimy stone and he let her
down on one side so that one of her feet went into the water.
[Illustration]
"Holy mother!" screamed Pedro's wife. "They are going to drown me!"
She waved her arms about and jounced so that Pancho almost dropped the
other foot in too, but just in time Pedro shouted, "One, two, three, and
over she goes," and as he said _over_, he and Pancho gave a great heave
both together, and in she went all in a heap beside Tita and the baby.
While she crawled under the awning and settled herself with the baby and
stuck her foot out in the sunshine to dry, Pancho and Pedro went back
for Dona Teresa. She wasn't very stout so they got her in without any
trouble.
They put in the brasero and all the other things, and last of all Pancho
and Pedro climbed on board themselves, hoisted the sail, and pushed off.
Luckily the breeze was just right, and they floated away over the blue
water at about the time of day that you first begin to think of waking
up.
III
Even with a good breeze it took nearly an hour to sail across the lake.
If they hadn't been in such a hurry to see the fun in town, the Twins
and Pablo would have wished to have it take longer still.
Far away across the lake they could see the town with its little
bright-colored adobe houses and the spire of the church standing up
above the tree-tops.
As they drew nearer and nearer, they could see a bridge, and people
passing over it, and flags flying, and then they turned into a river
which ran through the town, where there were many other boats.
It took some time to find a good place to tie the boat, but at last it
was done, and the whole party went ashore and started up the street
toward the open square in the middle of the town.
Pedro and Pancho went ahead, each carrying three bundles of reeds on his
back. Then came Pedro's wife with the bag of sweet potatoes, while Dona
Teresa carried the baby. Pablo had the brasero and the wood, and Tonio
and Tita brought up the rear with the molasses jug, the cooking-dishes,
and their Judases all carefully packed together.
"Now, mind you, Tonio," said Dona Teresa as the procession started,
"don't you get to watching everything in the street and forget that jug
of molasses."
[Illustration]
It was pretty hard to keep your mind on a jug when there were so many
wonderful things to see. In the first place there was the street itself.
No one had ever seen it so gay! Strings had been stretched back and
forth across the street from the flat tops of the houses on either side,
and from these strings hung thousands of tissue-paper streamers and
pennants in all sorts of gorgeous colors.
The houses in Mexican towns are close to the street-line and stand very
near together. They are built around a tiny open space in the center
called a patio. The living-rooms open on the patio, so all that can be
seen of a house from the street is a blank wall with a doorway, and
perhaps a window or two with little balconies. Sometimes, if the door is
open, there are glimpses of plants, flowers, and bird-cages in the
little patio.
Pablo and Tonio and Tita had their hands full, but they kept their eyes
open, and their mouths too. They seemed to feel they could see more that
way.
IV
It was not very long before they came to the public square or plaza of
the town, and there on one side was the church whose spire they had seen
from the boat.
On the other side was the market-place, and in the center of the square
there was a fountain. In another place there was a gayly painted
band-stand with the red, white, and green flag of Mexico flying over it.
There were beds of gay geraniums at each corner of the square, and large
trees made a pleasant shade where people could sit and watch the crowds,
or listen to music, if the band were playing.
Pedro and Pancho went straight across the street to the market side.
There were rows of small booths there, and already many of them were
occupied by people who had things to sell. There were peanut-venders,
and pottery-sellers; there were women with lace and drawn work; there
were foods of all kinds, and flowers, and birds in cages, and chickens
in coops or tied up by the legs, and geese and ducks,--in fact, I
can't begin to tell you all the things there were for sale in that
market.
Pedro found a stall with an awning over it and took possession at once.
He and Pancho put down the bundles of reeds in a pile, and his wife sat
on them. Pedro placed the brasero on the ground in front of her, and the
sweet potatoes by her side. Pablo put down the wood, and Dona Teresa put
the baby into her arms. Tita gave her the cooking-dishes, and Tonio was
just going to hand her the jug, when bang-bang-bang!--three
fire-crackers went off one right after the other almost in his ear!
Tonio jumped at least a foot high, and oh--the jug! It accidentally
tipped over sideways, and poured a puddle of molasses right on top of
the baby's head!
It ran down his cheek, but the baby had the presence of mind to stick
his tongue out sideways and lick up some of it, so it wasn't all
wasted.
[Illustration]
Dona Teresa said several things to Tonio while the baby was being mopped
up. Tonio couldn't see why they should mind it if the baby didn't.
At last Dona Teresa finished by saying to the Twins and Pablo, "Now you
run round the square and have a good time by yourselves, only see that
you don't get into any more mischief; and come back when you're
hungry."
Pedro and Pancho had already gone off by themselves, and as they didn't
say where they were going I can't tell you anything about it. I only
know they were seen not long after in front of a pulque shop (pulque[16]
is a kind of wine) talking in low tones with a Tall Man on horseback,
and that after that nobody saw them for a long time. It may be they went
to a cock-fight, for there was a cock-fight behind the pulque shop and
most of the other men went if they did not.
V
The Twins and Pablo with their precious Judases went to a bench near the
fountain, and sat down to watch the fun. There were water-carriers
filling their long earthen jars at the fountain; there were young girls
in bright dresses who laughed a great deal; and there were young men in
big hats and gay serapes who stood about and watched them.
[Illustration]
There were more small boys than you could count. Twelve o'clock was the
time that every one was supposed to set off his fire-crackers, and the
children waited patiently until the shadows were very short indeed under
the trees in the square and there had been one or two explosions to
start the noise, then they tied their Judases up in a row to the back of
the bench. They hung Tonio's Maestro in the middle, with Tita's
donkey-boy on one side and the policeman on the other. Pablo's Judas was
a policeman too, and they put him on the other side of the donkey-boy.
Then Pablo borrowed a match from a boy and set fire to the first cracker
on his policeman. Fizz-fizz-bang! off went the first fire-cracker.
Fizz-fizz-bang! off went the second one. When the third one exploded,
the policeman whirled around on his string, one of his hands caught
fire, and up he went in a puff of smoke.
They lighted the fuses on the donkey-boy and the other policeman, both
at once, and last of all Tonio set fire to the Maestro Judas. He was the
biggest one of all. While the fire-crackers went off in a series of
bangs, Tonio jumped up and down and sang, "Pop goes the Maestro! Pop
goes the Maestro!" and Tita and Pablo thought that was so very funny
that they hopped about and sang it too.
Just as the last fire-cracker went off and Tonio's Judas caught fire,
and all three of them were dancing and singing at the top of their
lungs, Tonio saw the Senor Maestro himself standing in front of the
bench with his hands in his pockets, looking right at them!
[Illustration]
Tonio shut his mouth so quickly that he bit his tongue, and then Pablo
and Tita saw the Maestro and stopped singing too, and they all three ran
as fast as they could go to the other side of the square and lost
themselves in the crowd.
They stayed away for quite a long time. They were in the crowd by a
baker's shop when a great big Judas which hung high overhead exploded
and showered cakes over them. They each picked up a cake and then ran
back to show their goodies to their mothers. They could hardly get near
the booth at first, because there was quite a little crowd around it,
but they squirmed under the elbows of the grown people, and right beside
the brasero eating a piece of candied sweet potato, and talking to Dona
Teresa, whom should they see but the Senor Maestro?
Tonio wished he hadn't come. He turned round and tried to dive back into
the crowd again, but the Senor Maestro reached out and caught him by the
collar and pulled him back. Tonio was very much frightened. He thought
surely the Maestro had told his mother about "Pop goes the Maestro," and
that very unpleasant things were likely to happen.
"Any way, there aren't any willow trees in the plaza," he said to
himself. "That's one good thing."
But what really happened was this. The Maestro took three pennies out of
his pocket, and said to Pedro's wife, "Please give me three pieces of
your nice sweet potatoes for my three friends here!"
Pedro's wife was so busy with her cooking that she did not look up to
see who his three friends were until she had taken the pennies and
handed out the sweet potatoes. Then she saw Pablo and Tonio and Tita all
three standing in a row looking very foolish.
She was quite overcome at the honor the Maestro had done her in buying
sweet potatoes to give to her son, and Dona Teresa thought to herself,
"They really must be very good and clean children to have the Maestro
think so much of them as that." She thanked him, and Tonio and Tita and
Pablo all thanked him.
After that there was a wonderful concert by a band all dressed in green
and white uniforms with red braid, and at the end of the concert, it
was four o'clock. Pedro's wife had sold all her sweet potatoes by that
time and Pedro had sold all his reeds. Pancho had come back, the baby
was sleepy, and every one was tired and ready to go home. So the whole
party returned to the boat, this time without any heavy bundles except
the baby to carry, and sailed away across the lake toward the hacienda.
Pancho and Dona Teresa and the Twins reached their little adobe hut just
as the red rooster and the five hens and the turkey were flying up to
their roost in the fig tree.
[Illustration]
[15] Pay-tah'tays.
[16] Pool'kay.